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CAMILLE SAINT-SAËNS
(1835-1921)
Sonata No. 1, Op. 32 (1872)
20:27
in C minor - in c-Moll - en ut mineur
for cello and piano
1.
I
Allegro
8:58
2.
II
Andante tranquillo sostenuto
5:12
3.
III
Allegro moderato
6:12
Sonata No. 2, Op. 123 (1905)
33:06
in F major - in F-Dur - en fa majeur
for cello and piano
4.
I
Maestoso, largamente
9:10
5.
II
Scherzo con variazioni
8:55
[Tema.] Allegro animato -
Variazione 1. Allegro animato -
Variazione 2. [ ] -
Variazione 3. Tranquille, sans lenteur -
Variazione 4. Molto allegro -
Variazione 5. Sempre allegro -
Variazione 6. Molto moderato e marcato -
Variazione 7. Poco allegretto (Tranquillo) -
Variazione 8. Presto
6.
III
Romanza. Poco adagio - Agitato - Poco stringendo - A tempo adagio
7:56
7.
IV
Allegro non troppo, grazioso
6:50
8.
Priere, Op. 158 (1919)
5:11
in G major - in G-Dur - en sol majeur
for cello and organ
Arranged for cello and piano by the composer
Andante
9.
The Swan (1887)
3:01
'Le Cygne' from Le Carnaval des animaux (1886)
for cello and piano
Andantino grazioso
10.
Romance, Op. 36 (1874)
2:59
in F major - in F-Dur - en fa majeur
for horn or cello and piano
Moderato - Un peu plus de mouvement - A tempo
65:18
Solo:Christian Poltéra cello
30 March-1 April 2009
Notes
SAINT-SAËNS: CELLO SONATAS ETC.
Saint-Saëns was one the most important composers for the cello in his time and wrote a considerable amount of music for the instrument. Here the two Cello Sonatas are complemented with the ever-popular ‘Swan’ from The Carnival of the Animals, the Romance, Op. 36 and the late Prière. The cellist Christian Poltéra and pianist Kathryn Stott collaborate regularly in recital halls throughout the world and on Chandos recently released a disc of the Cello Sonatas by Fauré.
Saint-Saëns wrote a considerable amount of chamber pieces during his life, and his works for cello are seen as some of the most supreme for the cello repertoire.
Christian Poltéra and Kathryn Stott, best known for her performances of French repertoire perform Saint-Saëns melodic cello Sonatas, coupled with the legendary ‘Swan’ from The Carnival of the Animals. Romances Op.36 and Op.51 and Prière, Op.158 complete this programme.
Saint-Saens remains one of the most important composers for the cello, and his contributions are considerable.
Poltéra and Stott collaborate regularly in chamber music performances across the world and have recently recorded Faure Cello Sonatas for Chandos: ‘[Christian Poltéra]… is a fine choice of cellist for the two Sonatas. He phrases sensitively and makes the most of the composer’s dynamic markings… Kathryn Stott’s an ideal partner, managing her pedalling levels to produce a variety of textures.’ BBC Music Magazine
’[Christian Poltéra]… is fine choice of cellist for the two Sonatas. He phrases sensitively and makes the most of the composer’s dynamic markings, articulating with unusual clarity the music’s structure. Kathryn Stott s an ideal partner, managing her pedalling levels to produce a variety of textures.’ BBC Music Magzine
“…these are very lovely, polished readings of these beautifully-written works. The recording is balanced with care and has Chandos’s fine rich sound.” “…This is as fine a performance of this material as may be heard today.”
David W Moore - American Record Guide - March/April 2010
“…All in all this is an interesting exploration of Saint-Saens’ writing for cello.” ****
“…Poltera and Stott are as one in playing some fleet, taxing passagework with fluency and power.”
Geoffrey Norris - Gramophone magazine - January 2010
“…there’s never a dull second in their [Poletéra/Stott] glittering account of the two sonatas and delicious miniatures including, of course, ‘The Swan’. Poltéra’s tone is luminous and Stott digs seep into the piano parts; they both sound as if they’re enjoying every moment of it."
Jessica Duchen - Classic FM Magazine - December 2009
Performance **** Recording ****
“The unshowy Poltéra has a lovely sound, exquisite control and naturally expressive phrasing.”
“She [Stott] has a true grasp of the idiom, and the sheer energy and range of sound to illuminate these big works. The disc is completed with a gloriously limpid Swan, and two further salon delicacies.”
Helen Wallace - BBC Music Magazine - December 2009
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