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JEAN-PHILIPPE RAMEAU
Nouvelles Suites de Pièces de Clavecin Suite in A minor RCT 5
1.
I
Allemande
6:29
2.
II
Courante
4:37
3.
III
Sarabande
3:29
4.
IV
Les Trois Mains
4:27
5.
V
Fanfarinette
2:56
6.
VI
La Triomphante
1:38
7.
VII
Gavotte et six doubles
1:41
8.
Premier Double
0:58
9.
Deuxième Double
1:02
10.
Troisième Double
1:04
11.
Quatrième Double
1:01
12.
Cinquième Double
0:57
13.
Sixième Double
1:00
14.
Gavotte da capo
1:33
ROBERT SCHUMANN
Davidsbündlertänze Op.6
15.
No.1: Lebhaft Florestan and Eusebius
1:43
16.
No.2: Innig Eusebius
1:47
17.
No.3: Etwas hahnbüchen Florestan
1:37
18.
No.4: Ungeduldig Florestan
0:50
19.
No.5: Einfach Eusebius
2:09
20.
No.6: Sehr rasch und in sich hinein Florestan
1:54
21.
No.7: Nicht schnell. Mit äßerst starker Empfindung Eusebius
4:37
22.
No.8: Frisch Florestan
1:04
23.
No.9: Hierauf schloß Florestan und es zuckte ihm schmerzlich um die Lippen
1:48
24.
No.10: Balladenmäßig. Sehr rasch Florestan
1:43
25.
No.11: Einfach Eusebius
1:54
26.
No.12: Mit Humor Florestan
0:45
27.
No.13: Wild und lustig Florestan and Eusebius
3:20
28.
No.14: Zart und singend Eusebius
2:38
29.
No.15: Frisch Florestan and Eusebius
2:06
30.
No.16: Mit gutem Humor
1:40
31.
No.17: Wie aus der Ferne Florestan and Eusebius
4:28
32.
No.18: Ganz aus Überfluss meinte Eusebius noch Folgendes,
2:25
dabei sprach aber viel Seligkeit aus seinen Augen
Total time: 71:20
Solo:Marcin Fleszar piano
Notes
In his debut album for Rubicon Classics, accomplished pianist Marcin Fleszar performs Rameau’s timeless Suite in A minor. Under Fleszar’s masterful touch and performed on the piano, instead on the harpsichord as is traditional, the pieces take on new colours and shadings with a cantabile quality, verging at times on songlike.
The second half of the album transports the listener to the heights of 19th-century Romanticism with Schumann’s Davidsbündlertänze. The piece was inspired by his love for his soon-to-be wife, Clara Wieck, and Fleszar’s interpretation makes for a carefully crafted balance between the composer’s alter egos; from the explosive passion of Florestan to the gentle lyricism of Eusebius.
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