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A Musical Zoo
FRANZ SCHUBERT
1.
Die Forelle, Op.32, D 550 (1817, revised 1820)
2:20
(The Trout)
Etwas lebhaft
2.
Die Vögel, Op.172 No.6, D 691 (1820)
1:13
(The Birds)
Lieblich
ROBERT SCHUMANN
3.
Die Löwenbraut, Op.31 No.1 (1840)
8:06
(The Lion's Bride) from Drei Gesänge
Langsam - Etwas lansamer - Erstes Tempo - Adagio
HUGO WOLF
4.
Der Rattenfänger (1888)
2:37
(The Ratcatcher)
No.11 from Gedichte von Johann Wolfgang von Goethe
Sehr lebhaft
JOHANNES BRAHMS
5.
An die Nachtigall, Op.46 No.4 (1864-68)
2:58
(To the Nightingale) from Vier Lieder
Ziemlich langsam
RICHARD STRAUSS
6.
Die Drossel, Wo0 34, TrV 49 (1877)
2:28
(The Thrush)
Introduction ad libitum - Andante con moto
GABRIEL FAURÉ
7.
Le Papillon et la fleur, Op.1 No.1 (1861)
2:06
(The Butterfly and the Flower) from Deux Chansons
À Mme Miolan-Carvalho
Allegro non troppo
MAURICE RAVEL
Histoires naturelles (1906)
16:46
(Stores of Nature)
Paroles de Jules Renard
8.
I
Le Paon (The Peacock). À Madame Jane Bathori. Sans hâte et noblement - Avec majesté
4:34
9.
II
Le Grillon (The Cricket). À Mademoiselle Madeleine Picard.
3:08
Placide - À volonté - Premier Mouvement - Lent
10.
III
Le Cygne (The Swan). À Madame Alfred Edwards, née Godebska.
2:59
Lent - Modéré - Plus lent qu'au début - Premier Mouvement -
11.
IV
Le Martin-pêcheur (The Kingfisher). À Émile Engel. On ne peut plus lent - Trés clame
2:56
12.
V
La Pintade (The Guinea-fowl). À Roger-Ducasse. Assez vite - Modéré -
3:07
Au Mouvement - Modéré - Au Mouvement - Subitement moins vit -
MODEST MUSSORGSKY
13.
Mephistopheles's Song of the Flea in Auerbach's Tavern (1879)
3:18
To Darya Mikhaylovna Leonova
DMITRI SHOSTAKOVICH
14.
Once there lived a cockroach, Op.146 No.2 (1974)
3:44
from Four Verses of Captain Lebyadkin
JOHN IRELAND
15.
The Three Ravens (1920)
4:28
Melody first published by Thomas Ravenscroft (c.1592 - c.1635)
in his collection Melismata (1611)
in free time (Moderato)
HERBERT HOWELLS
16.
King David (1919)
5:09
To John Coates
Quasi lento - Pochettino più mosso - Placido
SAMUEL BARBER
17.
The Monk and His Cat, Op.29 No.8 (1952-53)
2:24
from Hermit Songs
To Isabelle Vengerova
Moderato, flowing - [ ] - Tempo I
VERNON DUKE
Ogden Nash's Musical Zoo (1947)
12:12
18.
1
The Jelly Fish. Swimmingly
0:26
19.
2
The Fly. With acute suffering
0:19
20.
3
Our Dog. Tenderly
0:53
21.
4
The Ant. Busily
0:24
22.
5
The Pig. In clumsy waltz style
0:27
23.
6
The Duck. Kind of groovy
0:25
24.
7
The Termite. Plaintively
0:32
25.
8
The Calf. Persuasively (not slow)
0:58
26.
9
The Turkey. Importantly
0:27
27.
10
The Sea Gull. Wistfully (not slow)
0:45
28.
11
The Rooster. Pompously
0:24
29.
12
The Germ. Apprehensively
0:59
30.
13
The Centipede. Emphatically
0:30
31.
14
The Firefly. Unvertainly
0:50
32.
15
The Sparrow. Cockily - Grand opera sytle
0:30
33.
16
The Cow. With respect (slowly)
0:49
34.
17
The Kitten. Almost a hit tune (very sweetly)
0:38
35.
18
The Mouse. Waltz away
0:34
36.
19
The Pigeon. Sedately
0:45
37.
20
The Frog. With gusto
0:29
BENJAMIN BRITTEN
38.
The Crocodile (1941)
5:19
Melody from English County Songs (1893)
Arangement published in Tom Bowling and Other Song Arrangements (2000)
Total time: 74:58
Solo:Ashley Riches bass-baritone
About
A Musical Zoo with Ashley Riches and Joseph Middleton is a veritable tour de force, featuring compositions spanning nearly 160 years, from Schubert’s ‘The Trout’ to Shostakovich’s ‘Once there lived a cockroach’, and four languages (German, French, Russian, and English).
A strong representation of the German Lieder tradition (Schubert, Schumann, Wolf, Brahms, and Richard Strauss) is balanced by the French mélodie (Fauré, Ravel) and English lyricism (Ireland, Howells). We humans seem to have an endless fascination with the animal kingdom, and animals have proved an inspiration for artists, composers and writers alike. This recital demonstrates what a rich seam this has proved for a diverse range of composers. Ashley Riches comments: ‘The text [of a song] may outline to us what we see. But the flutterings of Schubert’s Birds, the flicking antennae of Shostakovich’s Cockroach, the rush of notes with which Ravel’s Peacock spreads its tail – these are movements and energies accessible to music alone.’
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Reviews
“… I enjoyed this recital disc enormously. Ashley Riches’ singing and Joseph Middleton’s playing are superb throughout and their programme has been discerningly constructed. The whole enterprise has been expertly recorded by Jonathan Cooper… thoroughly entertaining disc.”
John Quinn – MusicWeb-International.com – 10 June 2021
Choral & Song Choice
Performance ***** Recording *****
“… Riches has the versatility to sound at home in any language or musical idiom. He possesses a natural authority that never has to strive for effect, and his warm, supple bass-baritone is eminently ‘grounded’ … In all, imaginatively plotted and beautifully recorded.”
Paul Riley – BBC Music magazine – May 2021
“… On this album, both he [Riches] and pianist Joseph Middleton take a robust approach to the animal world, even with Fauré’s butterflies and flowers. But he also effectively floats upper-range notes in Ravel’s more delicate moments…”
David Patrick Stearns – Gramophone magazine – April 2021
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