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Complete Choral Works
MAURICE DURUFLÉ
(1902-1986)
Complete Choral Works
Requiem, Op. 9 (1947)
38:16
for solo voices, four-part chorus and organ
Mark Williams organ
1.
I
Introit. Andante moderato -
3:26
2.
II
Kyrie. Andante - Poco più animato
3:46
3.
III
Domine Jesu Christe. Andante - Andantino -
8:22
Thomas Herford baritone
4.
IV
Sanctus. Andantino
3:15
5.
V
Pie Jesu. Andante espressivo -
3:31
Clare Wilkinson mezzo-soprano
Catherine Dawson cello
6.
VI
Agnus Dei. Andantino
3:40
7.
VII
Lux æterna. Moderato -
3:41
8.
VIII
Libera me. Andantino - Animando poco a poco -
5:39
Thomas Herford baritone
9.
IX
In Paradisum. Andante moderato
2:56
Quatre Motets sur des thèmes grégoriens, Op. 10 (1960)
7:51
for chorus a cappella
À Monsieur Auguste Le Guennant, Directeur de l'Institut grégorien de Paris
10.
I
Ubi caritas. Andante sostenuto - Senza rigore
2:18
11.
II
Tota pulchra es. Poco animato - Senza rigore
2:17
12.
III
Tu es Petrus. Tempo giusto
0:50
13.
IV
Tantum ergo. Andante sostenuto
2:26
14.
Notre Père (1977)
1:26
for chorus a cappella
À ma femme
Andante
Messe 'Cum jubilo', Op. 11 (1966)
18:36
for baritone solo, baritone chorus and organ
À ma femme
Mark Williams organ
15.
Kyrie. Andantino - Poco più lento - Temp I
3:15
16.
Gloria. Animato - Andante - Animato
5:24
Thomas Herford baritone
17.
Sanctus. Andante
3:38
18.
Benedictus. Moderato - Poco più lento - Tempo I -
1:58
Thomas Herford baritone
19.
Agnus Dei. Moderato - Poco più lento - Più animato -
4:21
66:34
Choral: Choir of Trinity College, Cambridge
Conductor:Richard Marlow
2 & 3 July 1999; 15 January 2000 and 14 & 15 January 2005
Notes
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Reviews
The Trinity sound is ‘never louder than lovey’ and ultra-straight, giving it a fragile, floating quality that connects well with much of this music; I can’t think of any other performances of the ‘Four Motets where the balance of purpose is so finely judged.
BBC Music Magazine
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