BUXTEHUDE – TRIO SONATAS

These Trio Sonatas of Op.1 are a remarkable example of Buxtehude’s chamber music.

Buxtehude’s legacy, for many centuries neglected, has more recently been re-appraised and its importance accepted, not only for the quality of its craftsmanship but also for its undeniable influence on composers such as J.S. Bach. It is reputed that Bach walked over 200 miles to hear Buxtehude play the organ, so extraordinary was his reputation. The Purcell Quartet has built up a fine reputation over the years for the quality of performances and musicality. They have previously recorded the Buxtehude Sacred Cantatas in two volumes which were received with much critical acclaim and enthusiasm.

Buxtehude’s legacy, for many centuries neglected, has more recently been re-appraised and its importance accepted, not only for the quality of its craftsmanship but also for its undeniable influence on composers such as J.S. Bach. In fact, it is reputed that Bach walked over 200 miles to hear Buxtehude perform on the organ, so extraordinary was his reputation.
Chaconne has previously recorded sacred cantatas of Buxtehude, but this is the label’s first recording of secular instrumental works of the composer.

The VII Suonate, Op. 1 have now been recorded by The Purcell Quartet, who consistently receives good reviews, and is renowned for its artistry in repertoire of this kind. The trio sonatas are a remarkable example of Buxtehude’s beautiful chamber music and together with the trio sonatas Op. 2 are the only compositions that Buxtehude issued in print.