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LUDWIG VAN BEETHOVEN
(1770-1827)
Fidelio
111:00
Opera in two acts
Libretto by Joseph von Sonnleithner,with revisions by Stephan von Breuning and Georg Treitschke, after Jean-Nicolas Bouilly's Léonore, ou L'amour conjugal
English translation by David Pountney
COMPACT DISC ONE
1.
Overture
6:31
Act I
Scene 1
2.
No. 1 Duet: 'These people could drive you berserk'
4:55
Jaquino, Marzellina, Rocco
3.
No. 2 Aria: 'If only we could marry today'
4:31
Marzellina, Rocco, Leonora
4.
No. 3 Quartet: 'A wonder, clear and pure'
4:34
Marzellina, Leonora, Rocco, Jaquino
5.
No. 4 Aria: 'If you don't save up your money'
3:35
Rocco, Leonora, Marzellina
6.
No. 5 Trio: 'Good, that's the stuff!. . .'
5:51
Rocco, Leonora, Marzellina
Scene 2
7.
No. 6 March -
1:45
Dialogue: 'This handwriting seems familiar'
Pizarro
8.
No. 7 Aria with choir: 'Ah! This is ecstasy!'
3:24
Pizarro, Chorus of sentries
9.
No. 8 Duet: 'Now, Warder, listen!'
5:20
Pizarro, Rocco
10.
No. 9 Recitative and Aria: 'Vile murderer! Sadistic swine!'
1:56
11.
'Come hope, you faint and distant star'
5:12
Leonora
12.
Dialogue: 'But Marzellina. . .'
0:45
Jaquino, Marzellina, Rocco, Leonora
13.
No. 10 Finale: 'Oh, what delight to breathe the air'
7:38
Chorus, First prisoner, Second prisoner
14.
'What did he say?'
2:20
Leonora, Rocco
15.
'Let's down to work, for time is pressing'
2:36
Rocco, Leonora
16.
'Oh father, do be quick!'
0:41
Marzellina, Rocco, Jaquino, Leonora
17.
'Presumptuous idiot, who are you to take such a liberty'
1:43
Pizarro, Rocco
18.
'Farewell, the warm and radiant light'
4:19
Chorus of Prisoners, Marzellina, Leonora, Jaquino, Pizarro, Rocco
67:40
COMPACT DISC TWO
Act II
Scene 1
1.
No. 11 Introduction and Aria: Introduction
3:14
2.
Aria: 'God! The darkest hours'
1:51
3.
'In the spring of youthful promise'
4:52
Florestan
4.
No. 12 Melodrama and Duet: 'How cold it is in these dungeons'
1:51
Leonora, Rocco
5.
'Now bend your back, let's see you working'
5:00
Rocco, Leonora, Florestan
6.
No. 13 Trio: 'In a better world, they surely shall applaud you'
6:13
Florestan, Rocco, Leonora, Pizarro
7.
No. 14 Quartet: 'You perish!'
4:44
Pizarro, Florestan, Leonora, Rocco, Jaquino
8.
No. 15 Duet: 'Oh joy beyond all understanding'
2:48
Leonora, Florestan
Scene 2
9.
No. 16 Finale: 'Hear! Hear! Hear how the world wildly rejoices'
2:03
Chorus of People
10.
'My noble sovereign's will and order'
4:09
Fernando, Chorus of people and prisoners, Rocco, Pizzaro, Leonora, Marzellina
Chorus, Florestan, Leonora, Rocco, Marzellina, Jaquino, Fernando
43:20
Solo:Robert Lloyd bass -Rocco
Solo: Rebecca Evans soprano - Marzellina
Solo: Pavlo Hunka bass-baritone - Don Pizarro
Solo: Richard Margison tenor - Florestan
Solo: Ashley Catling tenor - First prisoner
Orchestra: Philharmonia Orchestra
Conductor:David Parry
21-25 August 2004
Notes
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Reviews
The cast is a strong one, with commanding performances from Christine Brewer and Robert Lloyd, as Leonora and the jailer Rocco, and a vivacious Marzellina from Rebecca Evans… But if you want the opera in English this new version, sympathetically and intelligently conducted by David Parry, is impressive.
BBC Music Magazine
Christine Brewer is so much in command, and in such splendid voice, that there is no doubt that it is Vanessas story.
Gramophone on CHSA 5032 (Samuel Barber’s Vanessa)
The lovely, warm soprano of Rebecca Evans shines as Susanna… she captures the right feeling of sensuality of a woman awaiting her lover on her wedding night…
Classic FM Magazine ‘Disc of the Month’ on CHAN 31
Rebecca Evanss Ilia is all one expects from this lovely soprano, the voice pure, intonation secure and musicianship impeccable…
The Sunday Telegraph on CHAN 3103(2) (Idomeneo)
Abetted by superbly responsive playing from the Philharmonia Orchestra, David Parry paces the opera shrewdly, knows exactly when to ratchet up the tension, and rarely misses a trick with Beethoven’s wonderfully original orchestral strokes. The cast can hold its own against any modern ‘Fidelio’ Christine Brewer makes a moving heroine, fearlessly flinging out top Bs and B flats, but softening the bright blade of her soprano in the expression of tenderness and pathos… Capping the performance is the magnificent singing of the chorus, who help to make the final hymn to freedom as Dionysian as you will hear.
The Telegraph ‘Classical CD of the week’
David Parry draws some tremendous playing fomr the Philharmonia on this disc: thrilling horn calls, wind sounds that can caress the ear or terrify the heart, string playing that throbs with energy – and all at the service of drama.
Classic FM
This recording is more successful than several others in meeting the work’s challenges. It is sung in David Pountney’s excellent translation, which strikes a happy medium between modern vernacular and stilted period-speak in the dialogue. David Parry conducts a powerful interpretation and the Philharmonia plays superbly, with the Geoffrey Mitchell Choir in good voice as prisoners and populace.
Sunday Telegraph
The recording is spacious in the familiar Chandos mode, and there’s a good booklet note from Mike Ashman. As a whole, if you want the work in the vernacular, this set has much to offer in terms of accomplished and dedicated singing.
Gramophone
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