“… Bavouzet and the Mancunians under Takacs-Nagy find an ideal balance between the light-hearted and the serious in these wide-ranging pieces … The chamber interplay between Bavouzet and the four winds in K452 carries over into the concertos, their all-important inner lines brought out without a hint of self-consciousness. The conjunction of soloist, band and Chandos’s characteristically fine engineering continue as they set out two years ago and conspires in a fascinating portent of what these players might do in due course with the later, larger, deeper concertos.”