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Works for Solo Piano, Volume 1
WOLFGANG AMADEUS MOZART
1.
Fantasie, KV 475
13:26
in C Minor • in c-Moll • en ut mineur
(Fantasia)
Pour Madame Therese de Trattnern
Adagio - Allegro - Andantino - Più allegro - Tempo I
2.
Adagio, KV 356
3:01
in C Major • in C-Dur • en ut majeur
for Armonica (Glass Harmonica)
Adagio
3.
Fantasie, KV 396
9:47
in C Minor • in c-Moll • en ut mineur
(Fantasia)
Fragment for piano and violin, completed and arranged 1801
for solo piano by Maximilian Stadlet (1748-1833)
Dédiée à Madame Constanze Mozart
Adagio
4.
Menuett, KV 355
6:35
in D Major • in D-Dur • en ré majeur
(Minuet)
Fragment, the Trio of which supplied by Maxiomilian Stadler
Menuetto - Trio - Menuetto da capo
5.
Fantasie, KV 397
6:30
in D Minor • in d-Moll • en ré mineur
(Fantasia)
Fragment, completion traditionally attributed to
August Eberhard Müller (1767-1817)
Andante - Adagio - Presto - Tempo I - Presto -
Tempo I - Allegretto
6.
Rondo, KV 485
6:55
in D Major • in D-Dur • en ré majeur
Allegro
Sonata, KV 333
22:24
in B-Flat Major • in B-Dur • en si bémol majeur
7.
I
Allegro
7:33
8.
II
Andante cantabile
8:18
9.
III
Allegretto grazioso - Cadenza in tempo
6:32
[Tempo I] - Ad libitum - A tempo
Total time: 68:37
Notes
Praised by Gramophone as ‘one of the more original thinkers of his generation’, the Italian pianist Federico Colli is internationally recognised for his highly imaginative and philosophical interpretations and impeccable technique. This album is the first instalment of a new, intensely personal project for the pianist: an exploration of selected piano works by Mozart. It was the discovery (at the age of around six) of Mozart’s music that caught the imagination of the young Federico and inspired him to study music, and it was winning the International Piano Competition Mozart, in Salzburg, that launched his career as a pianist. His approach has been to immerse himself completely in Mozart’s own experience at the composition of each piece: where was Mozart living, what was he doing, what were his motivations behind each composition? Only after in-depth study of biographies of Mozart, his (and others’) letters, the historical, social, and political background, the Zeitgeist, the cultural atmosphere surrounding each work, does Colli then approach the scores and start the process of building his interpretations
Oliver Buslau – Piano News (Germany) – November/December 2022
“…His [Colli] pianism could hardly be more vibrantly alive or brilliantly etched offering him a dynamic range from the merest whisper to a blazing forte… In Colli’s hands the Andante cantabile from the Sonata is B-flat major K331 becomes a seraphically beautiful aria… Chandos’ sound and presentation are so realistic you feel as if Colli’s intense presence is in the room with you.”
Bryce Morrison – International Piano – June 2022
Performance ***** Recording *****
Michael Church – BBC Music magazine – July 2022
“The opening sound we hear on Federico Colli’s album tells us that this idiosyncratic pianist’s first instalment in a Mozart series is going to be particularly adventurous… Colli’s Mozart may not be as elegant and effortless as someone like Murray Perahia’s, but there are other ways of enlivening great music beyond stroking it tenderly.” ****
Geoff Brown – The Times – 18 May 2022
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