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COMPACT DISC ONE
SIR CHARLES HUBERT H. PARRY
(1848-1918)
1.
Blest Pair of Sirens (1887)
11:54
(At a Solemn Musick)
for Chorus and Orchestra
An Ode by Milton
2.
I was glad (1902, revised 1911)
7:02
Coronation Anthem for Edward VII
for Chorus and Orchestra
Revised for George V
Words from Psalm 122
SIR EDWARD ELGAR (1857 – 1934)
(1857-1934)
The Dream of Gerontius, Op. 38
95:13
for Mezzo-soprano, Tenor, Bass, Chorus, and Orchestra
Words by Cardinal Newman
Part I: 37:16
3.
Prelude -
10:17
4.
Gerontius: 'Jesu, Maria - I am near to death' -
3:40
5.
Assistants: 'Kyrie eleison' -
2:16
6.
Gerontius: 'Rouse thee, my fainting soul, and play the man' -
0:51
7.
Assistants: 'Be merciful, be gracious; spare him, Lord' -
3:07
8.
Gerontius: 'Sanctus fortis, Sanctus Deus' -
4:49
9.
Gerontius: 'I can no more; for now it comes again' -
1:56
10.
Assistants: 'Rescue him, O Lord, in this evil hour' -
2:16
11.
Gerontius: 'Novissima hora est; and I fain would sleep' -
1:29
12.
The Priest and Assistants: 'Profociscere, anima Christiana, de hoc mundo!' -
1:59
13.
Assistants: 'Go, in the name of Angels and Archangels'
4:30
56:32
COMPACT DISC TWO
Part II: 57:57
1.
Introduction: Soul of Gerontius: 'I went to sleep;
6:25
and now I am refreshed' -
2.
Angel: 'My work is done' -
3:10
3.
Angel: 'All hail! My child and brother, hail!' -
5:44
4.
Demons: 'Low-born clods of brute earth' -
1:54
5.
Angel: 'It is the restless panting of their being' -
0:16
6.
Demons: 'The mind bold and independent' -
2:20
7.
Soul of Gerontius: 'I see not those false spirits' -
3:25
8.
Choir of Angelicals: 'Praise to the Holiest in the height' -
2:40
9.
Angel: 'We now have passed the gate, and are within…' -
0:27
10.
Choir of Angelicals: 'Glory to Him, who evermore' -
0:30
11.
Angel: 'They sing of thy approaching agony' -
0:47
12.
Soul of Gerontius: 'But hark! a grand mysterious harmony' -
0:39
13.
Angel: 'And now the threshold, as we traverse it' -
0:32
14.
Choir of Angelicals: 'Praise to the Holiest in the height' -
6:56
15.
Angel: 'Thy judgement now is near, for we are come' -
3:23
16.
Angel of the Agony: 'Jesu! by that shuddering dread
3:50
which fell on Thee' -
17.
Soul of Gerontius: 'I go before my Judge' -
1:43
18.
Angel: 'Praise to His Name!' -
1:34
19.
Soul of Gerontius: 'Take me away, and in the lowest
2:56
deep…' -
20.
Souls in Purgatory: 'Lord, Thou hast been our refuge;
1:14
in every generation' -
21.
Angel: 'Softly and gently, dearly-ransomed soul'
7:19
Solo: Gwynne Howell bass (The Priest/Angel of the Agony)
57:57
Solo: Roderick Elms organ
Choral: London Symphony Chorus
Orchestra: London Symphony Orchestra
Conductor: Richard Hickox
14-16 February 1988
About
In this re-release celebrating the recorded legacy of the late great conductor Richard Hickox, we hear the London Symphony Orchestra and Chorus in Elgar’s choral masterpiece The Dream of Gerontius, setting to music large sections of Cardinal Newman’s poem about the journey of a man’s soul to judgement and Purgatory. As well as considering it one of his finest works, Elgar saw The Dream of Gerontius as one of his most personal utterances, claiming that ‘you will find Gerontius far beyond anything I’ve yet done… I have written my own heart’s blood into the score’. This recording was highly acclaimed on initial release, being hailed as ‘a masterpiece’ by The Guardian. The disc also features two works by Sir Charles Hubert H. Parry. Blest Pair of Sirens was held in the highest regard by both Elgar and Vaughan Williams and is still a firm favourite with many choirs. The anthem I was glad was composed for the coronation of King Edward VII in 1902, and has been performed at the three subsequent coronations, in 1911, 1937, and 1953.
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Reviews
"... Hickox’s performances of choral-orchestral pieces have struck me as direct, fairly exciting, and (even when using period instruments) robust in sound; indeed, his choral work as always been admirable. Those qualities shine through inabundance here This is a terrific reissue with great sonics ..."
Paul Althouse - American Record Guide - January/February 2014
"...The Elgar emphasises what was lost with Hickox’s premature death. It is powerfully dramatic (the Demons have never sounded more ferociously demonic) but hypersensitive to the marvelous subtlety of orchestral and choral colour. Fine soloists, not least Felicity Palmer. "
David Cairns - The Sunday Times (Culture magazine) - 6 October 2013
"...This is a Gerontius sung and recorded on a really grand, operatic scale and remains the best version of the last twenty-five years. Issued as part of Chandos’ The Hickox Legacy, it also stands as a fitting memorial to the late Richard Hickox, who died in 2008 aged only sixty."
Ralph Moore - MusicWeb-International.com - 8 August 2013
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