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SIR EDWARD ELGAR (1857 – 1934)
(1857-1934)
The Apostles, Op. 49
126:53
Oratorio in Two Parts
COMPACT DISC ONE
Prologue
1.
Chorus: 'The Sprit of the Lord is upon me'
7:33
Part I
The Calling of the Apostles
2.
Recitative. Tenor: 'And it came to pass in those days…'
2:46
In the Mountain. Night
3.
The Angel Gabriel: 'The voice of Thy watchman!' -
5:38
The Dawn
4.
Sound of the shofar - The Watchers: 'It shines! -
1:34
Morning Psalm
5.
The Singers: 'It is a good thing to give thanks unto the Lord' -
4:08
6.
Recitative. Tenor: 'And when it was a day, He called unto Him His disciples'
9:23
By the Wayside
7.
Jesus: 'Blessed are the poor in Spirit'
7:56
By the Sea of Galilee
8.
Recitative. Tenor: 'And straightway Jesus constrained his disciples to get into a ship' -
1:50
In the Tower of Magdala
9.
Mary Magdalene: 'O Lord Almighty, God of Israel' -
5:56
10.
Mary Magdalene - '''This shall ye have of Mine hand''' -
8:29
In Caesarea Philippi
11.
Recitative. Tenor: 'When Jesus came into the ports of Caesarea Philippi' -
5:20
In Capernaum
12.
Mary Magdalene: 'Thy face, Lord, will I seek' -
5:12
13.
Chorus: 'Turn you to the stronghold, ye
7:55
prisoners of hope'
Total time: 73:49
COMPACT DISC TWO
Part II
1.
Orchestral Introduction
4:21
The Betrayal
2.
Recitative. Tenor: 'And it came to pass that He went
1:50
throughout every city and village' -
3.
Recitative. Chorus: 'Then gathered the chief Priests and
3:19
Pharisees a council' -
In Gethsemane
4.
Judas: 'Hail, Master!' -
2:16
In the Palace of the High Priest
5.
Servants: 'Thou also wast with Jesus of Nazureth' -
3:21
The Temple
6.
Recitative. Contralto: 'Then Judas, which had betrayed Him' -
3:39
Without the Temple
7.
Judas: 'Whither shall I go from Thy Spirit?'
9:12
Golgotha
8.
Chorus: 'Truly this was the Son of God'
4:36
At the Sepulchre
9.
Recitative. Contralto: 'And very early in the morning they came
4:32
unto the sepulchre…'
10.
The Apostles: 'We trusted that it had been He which should
4:21
have redeemed Israel' -
The Ascension
11.
Recitative. Contralto: 'And when He had spoken these things'
11:32
Total time: 53:04
Solo:Alfreda Hodgson contralto - Mary Magdalene
Solo:Alison Hargan soprano - The Blessed Virgin, The Angel Gabriel
Solo:David Rendall tenor - St John
Solo:Stephen Roberts bass - Jesus
Solo:Robert Lloyd bass - Judas
Choral: London Symphony Chorus
Orchestra: London Symphony Orchestra
Conductor: Richard Hickox
26-29 March 1990
About
Inspiration for The Apostles came at an early age for Elgar who, as a child, was fascinated to learn about Christ’s disciples, ordinary men who witness the most extraordinary events. A commission from the Birmingham Triennial Music Festival gave him the opportunity to explore this theme and in 1903 Elgar wrote The Apostles, the first in a planned trilogy of works depicting the lives of Jesus’ disciples (the third, intended to follow The Kingdom, never materialised). A narrative work, it deals with the calling of the disciples and their experiences of Jesus’ preaching, miracles, crucifixion, resurrection, and ascension.
An expansive oratorio, The Apostles calls for six soloists, lavish orchestration, and large chorus. Although often overshadowed by The Dream of Gerontius, written shortly before, it contains some of Elgar’s most inspired music, particularly in the dramatic portrayal of Judas and in the exalted, moving finale.
On this ‘241’ reissue Richard Hickox, a true champion of British music, conducts the London Symphony Orchestra and Chorus. The two most prominent roles, Mary Magdalene and Judas, are sung by Alfreda Hodgson and Robert Lloyd, respectively. The recording also features an outstanding performance from a young Bryn Terfel as Peter. The set is released as part of the Richard Hickox Legacy series.
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Reviews
“…Hickox was at his best in English choral repertory, so this Elgar oratorio shows us the conductor at his strongest and most characteristic… This is a wonderful work with many lovely passages … I am happy with Hickox’s soloists … and the choral work is excellent. Through all the singing one can understand almost every word, a testimony to both Elgar and Hickox. Chandos has excellent sound, and the notes include the text …”
Paul L Althouse - American Record Guide - January/February 2015
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