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Imogen Cooper's Chopin
FRYDERYK CHOPIN
1.
Polonaise-fantaisie, Op.61
13:20
in A flat major • in As-Dur • en la bémol majeur
Dédiée à Madame A. Veyret
Allegro maestoso - A tempo giusto - Agitato - Più lento - A tempo I
2.
Nocturne, Op.62 No.1
7:39
in B major • in H-Dur • en si majeur
Dédiée à Mademoiselle R. de Könneritz
Andante - Sostenuto - Poco più lento - A tempo I
3.
Nocturne, Op.62 No.2
5:54
in E major • in E-Dur • en mi majeur
Dédiée à Mademoiselle R. de Könneritz
Lento - Agitato - [Tempo I]
4.
Fantaisie, Op.49
13:00
in F minor • in f-Moll • en fa mineur
Dédiée à Madame la Princesse Catherine de Souzzo
Marcia. Grave - Doppio movimento - Agitato - Lento, sostenuto - Tempo I - Più mosso - Adagio sostenuto - Allegro assai
5.
Ballade No.4, Op.52
12:15
in F minor • in f-Moll • en fa mineur
Dédiée à Madame Nathaniel de Rothschild
Andante con moto
6.
Nocturne, Op.27 No.2
7:07
in D flat major • in Des-Dur • en ré bémol majeur
Dédiée à Madame la Comtesse d'Appony
Lento sostenuto
7.
Ballade No.1, Op.23
9:54
in G minor • in g-Moll • en sol mineur
Dédiée à Monsieur le Baron de Stockhausen
Largo - Moderato - Agitato - Sempre più mosso - Meno mosso - Più animato - Meno mosso - Presto con fuoco
8.
Nocturne, Op.55 No.2
6:22
in E flat major • in Es-Dur • en mi bémol majeur
Dédiée à Mademoiselle J.W. Stirling
Lento sostenuto
9.
Berceuse, Op.57
5:12
in D flat major • in Des-Dur • en ré bémol majeur
À Mademoiselle Élise Gavard
Andante
Total time: 80:43
3-6 November 2015
Notes
Having explored the music of Schumann in three previous much-lauded recordings, Imogen Cooper now turns to the music of Chopin. Combining some of his greatest works, this album is a recital in itself.
The experience and emotional wisdom that complement her prodigious virtuosity has brought her to re-explore this often-played repertoire. As she explains: ‘Chopin is surely one of the most intriguing composers we know. Fabulous writing for the piano, a complex and rich harmonic world, melody, garlands of sensuous and quicksilver sound, passion – and of course the perfect vehicle for showing off pianism. For all these reasons, but above all for the last, we go through a crash course in our student years, his huge body of work keeping us constant company and teaching us the ropes as we take our first steps in becoming a pianist. The challenge comes in adult years when, as in all repertoire, we need to rethink, and to find solutions that probably eluded us earlier.’
On top of several concerts in Europe’s most prestigious venues, Imogen Cooper will tour all over the world this year, giving recitals that will include this recorded repertoire.
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Reviews
****** Interpretation ***** Sound *** Repertoire
Anja Renczikowski - Piano News (Germany) - November/Germany 2016
"...Imogen Cooper epitomises all that is refined, tasteful and thought-out... This is a recital of insights: of cultured pedalling, of playing to climaxes and cadences free of exaggeration, of Mozartean rhythm – pliant yet crisp, never flaccid or dragging... Chopin of this calibre is rare ..." *****
Ates Orga - ClassicalSource.com - August 2016
“... Cooper lays out her approach to the composer and the music in a revealing and insightful performer’s note. This is intelligent music-making of a high order and, with a total duration of over 80 minutes, real value for money!”
Guy Rickards - International Piano magazine - September/October 2016
Instrumental Choice
Performance ***** Recording *****
“... The programme is a very personal selection of Nocturnes, Ballades and substantial ‘Fantasie’ works: Chopin at his mot inward and serious. Atmospheres are intense, intimate, turbulent and dreamlike by turns; and Cooper injects every note with strength of personality...”
Jessica Duchen – BBC Music magazine – September 2016
“... Cooper knows how to hold the listener’s attention in the Nocturnes with the beauty of tone she weaves into the haunting melodies and fine harmonies ...”
Marius Dawn - Pianist magazine - August/September 2016
“... It is a well-chosen and contrasted programme, opening, courageously enough, with one of the composer’s most elusive works, the late Polonaise-fantaisie. In the quieter lyrical passages she finds a rare poignancy that I fine most affecting ...”
Jeremy Nicholas - Gramophone magazine - July 2016
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