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Sue Revill  Sue Revill (1955-2019)

   A Tribute

 

 

  BBC Music Mag Win!

   Early Opera Co. wins award

  Enjoy 25% discount on release

 

Tasmin Little Honoured

Tasmin Little awarded Personality of the Year at BBC

Explore discography

 

  Grammy nomination

  'Serenade to..' up for award

  Listen

 

Presto Award winner!

Federico Colli wins Top 10 Recording of the Year

Read the full list here

 

Diapason d'Or de l'Année

Chandos won two awards, including Sound Recording

Find out more here

 

ICMA nominations

Chandos has been nominated for two ICMA awards 2019!

Find out more here

 

Album launch

Congratulations to Ferio for a fantastic Rhinegold Live!

Click here for more!

 

Musician in Residence

Ivan Ilic is new Musician in Residence at Ulster University

Click here for more!

 

Lifetime Achievement

Neeme Järvi wins Lifetime Achievement Award

Download free album here

 

Finley's special release

Gerald Finley has released a single ahead of LNOTP 2018.

Download the track

 

Album of the Week

New release Finzi album is the Guardian's Album of Week.

Download the album

 

Gramophone Nomination

For Bergen Philharmonic's Grieg album, congratulations!

Click for the full shortlist

 

Doric String Quartet 

Doric Quartet feature on the cover of the Strad

Read a snippet here

 

100th anniversary of RAF

Some of the finest RAF bands on one album to celebrate

Listen here

 

Ilic: Reicha Rediscovered

All 4 episodes of the series are now available.

Watch here

 

Allan Clayton: RPS winner

Allan wins RPS 2018 Singer award - congratulations!

Order his new album here

 

Apple Music Curator

Hear new playlists, remember classics, discover new music.

Explore our new profile here

 

