Scherzo. Molto vivace - Più lento - Tempo I - Vivo
4:22
3.
Largo con dolore - [ ] - Tempo I
7:45
4.
Allegro con fuoco - Più tranquillo - Tempo I - [Tempo II] -
6:59
Tempo I - Più lento - Tempo I - Assai animato
CLARA SCHUMANN
Drei Romanzen, Op.22 (1853)
8:56
(Three Romances)
for Violin and Piano
Joseph Joachim freundschaftlichst gewidmet
5.
I
Andante molto - Animato - A tempo
2:52
in D flat major • in Des-Dur • en ré bémol majeur
6.
II
Allegretto. Mit zartem Vortrage
2:21
in G minor • in g-Moll • en sol mineur
7.
III
Leidenschaftlich schnell
3:40
in B flat major • in B-Dur • en si bémol majeur
DAME ETHEL SMYTH
Sonata, Op.7 (c.1887)
23:54
in A minor • in a-Moll • en la mineur
for Violin and Piano
Frau Lily Wach, geb. Mendelssohn-Bartholdy, in alter Freundschaft
gewidmet
8.
I
Allegro moderato
8:38
9.
II
Scherzo. Allegro grazioso
2:34
10.
III
Romanze (Dante. Inf. V. 121). Andante grazioso - Allegro -
7:15
Più mosso, quasi fantasia - Tempo I (del Allegro) - Più mosso -
Tempo I (del Allegro) - Andante grazioso
11.
IV
Finale. Allegro vivace - Poco più mosso
5:24
AMY BEACH
12.
Romance, Op.23 (1893)
6:19
in A major • in A-Dur • en la majeur
for Violin and Piano
to Miss Maud Powell
Andante espressivo
13.
Invocation, Op.55 (1904)
3:56
for Violin and Piano
Adagio con elevazione
Total time: 71:27
Solo:John Lenehan piano
Notes
The renowned violinist and exclusive Chandos artist Tasmin Little returns with a line-up of three women composers whose lives share some features but also significant differences that illustrate the complex lives of female musicians.
Clara Schumann, Dame Ethel Smyth, and Amy Beach all came from families that encouraged their musical interests but balked, in varying degrees, at professional training and engagement. All three composers draw on the influence of Robert Schumann and Brahms; Beach and Smyth, in particular, were fond of metrical and motivic manipulation.
Tasmin Little plays this music, so close to her heart, with her usual warmth and dexterity. The manuscript of Clara Schumann’s final chamber work, Three Romances, declares it ‘for piano and violin’, an ordering reflected in the relative complexity of the parts, the florid passagework here played beautifully by Little’s long-term collaborator, John Lenehan.
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Reviews
“… In every instance on this disc, one cannot imagine finer performances. This issue deserves every accolade, not least for the bringing within our experience music that, in the time-honoured phrase simply does not deserve the neglect which has befallen it. Excellent! – the classical recording business at its best.” *****
Robert Matthew-Walker – Musical Opinion – July-September 2019
“… Little’s touch is warm and faultless throughout this lovely program and there is a strong chemistry between her and Lenehan. Both Beach and Smyth composed large-scale works – including symphonies and operas – and after hearing this disc many listeners will want to explore their lives and music further. All credit to Little and Chandos for shining more sunlight on them.” ****½
Steve Moffatt – Limelightmagazine.com.au – 20 May 2019
“Tasmin Little’s survey of violin works by three female composers is a rich concoction, full of dense argument and heavily perfumed harmonies … Little is a thoroughly persuasive advocate for these seldom-aired works, combining a lustrous, vibrato-laden tone with pinpoint precision of articulation and a supple, though never overstated, rhythmic fluidity, to gloriously convincing effect…”
David Kettle – The Strad – April 2019
RECOMMENDED
“…Throughout this recording Tasmin Little and John Lenehan are in excellent form, their choices of tempi, though some might find them a little too fast and forceful at times, are intelligent and certainly bring the best out of this wonderful music. They are helped by Chandos’ usual brilliant recorded sound and sympathetic acoustic at Potton Hall, as well as excellent booklet notes, with the result being a disc that will certainly be a front runner in my deliberations for my choice for Recording of the Year.”
Stuart Sillitoe – MusicWeb-International.com – 21 March 2019
“…She [Little] brings out the music’s [Beach’s 1896 Sonata] melodic riches with appositely broad tonal resource, employs firefly articulation in the Scherzo – Lenehan’s colouristic palette is at its zenith here – and brings a luscious sense of phrasing to bear on the slow movement… This valuable disc, resonantly played and recorded, is the first to be released since Tasmin Little announced that she will be retiring from active performance in 2020. Let’s hope that Chandos has booked Potton Hall for a raft of follow-up sessions to keep her many admirers satisfied and the repertoire enhanced by her art.”
Jonathan Woolf – MusicWeb-International.com – 8 March 2019
“…The Sonata [Beach Sonata Op. 34] is played magnificently by Little and Lenehan: there have been a number of previous recordings but I cannot imagine them being better…. “ *****
Tully Potter – ClassicalSource.com – March 2019
Editor’s Choice – Chamber
“… A wonderful performance.”
Richard Bratby – Gramophone magazine – March 2019
Chamber Choice
Performance ***** Recording *****
“…This delightful, beautifully performed album by Tasmin Little and John Lenehan makes an emphatic, seemingly effortless case for their music for violin & piano; presenting all but one of Beach’s works in the genre alongside Smyth and Schumann’s singe contributions…”
Steph Power - BBC Music magazine - March 2019
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Tasmin Little plays Clara Schumann, Dame Ethel Smyth & Amy Beach