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Essence
CLAUDE DEBUSSY
1.
Prélude à l'après-midi d'un faune (1891-94)
9:55
Symphonic Poem
À Raymond Bonheur
Arranged for Flute and Piano by Karl Lenski
Assez lent - Moins lent - En animant un peu - Animez toujours -
Premier mouvement - Mouvement du début - En retenant -
Mouvement du début (avec plus de longueur) - Plus lent - Très lent
GABRIEL FAURÉ
2.
Après un rêve, Op.7 No.1 (c.1878)
3:04
from Trois Mélodies
À Madame Marguerite Baugnies
Transcribed and arranged for Flute and Piano by Alain Marion (1938-1998)
in D minor • in d-Moll • en ré mineur
Andantino
3.
Fantaisie, Op.79 (1898)
5:05
in E minor / C major • in e-Moll / C-Dur • en mi mineur / ut majeur
for Flute and Piano
À Monsieur Paul Taffanel
Andantino - Allegro
CLAUDE DEBUSSY
4.
Clair de lune (c.1890, revised 1905)
5:05
No.3 from Suite bergamasque
for Piano
'Promenade sentimentale'
(Lovers walking)
Arranged for Flute and Piano by Peter Kolman (b.1937)
Andante très expressif - Tempo rubato - Un poco mosso -
En animant - Calmato - A tempo I
5.
La Fille aux cheveux de lin (c.1910)
2:34
No. VIII from Préludes, Book 1
for Piano
Transcribed for Violin (Flute) and Piano
by Arthur Hartmann (1881-1956)
Très calme et doucement expressif - Un peu animé - Murmuré et en retenant peu à peu
GABRIEL FAURÉ
Sonata, Op.13 (1875-76)
27:39
in A major • in A-Dur • en la majeur
for Violin and Piano
Transcribed and edited for flute by Robert Stallman (B.1946)
Piano part edited by Robert Casadesus (1899-1972)
À Monsieur Paul Viardot
6.
I
Allegro molto
9:56
7.
II
Andante
7:07
8.
III
Allegro vivo
4:32
9.
IV
Allegro quasi presto
5:49
Total time: 54:07
Solo:Rohan de Silva piano
About
The flute takes a very special place in French music, particularly so in the late nineteenth and early twentieth centuries. As a result (and in addition to a great deal of original repertoire for the instrument) there is a significant body of work transcribed for flute and piano, which Lisa Friend and Rohan De Silva explore in this exquisite programme.
Fauré’s first Violin Sonata, composed in 1875 – 76 works particularly well in transcription, with its sweeping melodies and lack of double-stopping. The rapid scale passages in the third movement are especially effective.
Debussy’s Prélude à l’après-midi d’un faune, based on a poem by Stéphane Mallarmé, is regarded by many (including Boulez) as the birthplace of modern music, Ravel choosing it to be played at his funeral. The original orchestral version opens with one of the best-known flute solos in the repertoire, making this transcription particularly appropriate.
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Reviews
“… The performances are persuasive … The sultry tone that Friend adopts at the start of Faune is admirably sustained throughout …[De Silva] comes into his own in the Fauré Sonata, matching the sweep and elegance of Friend’s phrasing with playing of considerable suppleness and subtlety throughout… very enjoyable …”
Tim Ashley – Gramophone magazine – July 2019
Performance **** Recording ****
“… the disc showcases Friend’s creamily luxuriant tone, supported by Rohan da Silva’s refined pianism. Lyrical favourites of both composers are convincingly conveyed … Après un rêve and Clair de lune are charming, while La fille aux cheveux de lin, with its low tessitura, is the most idiomatic. It is all lovely …”
Christopher Dingle – BBC Music magazine – July 2019
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Faure Sonata Op 13 arr for Flute and Piano Interview and Excerpts from the making of Essence