Grammy Award Winners

Congratulations to distributed labels on Grammy wins

See the list of winners

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Latest Videos
Latest Reviews
Instrumental Choice
Performance *****      Recording *****
“Imogen Coopers’ Beethoven is sensitive and full of joy.”
Instrumental Choice
Performance *****      Recording *****
“Imogen Coopers’ Beethoven is sensitive and full of joy.”
Michael Church - BBC Music magazine - May 2019
"...excellently sung." ***
"...excellently sung." ***
Jeremy Pound - BBC Music magazine (Brief Notes section) - May 2019
"A rich offering on a theme of interfaith connectivity. The Japanese lullaby-inspired Zen Love Song and title work Love Abide are totally absorbing." *****
"A rich offering on a theme of interfaith connectivity. The Japanese lullaby-inspired Zen Love Song and title work Love Abide are totally absorbing." *****
Michael Beek - BBC Music magazine (Brief Notes section) - May 2019
"I enjoyed these works by the great late 19th-century cellist-composer they're not masterpieces by any means, but their rollicking tunes and inventive figuration male for a fun listen." ****
"I enjoyed these works by the great late 19th-century cellist-composer they're not masterpieces by any means, but their rollicking tunes and inventive figuration male for a fun listen." ****
Oliver Condy - BBC Music magazine (Brief Notes section) - May 2019
"... Billy the Kid ... is played with terrific swagger by Slatkin's Detroit forces." ****
"... Billy the Kid ... is played with terrific swagger by Slatkin's Detroit forces." ****
Jeremy Pound - BBC Music magazine (Brief Notes section) - May 2019
"... a rewarding listen." ****
"... a rewarding listen." ****
Rebecca Franks - BBC Music magazine (Brief Notes section) - May 2019
Performance ****      Recording *****
"...Altino has a sense of pacing throughout ... and the colours he draws from his instrument are well-caught by the recording."
Performance ****      Recording *****
"...Altino has a sense of pacing throughout ... and the colours he draws from his instrument are well-caught by the recording."
Martin Cotton - BBC Music magazine - May 2019
Performance ****      Recording *****
Performance ****      Recording *****
Julian Haylock - BBC Music magazine - May 2019
Performance ****      Recording *****
"... Contrasting the solo voices of Contrapuntus with the full-bodied choral sound. Rees sculpts the musical lines in low and high relief; delicately etched passages exquisitely sung by the solo voices of Contrapuntus give way to the sonorous, often seraphic, sound of the full ensemble. These dramatic contrasts make the Trinity Sunday Mass one of the masterpieces of Tudor polyphony... The recording is faultlessly engineered; lucid and vividly present."
Performance ****      Recording *****
"... Contrasting the solo voices of Contrapuntus with the full-bodied choral sound. Rees sculpts the musical lines in low and high relief; delicately etched passages exquisitely sung by the solo voices of Contrapuntus give way to the sonorous, often seraphic, sound of the full ensemble. These dramatic contrasts make the Trinity Sunday Mass one of the masterpieces of Tudor polyphony... The recording is faultlessly engineered; lucid and vividly present."
Kate Bolton-Porciatti - BBC Music magazine - May 2019
Performance *****      Recording *****
"... Anna Lucia Richter is still early in her career, yet demonstrates astonishing versatility, insight and intelligence in this programme of Schubert songs. Gerold Huber's extensive experience as an accompanist is revealed as he draws the tenderest sounds from his piano without ever descending into mawkish exaggeration. both artists know how to stretch time, bearing us expertly on the ebb and flow of Schubert's music... I'm looking forward to their next release."
Performance *****      Recording *****
"... Anna Lucia Richter is still early in her career, yet demonstrates astonishing versatility, insight and intelligence in this programme of Schubert songs. Gerold Huber's extensive experience as an accompanist is revealed as he draws the tenderest sounds from his piano without ever descending into mawkish exaggeration. both artists know how to stretch time, bearing us expertly on the ebb and flow of Schubert's music... I'm looking forward to their next release."
Natasha Loges - BBC Music magazine - May 2019
Performance *****      Recording *****
“… all the soloists are excellent, and thoughtful casting among the four baritones and bass-baritones has allotted the Ismaelite father to Matthew Brook, who brings just that touch of extra warmth to the role. Chorus and orchestra add further lustre to this superb enterprise, in which Andrew Davis’s love for the music shines through in every bar.”
Performance *****      Recording *****
“… all the soloists are excellent, and thoughtful casting among the four baritones and bass-baritones has allotted the Ismaelite father to Matthew Brook, who brings just that touch of extra warmth to the role. Chorus and orchestra add further lustre to this superb enterprise, in which Andrew Davis’s love for the music shines through in every bar.”
Roger Nichols BBC Music magazine – May 2019
Performance ****      Recording ****
"...There is plenty of symbolist potential in this 'dramatic ballad', as the composer called it; the 'night' in the work's title is that moment when the man-hating Princess succumbs, only temporarily it transpires, to the seductive song of the nameless Singer. This nocturnal sensuality is well conveyed by the leading soprano and tenor, Lina Liu and Ralph Ertel, and if anything the rest of the ensemble is even stronger, sounding involved and impressive under Andreas Hotz's sympathetic baton."
Performance ****      Recording ****
"...There is plenty of symbolist potential in this 'dramatic ballad', as the composer called it; the 'night' in the work's title is that moment when the man-hating Princess succumbs, only temporarily it transpires, to the seductive song of the nameless Singer. This nocturnal sensuality is well conveyed by the leading soprano and tenor, Lina Liu and Ralph Ertel, and if anything the rest of the ensemble is even stronger, sounding involved and impressive under Andreas Hotz's sympathetic baton."
John Allison - BBC Music magazine - May 2019
Performance ****      Recording ****
“…while there’s plenty of Iberian flavour to this recording, including a flamenco cantor of properly reedy vocal depth. Mena never lets us forget that the work is in that Italian tradition… Salud … is sung by Nancy Fabiola Herrera, whose voice is up to every expressive nuance of the role. She is compelling … Faithless Paco is sung with the verve of a true rake by Aquiles Machado, and the smaller parts are all well cast, especially Gustavo Peña singing the Voice from the Forge …”
Performance ****      Recording ****
“…while there’s plenty of Iberian flavour to this recording, including a flamenco cantor of properly reedy vocal depth. Mena never lets us forget that the work is in that Italian tradition… Salud … is sung by Nancy Fabiola Herrera, whose voice is up to every expressive nuance of the role. She is compelling … Faithless Paco is sung with the verve of a true rake by Aquiles Machado, and the smaller parts are all well cast, especially Gustavo Peña singing the Voice from the Forge …”
Erica Jeal – BBC Music magazine – May 2019
Opera Choice
Performance *****       Recording *****
"This is a marriage made in a musical heaven with the young Dutch soprano Jodie Devos reminding us just how gifted Jacques Offenbach was as a composer. And how inventive too... She's [Devos] a gravity-defying coloratura soprano who would have thrilled the composer ..."
Opera Choice
Performance *****       Recording *****
"This is a marriage made in a musical heaven with the young Dutch soprano Jodie Devos reminding us just how gifted Jacques Offenbach was as a composer. And how inventive too... She's [Devos] a gravity-defying coloratura soprano who would have thrilled the composer ..."
Christopher Cook - BBC Music magazine - May 2019
Performance ****      Recording ****
Performance ****      Recording ****
Malcolm Hayes - BBC Music magazine - May 2019
Performance ****       Recording *****
"The world's first concerto for theorbo' is unashamedly clever. Listen without the contextual notes and you experience a sensory whirlwind in which the theorbo is catapulted into the present, reinventing itself with a range of extended techniques and, under Matthew Wadsworth's deft fingers, soloistic effects it never knew it was capable of. Between the Scottish Chamber orchestra's tightly-executed themes that combine a whiff of Elgar and Shostakovich with bach and Blues, Wadsworth shimmers, jostles, and dances - holding his own in this new territory..."
Performance ****       Recording *****
"The world's first concerto for theorbo' is unashamedly clever. Listen without the contextual notes and you experience a sensory whirlwind in which the theorbo is catapulted into the present, reinventing itself with a range of extended techniques and, under Matthew Wadsworth's deft fingers, soloistic effects it never knew it was capable of. Between the Scottish Chamber orchestra's tightly-executed themes that combine a whiff of Elgar and Shostakovich with bach and Blues, Wadsworth shimmers, jostles, and dances - holding his own in this new territory..."
Hannah French - BBC Music magazine - may 2019

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Chandos Records
Chandos House
1 Commerce Park
Commerce Way
Colchester
Essex
CO2 8HX
United Kingdom