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Works for Solo Piano, Volume Six
JOHANNES BRAHMS
1.
'Rakoczy' March, Anhang III No.10
4:44
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in A minor / in a-Moll / en la mineur
Edited by Michael Töpel
[ ]
2.
Intermezzo, Op.118 No.6
4:48
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in E flat minor / in es-Moll / en mi bémol mineur
from [Six] Piano Pieces
Andante, largo e mesto - Lento
3.
Canon, Anhang III No.2
0:43
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in F minor / in f-Moll / en fa mineur
[ ]
4.
Gigue, WoO4 posth. No.1
2:10
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in A minor / in a-Moll / en la mineur
[ ]
5.
Gigue, WoO4 posth. No.2
2:00
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in B minor / in h-Moll / en si mineur
[ ]
6.
Capriccio, Op.76 No.5
3:09
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in C sharp minor / in cis-Moll / en ut dièse mineur
from [Eight] Piano Pieces
Agitato, ma non troppo presto - [ ] - Tempo I
7.
Intermezzo, Op.76 No.7
2:47
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in A minor / in a-Moll / en la mineur
from [Eight] Piano Pieces
Moderato semplice
8.
Capriccio, Op.76 No.8
3:45
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in C major / in C-Dur / en ut majeur
from [Eight] Piano Pieces
Grazioso en un poco vivace
9.
Gavotte by Chr. W. Gluck, Anhang Ia No.2
4:02
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in A Major / in A-Dur / en la majeur
Clara Schumann zugeeignet
Grazioso
10.
Study No.1. Étude after Fr. Chopin, Anhang Ia No.1
3:00
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in F minor / in f-Moll / en fa mineur
from [Five] Studies for the Piano
Arrangement of Étude, Op.25 No.2
Poco Presto
11.
Study No.2. Rondo after C.M. von Weber, Anhang Ia No.1
4:58
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in C major / in C-Dur / en ut majeur
from [Five] Studies for the Piano
Arrangement for finale, Rondo, of Piano Sonata No.1, Op.24, J 138
Presto
12.
Study No.3. Presto after J.S. Bach, Anhang Ia No.1
3:29
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in G minor / in G-Moll / en sol mineur
from [Five] Studies for the Piano
Arrangement of finale from Sonata No.1, BWV 1001 for Solo Violin
Presto
13.
Hungarian Dance, WoO 1 No.2
3:13
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in D minor / in d-Moll / en ré mineur
from [Ten] Hungarian Dances for Piano, Two Hands
Allegro non assai - [ ] - (Tempo I)
14.
Hungarian Dance, WoO 1 No.4
4:48
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in F sharp minor / in fis-Moll / en fa dièse mineur
from [Ten] Hungarian Dances for Piano, Two Hands
Poco sostenuto - Vivace - Molto Allegro - Da capo sin'al Fine
15.
Hungarian Dance, WoO 1 No.6
3:07
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in D flat major / in Des-Dur / en ré bémol majeur
from [Ten] Hungarian Dances for Piano, Two Hands
Vivace
16.
Hungarian Dance, WoO 1 No.7
1:41
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in F major / in F-Dur / en fa majeur
from [Ten] Hungarian Dances for Piano, Two Hands
Allegretto vivace
17.
Hungarian Dance, WoO 1 No.8
2:47
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in A minor / in a-Moll / en la mineur
from [Ten] Hungarian Dances for Piano, Two Hands
Presto
18.
Hungarian Dance, WoO 1 No.9
2:06
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in E minor / in e-Moll / en mi mineur
from [Ten] Hungarian Dances for Piano, Two Hands
Allegro - Poco sostenuto
19.
Hungarian Dance, WoO 1 No.10
2:04
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in E major / in E-Dur / en mi majeur
from [Ten] Hungarian Dances for Piano, Two Hands
Presto
20.
Study No.5. Chaconne by J.S. Bach, Anhang ia No.1
16:49
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in D minor / in d-Moll / en ré mineur
for the Left Hand
from [Five] Studies for the Piano
Arrangement of Ciaccona, from Partita No.2, BWV 1004 for Solo Violin
Moderato
Total time: 76:10
About
This is the sixth and final volume in Barry Douglas’s survey of Brahms’s output for solo piano, which started four years ago. The recital completes a project that over 441 minutes has represented a ‘triumph of Brahmsian thoughts’ and in which ‘every sound is resonantly Brahmsian’. According to BBC Music, ‘Douglas’s tone is a deep velvet cushion, the legatos full of affection and the rhythms galvanised with great energy’.
The music recorded here spans the entirety of the composer’s creative career, from March 1852 (the Study after Weber) – eighteen months before the life-changing meeting between Brahms and Robert and Clara Schumann – to August 1893 (the Intermezzo, Op. 118 No. 6) – less than four years before his death, on 3 April 1897.
The selection of works offered here invites us to consider Brahms under many aspects – arranger, virtuoso, pedagogue, historicist, and above all pianist – which Barry Douglas embraces perfectly.
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Reviews
“... Douglas’ performance is the highlight of the disc... This is a beautifully balanced recital alternating arrangements and original works in lively, illuminating relationships... Chandos’s sound is, once again, bright and clear, providing the ideal ambience for Douglas.” ****
Guy Rickards - International Piano magazine - January/February 2016
“... This release, which is truly Douglas’s crowning glory, ends with his performance of the left-hand arrangement of the Bach Chaconne originally written for solo violin. Tenderness, rhythmic stability and idiomatic pedalling simply make this the best performance of this fine transcription to have ever come my way.” *****
Marius Dawn – Pianist magazine – October/November 2016
Performance **** Recording ****
“... Barry Douglas’s series of the complete Brahms solo piano music as proved immensely rewarding, and Volume 6 is no exception...”
Jessica Duchen - BBC Music magazine - November 2016
“... Douglas’s hefty, full-bodied sound, built from the bottom up, befits the mellow power of Brahms’s sound world. He plays the three Op 76 selections outstandingly well, especially the C major ... In the dark E flat minor Op 118 Intermezzo, most pianists focus attention on the right-hand melody and treat the rumbling left-hand lines as muted filigree. Douglas, however, does almost the exact opposite, and the effect is revelatory... If you’ve been following Douglas’s often admirable ... Brahms cycle from the start, you’ll know what to expect. That includes Chandos’s exemplary engineering.”
Jed Distler - Gramophone magazine - September 2016
"This final stage of Douglas’s Brahms survey offers an engaging, always surprising sequence of short (with one exception) and often fugitive pieces ..."
Paul Driver – The Sunday Times (Culture magazine) – 9 July 2016
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Brahms: Hungarian Dance No. 4 in f sharp minor (Barry Douglas)
Barry Douglas - Brahms: Works for Solo Piano, Vol. 6