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The Lyrical Clarinet, Volume 3
CLAUDE DEBUSSY
1.
Clair de lune (c.1890, revised 1905)
4:22
(Moonlight)
No.3 from Suite bergamasque for Solo Piano
Arranged 2019 for Clarinet and Piano by Michael McHale
Andante très espressif - Tempo rubato - Un poco mosso -
En animent - Calmato - Tempo I
FRITZ KREISLER
2.
Liebesleid (c.1905)
3:13
(Love's Sorrow)
in A minor/major • in a-Moll/A-Dur • en la mineur/majeur
from Alt-Wiener Tanzweisen
(Old Viennese Dance Tunes) for Violin and Piano
Arranged 2019 for Clarinet and Piano by Michael McHale
For Alex
Tempo di 'Ländler' - Poco meno mosso - Tempo I
PHILIPPE GAUBERT
3.
Fantaisie (1911)
7:29
for Clarinet and Piano
À mon ami P.Mimart, Professeur au Conservatoire
Lent - Un peu plus vite - Animé -
Tempo I - En animent un peu - A tempo -
Allègrement - Un peu moins vite - Tempo I -
Lent (Mouvement du début) - Un peu plus vite - Un poco animato -
A tempo Très vif - Vivace
MARIA THERESIA VON PARADIS
(attrib.)
4.
Sicilienne (date unknown)
2:30
in E flat major • in Es-Dur • en mi bémol majeur
for Violin and Piano
First published and probably composed by Samuel Dushkin (1891-1976)
Arranged 2019 for Clarinet and Piano by Michael McHale
Andantino
GABRIEL FAURÉ
5.
Sicilienne, Op.78 (1893/1898)
3:19
in G minor • in g-Moll • en sol mineur
for Cello and Piano
Arranged 2019 for Clarinet and Piano by Michael McHale
Andantino
FRITZ KREISLER
6.
Schön Rosmarin (c.1905)
1:56
(Lovely Rosemary)
in G major • in G-Dur • en sol majeur
from Alt-Wiener Tanzweisen
(Old Viennese Dance Tunes) for Violin and Piano
Arranged 2019 for Clarinet and Piano by Michael McHale
Grazioso
GABRIEL FAURÉ
7.
Après un rêve, Op.7 No.1 (1877)
3:11
(After a Dream)
in C minor • in c-Moll • en ut mineur
from Trois Mélodies
(Three Songs) for Voice and Piano
À Madame Marguerite Baugnies
Arranged 2019 for Clarinet and Piano by Michael McHale
Andantino
FELIX MENDELSSOHN
8.
Lied ohne Worte, Op.38 No.2 (1836)
2:21
(Song without Words)
in C minor • in c-Moll • en ut mineur
from Lieder ohne Worte, Book 3 for Solo Piano
Fräulein Rosa von Woringen gewidmet
Arranged 2019 for Clarinet and Piano by Michael McHale
Allegro non troppo
ROBERT SCHUMANN
9.
Träumerei, Op.15 No.7 (1838)
2:14
(Dreaming)
in F major • in F-Dur • en fa majeur
from Kinderszenen
(Scenes of Childhood)
Leichte Stücke
(Easy Pieces) for Solo Piano
Arranged 2019 for Clarinet and Piano by Michael McHale
[ ]
FRANZ LISZT
10.
Liebestraum No.3, S 541 (1843-50)
4:33
(Dream of Love)
in A flat major • in As-Dur • en la bémol majeur
from Liebesträume
Drei Notturnos (Three Nocturnes) for Solo Piano
Arranged 2019 for Clarinet and Piano by Michael McHale
Poco allegro, con affetto - Più animato con passione - Tempo I
CLAUDE DEBUSSY
11.
La Fille aux cheveux de lin (1910)
2:22
(The Girl with the Flaxen Hair)
No.8 from Préludes, Book 1 for Solo Piano
Arranged 2019 for Clarinet and Piano by Michael McHale
Très calme et doucement expressif - Un peu animé -
Murmuré et en retenant peu à peu
JOHANNES BRAHMS
12.
Hungarian Dance No.1 (1868)
3:05
in G minor • in g-Moll • en sol mineur
from Hungarian Dances, Book 1
for Piano Four Hands
Arranged 2019 for Clarinet and Piano by Michael McHale
Allegro
CAMILLE SAINT-SAËNS
13.
Le Cygne (1886)
2:42
(The Swan)
in G major • in G-Dur • en sol majeur
for Cello and Piano
No.13 from La Carnaval des animaux (The Carnival of the Animals)
Grande Fantaisie zoologique (Grand Zoological Fantasy)
Arranged 2019 for Clarinet and Piano by Michael McHale
For Mia
Andantino grazioso
CÉSAR FRANCK
Sonata, M 8 (1886)
26:43
in A major • in A-Dur • en la majeur
for Piano and Violin
Arranged for Piano and Clarinet by Michael Collins
À Eugène Ysaÿe
14.
I
Allegretto ben moderato
5:39
15.
II
Allegro - Poco più lento - Tempo I (Allegro) -
7:51
16.
III
Recitativo - Fantasia
7:08
17.
IV
Allegretto poco mosso
6:03
Total time: 69:58
About
Michael Collins MBE is one of the most complete musicians of his generation. Continuing his distinguished career as a soloist, he has in recent years also become highly regarded as a conductor and in 2010 took up the position as Principal Conductor of City of London Sinfonia; he works with leading orchestras around the world both as a soloist and as a conductor.
Committed for many years to expanding the repertoire of the clarinet, he has premiered works by some of today’s most highly regarded composers, including John Adams, Elliott Carter, Brett Dean, and Mark-Anthony Turnage. In addition to commissioning and supporting new compositions, he is also a champion of well-crafted arrangements for the clarinet of works originally for other instruments. It is this area of his work that is so vividly demonstrated in the Chandos series The Lyrical Clarinet, of which this is the third volume. Most of the arrangements on this album were made by the pianist Michael McHale, who accompanies Michael Collins on the recording.
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Reviews
“…The recording is excellent, without a hint of harshness when Michael Collins hits the high notes. The sound is clear without being too close and the balance between piano and clarinet is exemplary…”
Chris Ramsden – MusicWeb-International.com – May 2020
“… It should be said at once that Michael Collins lavishes as much care, musicality and technical brilliance, beauty of tone and expressivity on these lollipops as would do on a clarinet sonata or any other ‘bigger’ piece. For instance his reading of Brahms’s Hungarian dance has true gypsy magic. It’s utterly relevant that he plays this piece on the clarinet, since the instrument is frequently heard in the Hungarian folk music, together with the violin and cimbalom… For clarinettists and lovers of the clarinet this should be obligatory listening…”
Göran Forsling MusicWeb-International.com – April 2020
Performance **** Recording ****
“…The one original work is Philippe Gaubert’s Fantaisie, written in 1911 … as a Paris Conservatoire test piece, with a virtuoso finish that Collins brings off in spectacular style.”
Malcolm Hayes – BBC Music magazine – April 2020
Editor’s Choice – Chamber Section
“…The arrangement for clarinet and piano of Franck’s Violin Sonata is by Collins himself … it works so well with only a few minor adjustments that you wonder why is has not been attempted before (or so seldom)… It’s a triumph… one has to salute the extraordinary facility and irresistibly seductive, lyrical grace of Michael Collins’s playing, surely one of his instrument’s greatest living exponents.”
Jeremy Nicholas – Gramophone magazine – February 2020
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The Lyrical Clarinet Vol. 3 - Michael Collins & Michael McHale