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Liszt and the Art of Remembering
FRANZ LISZT
1.
Valse oubliée No.1, S215 (1881) ‡
2:46
Étude en douze exercices Op.6, S136 (1826) †
2.
IX
Allegro grazioso
3:15
3.
Petite valse favorite, S212 (1842-3) †
3:21
4.
Valse oubliée No.2, S215 (1883) ‡
5:54
Études d'exécution transcendante, S139 (1851) *
5.
IX
Ricordanza
10:17
Épisode de la vie d'un artiste - Grande symphonie fantastique par Hector Berlioz, S470 (1833) †
6.
IV
Marche au supplice
5:05
7.
Liebestraum No.2 'Seliger Tod', S541 (1843-50) ‡
3:49
8.
Valse oubliée No.3, S215 (1883) ‡
5:05
Études d'exécution transcendante, S139 (1851) *
9.
VII
Eroica
4:52
10.
VIII
Wilde Jagd
5:33
Apparitions, S155 (1834) †
11.
I
Senza lentezza quasi allegretto
6:40
12.
En rêve - Nocturne, S207 (1885) ‡
2:09
13.
Valse oubliée No.4, S215 (1884) ‡
2:54
14.
Schlaflos! Frage und Antwort, S203 (1883) ‡
2:24
15.
Trauervorspiel und Trauermarsch, S206 (1885) ‡
6:08
16.
Bagatelle ohne Tonart, S261a (1885) ‡
2:17
Fünf kleine Klavierstücke, S192
17.
V
Sospiri! (1879) ‡
2:45
18.
I
Sehr langsam (1865) †
2:55
Total time: 78:09
Solo:Olivia Sham piano
* Recorded 29 September 2014 on an Érard grand piano (1845, Paris)
† Recorded 6-7 October 2014 on an Érard grand piano (1840, London)
‡ Recorded 29 October 2014 on a Steinway modern grand piano (Model D)
Notes
AVIE introduces Australian-born pianist Olivia Sham, now a resident of London where she recently completed a doctorate degree at the Royal Academy of Music. Her debut recording, Liszt: The Art of Remembering, explores links between Franz Liszt’s evolving compositional technique and the development of the nineteenth-century piano. She performs early works including Etudes d’exécution transcendante and the arrangement of Marche au supplice from Berlioz’s Symphonie fantastique on two different Parisian Érard pianos from the 1840s, and later works such as Valse oubliée on a modern, model D Steinway.
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