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ROBERTO GERHARD
Alegrías
12:37
Suite from the Ballet
for Orchestra
1.
I
Preámbulo. Allegro - L'istesso tempo -
2:10
2.
Jácara. Allegretto
2:15
3.
II
Farruca. Andante (tempo di farruca) - Pochissimo più animato -
5:07
Poco a poco accelerando - Allegro - Lo stesso tempo -
4.
Jaleo. (Crotchet = c.160) - Allegrissimo - Poco accelerando -
2:59
Con brio
5.
Pedrelliana
11:27
(En memoria)
for Orchestra
Allegretto giusto - Poco pesante - Incalzando subito -
Pesante - Incalzando subito - Morendo -
Tempo I - Tempo I (ma agitato) - Perdendo - Poco a poco agitato -
Alla breve - Stringendo - Pesante - Incalzando -
Poco andante - Allegro
Don Quixote
37:10
Ballet in Five Scenes with Interludes and an Epilogue
6.
[Introduction.] Andante maestoso -
0:30
Scene 1. Don Quixote''s Room: [5:47}
7.
[Andante maestoso] - Poco più largamente - Incalzando -
0:53
8.
Don Quixote''s vision of Dulcinea. Calmo -
3:04
9.
Sancho Panza. Allegretto -
0:56
10.
Interlude I (The Plain of La Mancha) -
0:53
Scene 2. A Wayside Inn (Chacona de la Venta): [8:16]
11.
Allegretto giocoso - Poco più mosso - Brisk -
3:01
Tempo I, poco pesante - Andante -
12.
The Vigil at Arms (Vigilia de las armas). L''istesso tempo -
1:31
Con un poco di moto -
13.
The duel with the muleteer. Alquanto animato -
1:31
Tempo giusto - Andante -
14.
The knighting'' of Don Quixote. [Andante] -
0:59
15.
Interlude II. Poco più lento - Poco pesante - Incalzando -
1:12
Scene 3. The Plain of La Mancha: [9:47]
16.
The Windmills (Molinos de viento). Andante - Poco agitato -
1:29
17.
The village barber and his basin. Allegretto trivale -
2:13
Tempo da prima (Andante) - Andante affettuoso -
Sostenuto -
18.
The Golden Age (La Edad de Oro). Adagietto - Poco più mosso -
2:44
Tempo da prima [Adagietto] - Allegretto comodoo -
Poco meno -
19.
the galley-slaves (Paso doble de los galeotes). [Allegro] -
2:22
Animando - Tempo I - Animando - Vivace - Allegretto -
Poco meno -
20.
Interlude III. L''istesso tempo - Andante -
0:56
Scene 4. The Cave of Montesinos (Chacona de palacio): [3:44]
21.
Allegro moderato -
3:09
22.
Interlude IV. Maestoso (Tempo I) -
0:33
Scene 5. The Prison (Variaciones): [9:06]
23.
Con moto - Poco più mosso, quasi vivace -
3:23
Agitato, poco stretto - Meno mosso - Animando - Agitato -
Allegretto placido - Poco più calmo - Affrettando -
24.
Dulcinea revealed as Aldonza. Larghetto -
2:10
25.
Epilogue. Adagietto - Tempo I
3:32
Total time: 60:59
Orchestra: BBC Philharmonic
Zoë Beyers leader
Conductor:Juanjo Mena
11 March (Don Quixote) and 29 June (other works) 2023
About
The Catalan Roberto Gerhard studied piano with Granados, and was the only Spanish composer to study with Arnold Schoenberg. It was, however, over twenty years before he committed himself to writing twelve-tone music. In the interim, his output brought a new focus and precision (owing more to Stravinsky and Bartók) to the Spanish style. All the works on this album were composed in that period. Dating from the early 1940s, his ballet Alegrías was originally conceived for two pianos, but soon evolved into the four-movement suite heard here. The flamenco-inspired movements are linked in pairs, and show Gerhard’s brilliance and humour in equal measure. During this same period Gerhard decided to mark the centenary of his first teacher, Felipe Pedrell (who had also taught Albéniz, Granados, and de Falla), with a three-movement symphony, Homenaje a Pedrell (CHAN 9693). Gerhard failed to secure a performance of the work, but in 1954 was invited to re-work the final movement for a BBC Symphony Orchestra concert, which became Pedrelliana. Gerhard’s ballet on episodes from Cervantes’s Don Quixote evolved for almost a decade, from a work for chamber orchestra, for a touring company (abandoned because of the war), via a version for radio and an expanded orchestral suite, to the work recorded here, in its full and final orchestration for performances at the Royal Opera House in 1950, choreographed by Ninette de Valois. Robert Helpmann danced the title role and Margot Fonteyn Dulcinea
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Reviews
“… The score is dazzling, dramatic and athletic, all you could want from a ballet, and aurally intriguing … Gerhard the sort-of modernist could really entertain. His score is brilliantly played by the BBC Philharmonic in Manchester, conducted by Juanjo Mena.” ****
Norman Lebrecht – Myscena.org – 30 August 2024
“…Juanjo Mena, a Spaniard, intuitively feels the subtleties of Gerhard's music, and it shows with the wonderful, luxuriant sounds. All the orchestral departments deliver in creating the different narratives with explosions of colour beautifully balanced and captured by Chandos’ sound engineers… The BBC Philharmonic's outstanding musicianship ignites the imagination, drawing the listener into the depths of a tale that depicts all aspects of culture.”
Andrew Palmer – Yorkshire Times .co.uk – 17 August 2024
“…An unmissable disc …”
Graham Rickson – theartsdesk.com – 10 August 2024
Recording of the Month
Nèstor Castiglione – Musicwebinternational.com – 11 August 2024
“…The conductor has a sure instinct for the original and especially imaginatively composed music. The playing of the BBC Symphony is excellent.” *****
Remy Franck – Piazzicato.lu – 2 August 2024
“ ... All three [works] inhabit a musical world that Juanjo Mena, the BBC Philharmonic’s former chief conductor, understands instinctively. His performances are suitably deft and exuberant, making the disc a fine, if belated, addition to Chandos’ invaluable Gerhard series.” ****
Andrew Clements – The Guardian – 25 July 2024
“…as with many composers who embraced a more forbidding later style in the serial era, the earlier music is much more approachable and winning, as this program suggests. In the beguiling Spanish apparel of the ballet Don Quixote, there are echoes of Ravel and Falla – some considerable distance from the composer’s later music. And it should be noted that the performance sports all the requisite dash for this early Gerhard …”
Barry Forshaw – CD Choice.co.uk – 9 July 2024
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