No. 26. Finale. Tormentilla: 'Too dark for me . . .'
2:56
Act III
8.
No. 27. Introduction
1:13
9.
No. 28. Trio. Mediums: 'Behold our mystic . . .'
3:25
10.
No. 29. Ensemble. Empress: 'Monstrous vision!'
1:28
11.
No. 30. Ballad. Empress: 'When I was young . . .'
2:48
12.
No. 31.Ensemble. Empress: 'You can leave us'
0:43
13.
No. 32. Duet. Tormentilla: 'Is my love alive?'
0:28
14.
Empress: 'Love breaks all rules . . .'
3:25
15.
No. 33. Invocation. Empress: 'Imps and Demons'
2:24
16.
No. 34. Ensemble. Empress: 'Come, O gentle powers'
5:36
17.
No. 35. Duet. Empress: 'Can you, can you remember'
2:40
18.
No. 36. Quartet. All: 'Love in a hut . . .'
1:21
19.
No. 37. Sextet. First Medium: 'Horrid monster!'
2:36
20.
No. 38. Duet. Gallanthus: 'It's the proper thing to do'
1:58
21.
No. 39. Finale. Chorus: 'Love has conquered!'
3:31
57:56
Cast (in order of appearance)
Solo:Roderick Williams baritone - Gallanthus
Solo: John Graham-Hall tenor - Hob
Solo: Richard Suart baritone - Gob
Solo:Mark Richardson bass - Lob
Solo: Gail Pearson soprano - First Medium
Solo:Helen Williams soprano - Second Medium
Solo: Emer McGilloway mezzo-soprano - Third Medium
Solo:Anne Collins contralto - Empress Persicaria
Chorus of Day and Night Voices, Hobgoblins, Witches and Forest Creatures, Milliners and Messenger Boys, Flower Girls, Lovers
Choral: Adrian Partington Singers
Orchestra: BBC National Orchestra of Wales
Conductor:Richard Hickox
3-6 January 2003
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Reviews
'Hickox has already shown that The Pilgrim's Progress and Sir John in Love can work and here brings out the best in The Poisoned Kiss.'
BBC Music Magazine
The music is enchanting, a mixture of parodies together with waltzes and tangos. An inspiration seems to have been The Beggars Opera and of course folk-song. It is VW at his most lyrical and endearing… The cast give every indication of having enjoyed their acquaintance with the score… The recording is superb and Chandos are to be thanked for filling the major gap in the VW discography.
Sunday Telegraph
'Praise to the conductor Richard Hickox and the orchestra, who give this work an ideal performance, right from the sensational overture.'
American Record Guide
''but meanwhile, Chandos' recording should provide hours of pleasure and not merely to Vaughan Williams 'train-spotters'. A sumptuous Chandos recording as usual.'
Gramophone
Praise to the conductor Richard Hickox and the orchestra, who give this work an ideal performance, right from the sensational overture.
American Record Guide
…exhilarating recording…
BBC Music Magazine ‘The Best CDs of 1998’ on CHAN
'but meanwhile, Chandos recording should provide hours of pleasure and not merely to Vaughan Williams train-spotters. A sumptuous Chandos recording as usual.
Gramophone
Hickox has already shown that The Pilgrims Progress and Sir John in Love can work and here brings out the best in The Poisoned Kiss.
BBC Music Magazine
'The music is enchanting, a mixture of parodies together with waltzes and tangos. An inspiration seems to have been The Beggar's Opera and of course folk-song. It is VW at his most lyrical and endearing… The cast give every indication of having enjoyed their acquaintance with the score… The recording is superb and Chandos are to be thanked for filling the major gap in the VW discography.'
Sunday Telegraph
The Opera may have a rather twee feel, but there is too much good music to leave it neglected. Hickox makes as good a case for the piece as can be imagined. Well worth exploring.
Gramophone 'Editor's Choice'
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