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Bach: Missa 1733
JOHANN SEBASTIAN BACH
Missa Brevis, BWV 232
1.
Kyrie: I. Kyrie eleison I
9:50
2.
Kyrie: II. Christe eleison
4:25
3.
Kyrie: III. Kyrie eleison II
3:31
4.
Gloria: I. Gloria in excelsis Deo
1:38
5.
Gloria: II. Et in terra pax
4:36
6.
Gloria: III. Laudamus te
4:06
7.
Gloria: IV. Gratias agimus tibi
2:43
8.
Gloria: V. Domine Deus
5:10
9.
Gloria: VI. Qui tollis peccata mundi
3:16
10.
Gloria: VII. Qui sedes ad dextram Patris
4:05
11.
Gloria: VIII. Quoniam tu solus sanctus
3:53
12.
Gloria: IX. Cum Sancto Spiritu
3:55
Solo: Pygmalion Ensemble Performer
Solo: Raphaël Pichon Performer
Solo: Eugénie Warnier Performer
Solo: Anna Reinhold Performer
Solo: Carlos Mena Performer
Solo: Emiliano Gonzalez Toro Performer
13.
Prélude et fugue in B Minor, BWV 893 (Bonus Track)
11:30
Solo: Benjamin Alard Performer
About
The Ensemble Pygmalion continues its interpretative work on the music of Johann Sebastian Bach, proposing the Mass in B minor, BWV 232 in its version of 1733. The Magnificat in D major, one of Bach’s most popular sacred works, composed c.1730, begins and ends with two powerful choral movements between which vocal and instrumental soloists carry on a dialogue in keeping with formulas that are continually varied, displaying an astounding richness of invention.
Pygmalion’s first recording for Alpha, with Bach’s Missae Breves BWV 234 and 235 (ALPHA 130) was received very enthusiastically by the critics and awarded, in particular, the Diapason d’Or of the Year 2008 and the Orphée d’Or 2008 by the Académie du Disque Lyrique.
Given the work’s historical importance, this third recording by the ensemble is also the occasion for Raphaël Pichon to show the extent of his maturity, placing him in the front rank of today’s young conductors.
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