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Something's Gotta Give
FREDERICK LOEWE
(1901-1988) and
ALAN JAY LERNER
(1918-1986)
1.
On the Street Where You Live
3:17
from My Fair Lady (1956)
Concert orchestraton by Robert Russell Bennett (1894-1981)
COLE PORTER
(1891-1964)
2.
So in Love
2:32
from Kiss Me, Kate (1948)
Original Broadway orchestration by Don Walker (1907-1989), restored by David Charles Abell (b. 1958) and Seann Alderking (b. 1963)
3.
Night and Day
4:00
from Gay Divorce (1932)
Concert orchestration by Robert Russell Bennett
RICHARD RODGERS
(1902-1979) and
OSCAR HAMMERSTEIN II
(1895-1960)
4.
People Will Say We're in Love
4:13
from Oklahoma! (1943)
Original film orchestration (1955) by Robert Russell Bennett
Solo:Scarlett Strallen soprano
JERRY BOCK
(1928-2010) and
SHELDON HARNICK
(b. 1924)
premiere digital recording
5.
When Did I Fall in Love?
4:01
from Fiorello! (1959)
Original Broadway orchestration by Irwin Kostal (1911-1994), restored by David Charles Abell and Seann Alderking
Solo:Scarlett Strallen soprano
LIONEL BART
(1930-1999)
6.
Reviewing the Situation
6:06
from Oliver! (1960)
Original Broadway orchestration (1963) by Eric Rogers (1921-1981), restored by David Charles Abell and Seann Alderking
Charles Mutter violin
JEROME KERN
(1885-1945) and
OSCAR HAMMERSTEIN II
7.
All the Things You Are
3:33
from Very Warm for May (1939)
Concert orchestration by Robert Russell Bennett
RICHARD RODGERS
and
OSCAR HAMMERSTEIN II
8.
Soliloquy
8:04
from Carousel (1945)
Original Broadway orchestration by Don Walker, restored by Bruce Pomahac (musical supervision) and Wayne A. Blood (musical preparaton)
JOHNNY MERCER
(1909-1976)
premiere digital recording
9.
Something's Gotta Give
7:05
from Daddy Long Legs (1955)
Original film orchestration by Lloyd 'Skip' Martin (1916-1976) and Edward B. Powell (1909-1984), restored by Derek Greten-Harrison (b. 1980)
GEORGE FORREST
(1915-1999) and
ROBERT WRIGHT
(1914-2005)
10.
Stranger in Paradise
4:20
from Kismet (1953)
Based on music by Alexander Porfir'yevich Borodin (1833-1887)
Original Broadway orchestration by Arthur Kay (1881-1969), restored by David Charles Abell and Seann Alderking
Solo:Scarlett Strallen soprano
RICHARD RODGERS
and
OSCAR HAMMERSTEIN II
premiere recording in this arrangement
11.
It Might as Well Be Spring
3:57
from State Fair (1945)
Original arranged by Alfred Newman (1901-1970)
Original film orchestration by Edward B. Powell and Conrad Salinger (1901-1962), restored by Derek Greten-Harrison
Solo:Scarlett Strallen soprano
HUGH MARTIN
(1914-2011) and
RALPH BLANE
(1914-1995)
premiere digital recording
12.
The Girl Next Door
3:37
from Athena (1954)/Meet Me in St. Louis (1944)
Original film orchestration by Robert Franklyn (1918-1980) and Conrad Salinger, reconstructed by Derek Greten-Harrison
JULE STYNE
(1905-1994) and
SAMMY CAHN
(1913-1993)
premiere stereo recording in this arrangement
13.
It's Magic
2:51
from Romance on the High Seas (1948)
Original film orchestration by Ray Heindorf (1908-1980), restored by Derek Greten-Harrison, adapted for baritone by Jason Carr (b. 1967)
RICHARD RODGERS
and
OSCAR HAMMERSTEIN II
14.
Oh, What a Beautiful Mornin'
2:45
from Oklahoma!
