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JONATHAN DOVE
(b. 1959)
premiere recording
Tobias and the Angel
75:18
Church opera in one act
Libretto by David Lan
In memory of Nicholas John
Libretto dedicated to Gergely Stewart and Balint Stewart
1.
Tobit: 'My name is Tobit' -
2:45
2.
People in market: 'The king kills Jews' -
3:25
with Tobit, Anna, Tobias
3.
Tobias: 'Or find out who is playing that tune?' -
5:03
with People in market, Raphael, Raguel, Edna
4.
Sparrows: 'Time to get up!' -
4:55
with Tobit, Tobias, Sara, Edna, Raguel
5.
Ashmodeus: 'What a delightful night, with a restful night' -
5:54
with Raguel, Raguel's Men, Edna, Anna, Tobias, Tobit, Sara
6.
Anna: 'Without his eyes how can he work?' -
2:24
with Tobias, Tobit, Raphael
7.
Raphael: 'What do you hear?' -
1:58
with Tobias, Sara, Tobit
8.
The Trees: 'How hard is wood but slow is good' -
4:02
with Tobias, Raphael, Sara, Tobit
9.
Raphael: 'Not even the mountains?' -
3:35
with Tobias, The Mountain, Sara, Ashmodeus, Anna, Tobit
10.
Raphael: 'Descending a mountain there are many things to listen to' -
4:18
with Tobias, The River, The Fish
11.
Raphael: 'What did the fish sing?' -
1:43
with Tobias
12.
Raguel's Men: 'Master's house has an iron gate' -
2:13
with Tobias, Raphael
13.
Tobias: 'So this is Ecbatane' -
2:49
with Edna, Raguel
14.
Sara: 'You're welcome. Here's cheese' -
4:56
with Tobias, Raphael, Raguel, Edna
15.
Guests: 'Hurrah!' -
4:45
with Tobias, Sara, Raphael, Ashmodeus, Raguel's Men, Raguel, Edna
16.
Sara: 'Husband, come in' -
4:10
with Tobias, Ashmodeus, Raphael, Guests, Raguel's Men, Edna, Raguel
17.
Sparrows: 'Time to get up!' -
5:38
with Tobias, Raguel, Edna, Guests, Ashmodeus, Sara, Raphael, The Trees, Anna, Tobit
18.
Tobit: 'Ah!' -
6:12
with Angels, Tobias, Sara, Raphael, Everyone
19.
Chorus: 'Turn to Him with your ears'
4:21
with Ashmodeus, Tobit, Raphael
In Nineve
Solo:Omar Ebrahim baritone - Tobit
Solo: Hyacinth Nicholls mezzo-soprano - Anna
Solo: Darren Abrahams tenor - Tobias
Solo: James Laing counter-tenor - Raphael
In Ecbatane
Solo:Kevin West tenor - Raguel
Solo: Maureen Brathwaite soprano - Edna
Solo: Karina Lucas mezzo-soprano - Sara
Solo: Rodney Clarke baritone - Ashmodeus
Raguel's Men
Mensah Bediako
Simon Greenhill
George Ikediashi
Peter Snipp
Sparrows/The fish: Children's Chorus
People in market/The mountain/The river/Wedding guests: Adult chorus unison
People in market/The tree/Angels: Adult chorus satb
Choruses and Instrumental Ensemble
Conductor:David Charles Abell
6-8 November 2006
About
Born on 18 July 1959, Jonathan Dove is one of Britain’s leading composers of opera, choral works, theatre, film, orchestral, and chamber music. His community opera Tobias and the Angel premiered in 1999 at Christ Church, Highbury Fields in London, was taken up in 2005 by the Young Vic / English Touring Opera during the refurbishment of the Theatre’s regular venue, and was the first opera performed at the newly revamped Young Vic in 2006. The libretto, by David Lan, is based on the Book of Tobit from the biblical Apocrypha. Dove has written more than twenty operatic works on a wide range of subjects and is the most performed contemporary opera composer in the UK.
The colourfully biblical story of Tobit, who is blinded after daring to give a fellow Jew a proper burial, and the ensuing adventures of his son, Tobias, is vividly portrayed. The story particularly appealed to the composer, who said: ‘The tale has a mystical aspect, but also the character of a Jewish folk-tale, especially the scene in which Tobias is threatened by a huge fish, kills it, and is instructed to take out its heart and gall – which turn out to have magical healing properties.’
Although the racial oppression and demonic possession which are part of this work are fully developed, it is undoubtedly one of Dove’s brightest, even serene, scores, possessing immense appeal and communicative power. The nine instruments of the orchestra provide plenty of colour, for example effectively evoking the Jewish elements of a klezmer band, and David Lan’s libretto does a masterly job in telling the story in an almost cinematic way. This is the work’s premiere recording.
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Reviews
“…All singers are excellent and strong; the important choral contributions are brilliantly rendered. Perhaps it is Laing who deserves special mention for the purity of his delivery and his clear attunement to his role…The recording is miraculously present, and reproduces Dove’s often beautiful textures magnificently. One can hear all the various line of the opera’s poignant ending perfectly, and with a wonderful sense of perspective. A memorable issue.”
Colin Clarke - Fanfare - January/February 2011
“…Chandos’ world premiere recording of Tobias and the Angel under conductor David Charles Abell is a superb rendering of the Young Vic’s 2006 production”
Owen Mortimer - Opera Now - January-February 2011
“…Warmly recommended.”
Rodney Miles Opera - October 2010
"... it’s to Dove and Lan’s credit that the results are so, well, gorgeous, the musical journey from darkness to light full of humour and warmth" "The casting is near-perfect; Rodney Clarke’s demon suitably sinister, balanced by counter-tenor James Lang’s ethereal Raphael. Omar Ebrahim and Darren Abrahams really inhabit the roles of Tobit and Tobias, and the various other elements - children’s chorouses, accordian, organ and tuned percussion all fuse seamlessly."
Graham Rickson - theartsdesk.com - 24 July 2010
“…it is well produced and recorded…”
Peter Spaull - Liverpool Daily Post - 23 July 2010
Performance **** Recording *****
“…It’s a spirited performance however, and excellently recorded.”
Stephen Johnson - BBC Music Magazine - September 2010
****
The Times - 31 July 2010
“Editor’s Choice”
“…An outstanding release.”
Malcolm Riley - Gramophone - September 2010
“…the acting and singing is all top notch; and diction is crystal-clear. The choruses supply some particularly lovely moments, such as the trees’ chorale.”
Charlotte Gardner - Classic FM Magazine - August 2010
“…Even if on a CD so vividly recorded as this, one might be tempted to regret the loss of spirit the community involvement in the staged performances brings to this work, in its place we have impressive clarity of detail, revealing the absolute mastery of Dove’s score, his adept interweaving of so many varied influences and elements into a coherent and totally convincing whole. If a CD can be uplifting, this one certainly is."
Marc Rochester - International Record Review - July/August 2010
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