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JOHANNES BRAHMS
(1833-1897)
3 Intermezzi, Op. 117
16:44
1.
1
Andante moderato - Più adagio - Un poco più andante
5:17
2.
2
Andante non troppo e con molta espressione - Più adagio
5:00
3.
3
Andante con moto
6:27
Fantasien, Op. 116
22:53
4.
1
Capriccio. Presto energico
2:11
5.
2
Intermezzo. Andante - Non troppo presto - Andante
3:41
6.
3
Capriccio. Allegro pasionato - Un poco meno allegro - Tempo I
3:06
7.
4
Intermezzo. Adagio
5:23
8.
5
Intermezzo. Andante con grazia ed intimissimo sentimento
3:02
9.
6
Intermezzo. Andantino teneramente
3:25
10.
7
Capriccio. Allegro agitato
2:05
Clavierstucke, Op. 118
23:14
11.
1
Intermezzo. Allegro non assai, ma molto appassionato
1:51
12.
2
Intermezzo. Andante teneramente - Più lento - Tempo I
5:37
13.
3
Ballade. Allegro energico
3:38
14.
4
Intermezzo. Allegretto un poco agitato
2:33
15.
5
Romanze. Andante - Allegretto grazioso - Tempo I
3:54
16.
6
Intermezzo. Andante, largo e mesto
5:41
Clavierstucke, Op. 119
15:49
17.
1
Intermezzo. Adagio
4:17
18.
2
Intermezzo. Andantino un poco agitato - Andantino grazioso - Tempo I
4:56
19.
3
Intermezzo. Grazioso e giocoso
1:40
20.
Rhapsodie. Allegro risoluto
5:06
79:26
Solo:Markus Groh piano
May 2007
Notes
Markus Groh’s AVIE debut was a towering account of Liszt’s B Minor Sonata coupled with the B-A-C-H Fantasy and Totentanz (AV 2097), exhibiting "transcendental technique, power in reserve, an instinctive grasp of structure and the ability to take risks," according to Classic FM Magazine. He follows with an enlightening contrast, the complete late piano works by Brahms, Op. 116 - 119, in which he once again displays supreme control combined with utmost sensitivity.
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