Concert orchestration by Robert Russell Bennett
JERRY BOCK
and
SHELDON HARNICK
15.
If I Were a Rich Man
5:37
from Fiddler on the Roof (1964)
Original Broadway orchestration by Don Walker, restored by David Charles Abell and Seann Alderking
RICHARD RODGERS
and
OSCAR HAMMERSTEIN II
16.
If I Loved You (Bench Scene)
8:38
from Carousel
original Broadway orchestraton by Don Walker and Hans Spialek (1894-1983), restored by Bruce Pomahac (musical supervision) and Wayne A. Blood (musical preparation)
Solo:Scarlett Strallen soprano
Total time: 75:38
Orchestra: BBC Concert Orchestra
Conductor:David Charles Abell
3-5 March 2014
About
To this day, music from classic Broadway and Hollywood musicals continues to enjoy immense popularity with audiences and performers alike. Here Simon Keenlyside, one of the world’s most charismatic and sought-after operatic baritones, presents Something’s Gotta Give, an album devoted to songs from musicals – songs that require every bit as much attention to text and interpretation as Lieder, and often the same mastery of vocal technique as operatic arias. Scarlett Strallen, a regular presence of West End and Broadway stages, partners Keenlyside in duets and sings two numbers on her own. They are joined by David Charles Abell, a musician steeped in the tradition of musical theatre, who conducts the BBC Concert Orchestra in wonderfully lush original orchestral arrangements, a number of which have been specially restored for this recording.
The programme includes some of the best-loved numbers in the repertoire, including Cole Porter’s ‘Night and Day’, Rodgers and Hammerstein’s ‘Oh What a Beautiful Mornin’’, and ‘If I Were a Rich Man’ from Fiddler on the Roof. The range represented, from the emotional tour de force of ‘Soliloquy’ to the charming character song ‘Reviewing the Situation’, showcases the many facets of Simon Keenlyside both as an extraordinary vocalist and endlessly charismatic performer.
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Reviews
“Simon Keenlyside’s collection of Broadway standards is a reminder of the value that an unpretentious, direct but still sizable voice can bring to these well-loved songs. Keenlyside knows when to unleash his full baritone power, but he never sacrifices the emotional content of the songs, which can be challenging to perform credibly out of context”
Joanne Sydney Lessner – Opera News magazine – January 2016
“…I am delighted to greet this album as I was surprised to run into it. A palpable hit.”
Huntley Dent – Fanfare – March/April 2015
“Simon Keenlyside sings 16 songs from various Broadway shows and movies in this impressive album. Keenlyside has one of the most beautiful baritone voices in opera today … this album is very entertaining … The orchestra plays excellently under David Abell’s direction and the sound is very good…”
Elliot Fisch – American Record Guide – March/April 2015
“… He [Keenlyside] is in easy, laid-back voice in characters ranging from Fagin to Freddy Eynsford-Hill. Strallen is a delight, and David Charles Abell and the BBC Concert Orchestra give sumptuous support.”
Hug Canning – The Sunday Times (Culture magazine) – 21 December 2014
"This recording is released under the auspices of the Peter Moores Foundation, with whom Keenlyside has connections going right back to his days as a PMF scholar at the Royal Northern College of Music. This release is obviously a labour of love for all concerned, including the brilliance of the BBC Concert Orchestra under David Charles Abell who, along with Greten-Harrison and Seann Alderking, was responsible for seeking out those magical and brilliantly evocative orchestrations for this wholly excellent collection."
Michael Darvell - ClassicalSource.com - December 2014
IRR Outstanding
“…The programme is beautifully planned, with glorious orchestral support throughout, and the singing from both soloists is outstanding from start to finish.”
Nigel Simeone – International Record Review – December 2014
A disaster from start to finish. Many attractive melodies from musicals get BUTCHERED in operatic treatments they never warranted, much less deserved. ANY immediacy these numbers might have had evaporates in mannerisms, overblown arrangements and excessive reverberation. AVOID AT ALL COST!
T Muething
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