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Craig Ogden in Concert
DOMENICO SCARLATTI
1.
Sonata, KK 380 ( date unknown)
5:38
in E major • in E-Dur • en mi majeur
for Keyboard
Arranged for Guitar by Owen Bunting
Andante commodo
2.
Sonata, KK 322 (date unknown)
3:37
in A major • in A-Dur • en la majeur
for Keyboard
Arranged for Guitar by Peter Batchelar and Richard Wright
Allegro
NAPOLEON COSTE
3.
Le Départ, Op.31 (1856)
7:28
(The Departure)
Fantaisie dramatique
(Dramatic Fantasy)
for Guitar
A Monsieur Adan, Director général des Douanes du Royaume de Belgique
Introduction. Andante largo - Allegro assai - Andantino - Tempo I - Agitato -
AUGUSTIN BARRIOS MANGORÉ
4.
Julia Floria (1938)
3:46
Barcarola
(Barcarolle)
for Guitar
To my intelligent and highly esteemed disciple
the distinguished young lady
Allegro moderato - Meno mosso - Più mosso - Meno Mosso - Tempo I
5.
Vals, Op.8 No.4 (1923)
3:39
in G major • in G-Dur • en sol majeur
(Waltz)
for Guitar
A mi querido y aventajado discipulo D. Dionisio Basualdo
Introduccuón - Tiempo de vals con brio -
Trio. Lento - Campanella -
Tempo I - Coda
ARMAND COECK
6.
Constellations (1986)
7:07
for Guitar
for Gino Herman
Largo - Poco più mosso - Più mosso - Meno mosso - Più mosso -
Calmo - Calmo - [Più mosso]
ISAAC ALBÉNIZ
7.
Sevilla, Op.47 No.3 (1885)
4:17
Sevillanas
from Suite española
for Solo Piano
Respetuoso y carñoso recuerdo a la Exma: Sra: Condesa de Morphy
Arranged for Guitar by Gordon Crosskey
Allegro moderato - Meno mosso - Più mosso - Meno mosso - Tempo I
8.
Torre bermeja, Op.92 No.12 (1888)
4:17
Serenata
(Serenade)
from Doce piezas caracteristicas
for Solo Piano
A mi querida amiga Señorita Isabel de Lisboa
Arranged for Guitar by Cragi Ogden
Allegro molto - Meno mosso - Poco più mosso - Meno mosso (cantando) - Tempo I
JOHANN SEBASTIAN BACH
Four Movements from Suite, BWV 996 (c.1712-17)
in E minor • in e-Moll • en mi mineur
for Lute
Arranged for Guitar
9.
[Präludium.] Passaggio - Presto
2:28
10.
Sarabande
3:35
11.
Bourrée
1:12
12.
Gigue
3:20
ENRIQUE GRANADOS
13.
Andaluza (1890)
4:49
No.5 from Doce danzas españolas
for Solo Piano
A Alfredo G. Faria
Arranged for Guitar by José de Azpiazu (1912-1986)
Andantino quasi Allegretto - Andante - Andante molto - Tempo I
HEITOR VILLA-LOBOS
14.
Chôros No.1 (1920)
4:31
for Guitar
À Ernesto Nazareth
Quasi Andante - Moderato un poco - Tempo I
DJANGO REINHARDT
15.
Nuages (1940)
3:59
(Clouds)
for Jazz Quintet
À Jean-Baptiste Reinhardt
Transcribed for Guitar by Roland Dyens (1955-2016)
Modéré - Vigoroso - Come prima
LUIGI LEGNANI
16.
Fantasia, Op.19 (c.1822)
7:01
in A major • in A-Dur • en la majeur
for Guitar
Largo - Allegro
MIROSLAV TADIC
17.
Walk Dance (c.1991)
3:20
Based on a Traditional Macedonian Folk Dance, Kalajdzisko oro
(Coppersmith's Dance)
for Guitar
from Laments, Dances and Lullabies (2008)
Realised by the Composer from improvisation
To Scott Tennant
Allegro vivo
Total time: 74:04
Notes
Described by BBC Music Magazine as ‘A worthy successor to Julian Bream’, the Australian-born guitarist Craig Ogden is one of the most exciting artists of his generation. He studied guitar from the age of seven and in 2004 became the youngest instrumentalist to receive a Fellowship Award from the Royal Northern College of Music. He has performed concertos with many of the world’s leading orchestras and numerous composers have written works specially for him. Despite a diverse and extensive discography, Craig Ogden had never made an album based on his regular recital repertoire. This latest album consists of pieces he regularly plays in concert and includes a wide variety of music, spanning three centuries. Offering both transcriptions and original works, it is all music that he loves to play, and a programme that reflects the wonderful diversity within the repertoire of the modern classical guitar.
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Reviews
“… Opening with a pair of often-transcribed Scarlatti sonatas (K380+322), Ogden displays a solid connection to his guitar and to the music, enlivened with tasteful tonal shadings and pristine ornamentation, plentiful but not overdone. Le Depart, Napolean Coste’s Op. 21, is played virtuosically, with breathtaking speed and clarity… New to most ears is Belgian composer Armand Coeck’s ‘Constellations’ (1986), a unique piece in the guitar’s repertoire written in a contemporary language, using the guitar well and, thanks to Ogden’s intelligent and sensitive interpretation, is accessible to listeners…Serbian Miroslav Tadic’s ‘Walk Dance’ concludes this excellent recital.”
James McCutcheon – American Record Guide – November/December 2021
“… There’s a firm suppleness, a bravura, running like a live wire from Ogden’s opening Scarlatti, with its miniature rococo orchestrations, through to the final work, Miroslav Tadic´’s exuberant Walk Dance…”
Richard Bratby – Gramophone magazine – July 2021
Performance **** Recording ****
“… Ogden, as ever, puts his own convincing mark on works such as the Granados Andaluza and the Villa-Lobos Chôros No. 12 … the style varies from Scarlatti to Tadic, the latter’s Walk Dance ending the programme with vibrant and earthy punch, in stark contrast to the more obviously refined Scarlatti sonatas which open the recital…”
Sarah Unwin Jones – BBC Music magazine – July 2021
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