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B-A-C-H Anatomy of a Motif
JOHANN SEBASTIAN BACH
1.
Contrapunctus XIV à 4 ('Unfinished Fugue')
11:35
in D minor • in d-Moll • en ré mineur
from Dir Kunst der Fuge, BWV 1080 (before 1742, revised c.1745 and 1748-49)
Completed 2020 by Lionel Rogg
FELIX MENDELSSOHN
Sonata on the Chorale 'O Haupt voll Blut und Wunden'
16:50
in D minor • in d-Moll • en ré mineur
for Organ
Manuscript fragments of improvisation, c.1840, in the compser's hand,
realised 2007-08 in three movements by Rudolf Lutz
Anselm Hartinger in Freundschaft gewidmet
2.
I
Choral
8:11
3.
II
Con moto poco Allegro -
5:31
4.
III
Andante con moto e cantabile
3:08
ROBERT SCHUMANN
Sechs Fugen über den Namen 'Bach', Op.60 (1845)
33:27
for Organ
An Woldemar Bargiel
zur Erinnerung an seinen Schwager
Dresden, d.26.Sept. 1848.
5.
Fuga I. Langsam - Nach und nach schneller und stärker
6:30
in B flat major • in B-Dur • en si bémol majeur
6.
Fuga II. Lebhaft
6:16
in B flat major • in B-Dur • en si bémol majeur
7.
Fuga III. Mit sanften Stimmen
4:02
in G minor • in g-Moll • en sol mineur
8.
Fuga IV. Mäßig, doch nicht zu langsam
5:48
in B flat major • in B-Dur • en si bémol majeur
9.
Fuga V. Lebhaft
2:47
in F major • in F-Dur • en fa majeur
10.
Fuga VI. Mäßig, nach und nach schneller - Lebhafter
8:02
in B flat major • in B-Dur • en si bémol majeur
JOHANNES BRAHMS
11.
Fugue, WoO 8 (1856)
7:25
in A flat minor • in as-Moll • en la bémol mineur
for Organ
JOHANN SEBASTIAN BACH
12.
Ricercar à 6
9:55
in C minor • in c-Moll • en ut mineur
from the First Part, 'Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta',
of Musikalisches Opfer, BWV 1079 (1747)
Seiner Königlichen Majestät in Preußen &c. allerunterthänigst gewidmet
FRANZ LISZT
Präludium und Fuge über den Namen B-A-C-H, S 260
13:28
for Organ
Alexander Winterberger gewidmet
13.
[Präludium.] Allegro moderato -
4:12
14.
Fuga. Andante -
2:45
15.
Allegro -
3:50
16.
Maestoso. Grave
2:41
MAX REGER
Fantasie und Fuge über B-A-C-H, Op.46 (1900)
20:17
in B flat minor • in b-Moll • en si bémol mineur
for Organ
Herrn Geheimrat Professor Dr. Joseph von Rheinberger in besonderer
Verehrung zugeeignet
17.
Fantasie. Grave (sempre quasi improvisazione) -
8:59
18.
Fuge. Sostenuto (nach und nach beschleunigen) -
11:18
SIGFRID KARG-ELERT
Passacaglia and Fugue on B-A-C-H, Op.150 (1932)
21:29
in B flat minor • in b-Moll • en si bémol mineur
for Organ
To Henry Willis, my dear friend, in highest admiration
19.
Introduzione. [ ] -
1:35
20.
Prima parte. [ ] - Pesante -
3:38
21.
Seconda parte. Quasi l'istesso tempo -
2:53
22.
Terza parte. Allegro -
4:34
23.
Adagio e piano -
1:17
24.
Fuga. Allegro risoluto -
7:33
Total time: 65:10
Notes
In musical notation in Germany, the letter ‘h’ is used to represent the note b natural. So, the name ‘Bach’ forms an elegant phrase of two pairs of falling semitones. This proved an inspiration to Johann Sebastian, whose musical ‘signature’ appears again and again throughout his extensive output. Two shining examples are included on this album – the ‘unfinished fugue’ Contrapunctus XIV à 4 from Die Kunst der Fuge (as completed by Lionel Rogg) and the exquisite Ricercar à 6 from Musikalisches Opfer. Bach’s signature – as well as musical invention – has directly influenced scores of other composers down the years, as evidenced by the works included here, from Mendelssohn to Karg-Elert. The organist and, from 2008 until 2021, Assistant Director of Music at St Paul’s Cathedral, Simon Johnson has used his knowledge and insight to construct this programme to demonstrate the extraordinary range and scope of the cathedral’s organ. Expertly recorded by the Chandos technical team, this album provides an outstanding testament to this fine instrument and to the unique acoustic of the world-renowned cathedral in which it sits. Recorded in surround-sound and available as a Hybrid SACD.
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Reviews
Editor’s Choice – Instrumental
“… An outstandingly good release and a perfect combination of repertory, player and organ.”
Malcolm Riley – Gramophone magazine – March 2022
Performance ***** Recording ***
“… Altogether, this is a remarkable survey, brilliantly executed.”
Michael Church – BBC Music magazine – March 2022
“… The St Paul’s organ is ideal for this relatively mixed repertoire – mixed in the sense of composers from differing periods. Johnson’s performance of Liszt’s great work is masterly; he fully understands the depth of intellectual concentration that this music demands, and the performance is one of the finest I have ever heard … The recording quality is the finest I have heard of the St Paul’s organ – so difficult to capture in many ways – the empathy, clarity and first-class musicianship of this admirable production make it one of the most significant releases for the organ I have encountered for some time. If you care in any way about organ music on records, this release must form part of your collection.” *****
Robert Matthew-Walker – The Organ No. 399 – Winter 2022
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