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FRANZ LISZT
(1811-1886)
Works for Piano and Orchestra, Volume 3
Concerto for Piano and Orchestra No. 1, S124
18:01
in E flat major - in Es-Dur - en mi bémol majeur
1.
Allegro maestoso, Tempo giusto -
5:03
2.
Quasi adagio -
4:49
3.
Allegretto vivace - Allego animato -
4:06
4.
Allegro marziale animato - Più mosso - Alla breve. Più mosso - Più presto - Presto
4:08
5.
Concerto for Piano and Orchestra (No. 3), S125a, Op. posth.
12:47
in E flat major - in Es-Dur - en mi bémol majeur
Edited by Jay Rosenblatt
Andantino - Allegro - Tempo primo - Andante - Tempo primo - Allegro come prima - Allegro vivace
Concerto for Piano and Orchestra No. 2, S125
20:57
in A major - in A-Dur - en la majeur
6.
Adagio sostenuto assi -
5:02
7.
Allegro agitato assai - Un poco meno mosso -
1:57
8.
Allegro modrato -
4:56
9.
Allegro deciso -
3:08
10.
Marziale, un poco meno allegro - Un poco animato -
1:06
11.
Un poco meno mosso -
3:00
12.
Allegro animato - Stretto (molto accelerando)
1:48
13.
Concerto pathétique for Piano and Orchestra, S365a
16:17
in E minor - in e-Moll - en mi mineur
Orchestrated by Eduard Reuss, revised by Franz Liszt
Allegro energico ed appassionato, ma non troppo presto - Grandioso - Andante - Allegro agitato assai - Lento quasi marcia funebre - Andante sostenuto - Allegro mosso - Allegro trionfante
: 68:32
Solo:Louis Lortie piano
Orchestra: Residentie Orchestra The Hague
Conductor:George Pehlivanian
22-24 JUne 2000
Notes
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Reviews
'Altogether this has been a most distinguished series.'
Gramophone
'Louis Lortie plays all these works with immaculate brio… He is admirably partnered throughout and Chandos' sound and balance are natural and refined. Volume 2 of Liszt's original works for piano and orchestra is eagerly awaited.'
Gramophone on CHAN 9801 (Liszt,Volume 1)
'Lortie and Pehlivanian are real Lisztians … Lortie's articulation is delicately deft, color is spread in tinted washes, and climaxes are reserved for climactic moments.'
Fanfare on CHAN 9864 (Liszt, Volume 2)
'Balancing form and content, he has the measure of the piece. With faultless pianism and warm musicality, he is as extrovert or intimate as required, and as sure-footed as a mountain goat on an Alpine peak.'
BBC Music Magazine (Building a Library '1st Choice
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