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ÉDOUARD LALO
1.
Overture to ''Le Roi d''Ys''
11:44
Opera in Three Acts and Five Tableaux
Andante - Allegro - Sans presser - Tempo I - Andantino non troppo -
Allegro Tempo I - Pressez peu à peu jusqu''au presto - Presto
2.
Valse de la cigarette from ''Namouna''
5:39
Ballet in Two Acts and Three Tableaux
Mouvement de Valse lente - Un peu plus lent -
Tempo I - Un peu plus lent - Tempo I -
Pressez peu à peu jusqu'' à la fin -
Très vite - Encore plus vite
Suite No.1 from ''Namouna''
21:42
Ballet in Two Acts and Three Tableuax
À Charles Gounod
(Première Rapsodie)
3.
1
Prélude. À L.P. de Fourcaud. Andante
5:23
4.
2
Sérénade. À F. de Sarasate. Allegro - Sans presser
2:32
5.
3
Thême varié. À C. Saint-Saëns. Andante
4:54
6.
4A
Parades de foire. À Hans de Bülow. Allegro vivace - Plus lent -
5:12
Andantino - Allegretto quasi Andantino - Allegro -
7.
4B
Fête foraine. À Hans de Bülow. Presto - Danse
3:28
Suite No.2 from ''Namouna''
13:05
Ballet in Two Acts and Three Tableaux
À Charles Gounod
(Seconde Rapsodie)
8.
1
Danses marocaines. Vivace - Un peu cédé - Plus vite
2:20
9.
2
Mazurka. Lent - Vite - Lent. Tempo I - Vite - Pressez
2:25
10.
3
Dolce far niente (La Sieste). Allegretto quasi Andantino
3:58
11.
4
Pas des cymbales. Moderato - Pressez
2:40
12.
5
Presto - Pressez
1:28
Symphony
24:58
in G minor • in g-Moll • en sol mineur
À mon ami Charles Lamoureux
13.
I
Andante - Allegro non troppo
8:24
14.
II
Vivace - Cédez un peu - Tempo I -
4:47
Quasi andantino non troppo - Tempo I - Lento
15.
III
Adagio
5:51
16.
IV
Allegro
5:45
Total time: 76:30
Orchestra: Estonian National Symphony Orchestra
Triin Ruubel leader
Conductor:Neeme Järvi
About
Lalo considered himself to be first and foremost an opera composer, even though Le Roi d’Ys was his only opera to be performed in his lifetime. He is now best known for his symphonic and chamber music, largely because of the highly political musical establishment in France in his time. The Overture to the opera (which opens this album) is now the best-known music from the piece, which proved a considerable success in France. His ballet Namouna was commissioned by the Paris Opéra and, remarkably, was completed in just four months following extensive delays in agreeing the subject – part of the tales of Casanova. After a successful run of fifteen performances, Lalo parcelled the music up into three ‘rhapsodies’ for orchestral performance. The first two of these were published as Suites Nos 1 and 2. The third was not published, but the ‘Valse de le Cigarette’ was later issued separately. Lalo’s only surviving Symphony was completed in 1886, but somewhat overshadowed by Saint-Saëns’s Organ Symphony (1886) and Franck’s Symphony in D minor (1888), but it is a strong work that showcases Lalo’s melodic gift and forward-looking harmonic palette.
“… a record that is endearing because of the memory it transmits of the qualities of Edouard Lalo's music, major music to be rediscovered and cherished.”
Pierre-Jean Tribot – Crescendo – 28 March 2024
“Järvi excels once again in rare French ballet music… The Estonian National Symphony orchestra cover themselves with glory.” ****
Greg Keane – Limelight – 6 March 2024
Performance **** Recording ****
“… Conductor Neeme Järvi is a trusted guide through the byways of French repertoire, bringing vigorous joie de vivre to the livelier [ieces, such as ‘Fête foraine’, yet sustaining the controlled insouciance of ‘Dolce far niente (La Sieste)’. And the Estonian National Symphony Orchestra plays as if this music is firmly in their blood…”
Christopher Dingle – BBC Music magazine – March 2024
“…there is much to give pleasure – this is genuinely attractive music that is played with skill and considerable energy and the catalogue is not exactly over-filled with modern recordings…”
Nick Barnard – Musicwebinternational.com – 16 February 2024
“…All the works are played with sensitivity balanced by enthusiasm. The recording is excellent… This is a splendid introduction to the music of Édouard Lalo for those who wish to explore beyond the ubiquitous, brilliant Symphonie espagnole.”
John France – Musicwebinternational.com – 30 January 2024
“… Neemi Järvi continues to shine a welcome spotlight upon neglected repertoire… [Lalo’s Symphony in G minor] It’s a fine work … well worth hearing. Thomas Beecham championed it and Järvi takes up Beecham’s mantle enthusiastically. The Vivace second movement bubbles along gleefully, there’s a wonderful flow to the beautiful Adagio, and the finale brings thing to a vigorous conclusion.”
Mark Pullinger – Gramophone magazine – February 2024
Recording of the Week
David Smith – Prestomusic.com – 19 January 2023
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