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FRANCESCO MANCINI
(1672-1737)
Solos for a Flute with a Thorough Bass for the Harpsichord or for the Bass Violin (1724)
Sonata VI
8:17
in B flat major - in B-Dur - en si bémol majeur
alto recorder, theorbo, harpsichord, and cello
1.
Largo
2:01
2.
Allegro
2:23
3.
Largo
2:07
4.
Allegro
1:37
Sonata IV
8:40
in A minor - in a-Moll - en la mineur
alto recorder, archlute, and cello
5.
Spiritoso - Largo
2:01
6.
Allegro
2:35
7.
Largo
2:07
8.
Allegro spiccato
1:48
Sonata X
8:05
in B minor - in h-Moll - en si mineur
voice flute and harpsichord
9.
Largo
1:54
10.
Allegro
2:19
11.
Largo
2:01
12.
Allegro
1:43
Sonata XII
8:29
in G major - in G-Dur -n en sol majeur
flauto traverso, theorbo, harpsichord, and cello
13.
Allegro - Largo
2:09
14.
Allegro
2:56
15.
Andante
1:53
16.
Allegro
1:23
Sonata XI
9:37
in G minor - in g-Moll - en sol mineur
alto recorder, theorbo, and organ
17.
Un poco andante
2:42
18.
Allegro
2:07
19.
Largo
2:22
20.
Allegro
2:18
Sonata I
8:49
in D minor - in d-Moll - en ré mineur
alto recorder and archlute
21.
Amoroso
2:03
22.
Allegro
2:15
23.
Largo
2:04
24.
Allegro
2:18
Sonata II
8:16
in E minor - in e-Moll - en mi mineur
flauto traverso, harpsichord, and cello
25.
Andante
1:29
26.
Allegro
2:29
27.
Largo
1:45
28.
Allegro
2:25
Sonata V
7:31
in D major - in D-Dur - en ré majeur
voice flute, guitar, harpsichord, and cello
29.
Allegro - Largo
1:59
30.
Allegro
2:16
31.
Largo
1:33
32.
Allegro
1:35
Total Time: 68:01
Chamber: Tempesta di Mare Philadelphia Baroque Orchestra
Gwyn Roberts alto recorder - voice flute - flauto traverso
Richard Stone archlute - theorbo - guitar
Adam Pearl harpsichord - organ
Lisa Terry cello
18-20 June 2013
Notes
Born in 1672 in Naples where he trained as an organist and composer, Francesco Mancini became one of the most prominent composers of Neapolitan opera in the eighteenth century. The Solos for a Flute, published in 1724, were a collection of Sonatas dedicated to John Fleetwood, the English consul to Naples and himself an amateur flautist. Hoping to gain himself a steady remunerative position in England, Mancini designed this flattering dedication to take advantage of the popularity of Italian music in London and the rise in prominence of wind music at the time. Fleetwood died the year after the Solos were published and Mancini never moved from his native Italy. The quality of these works was nevertheless recognised in England and the Solos for a Flute achieved great success. The Sonatas, as the individual Solos are called, follow the usual four- or five-movement structure established by Corelli, wildly popular in England at the time. Clear Neapolitan influences are present, however, in elements such as the minor tonalities and almost operatic melodies employed in the slow movements.
This collection of substantial excerpts from the set is performed by the Tempesta di Mare Chamber Players, the Philadelphia-based early music ensemble, which has been recording exclusively for Chandos since 2004. Gwyn Roberts, co-director of the ensemble, playing a variety of period flutes and recorders, is the soloist.
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Reviews
“… I particularly enjoyed the group’s arrangement of Sonata 1: the alto recorder and archlute form pleasing, well-balanced and satisfying pairing … but the whole collection is an enjoyable introduction to the work of a composer whose music deserves to be better known. Tempesta di Mare is to be congratulated on bringing these fine sonatas to a wider audience, and I shall look forward to their further explorations…”
Margaret Rees – The Consort (The Journal of the Dolmetsch Foundation, Summer 2015, Vol 71)
“…this disc immediately takes pride of place among the few releases devoted to Mancini’s recorder sonatas; enthusiastically recommended.”
James A Altena – Fanfare – September/October 2014
"...If you add this disc to your collection you certainly won’t regret it. This is first-classentertainment, and, considering the theatrical aspects of these sonatas, often more than that..."
Johan van Veen - MusicWeb-International.com - 13 October 2014
"The Chandos recording is up to the usual very high standard, with masses of detail and a nice sense of space and atmosphereThis selection from Tempesta di Mare is a very nice way to fill a gap in anyone’s collection..."
Dominy Clements - MusicWeb-International.com - 20 June 2014
"...Neglected music which charms as much today as when composed in 1724." ****
George Pratt - BBC Music magazine (Brief Notes Section) - June 2014
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