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Opera - Don Giovanni
WOLFGANG AMADEUS MOZART
(1756-1791)
Don Giovanni
157:57
Opra buffa in two acts, K. 527
Original 'Prague' version
Libretto by Lorenzo da Ponte, English translation by Amanda Holden
COMPACT DISC ONE
1.
Overture
5:36
Act I
Scene 1
Introduction
2.
'Night and day I slave away'
5:22
Leporello, Donna Anna, Don Giovanni, Commendatore
Scene 2
Recitative
3.
'Leporello, where are you?'
10:34
Don Giovanni, Leporello
Scene 3
4.
'Ah! My father's in danger'
0:14
Recitative and Duet
5.
'Oh my God! What is that?'
2:49
6.
'Go! You are cruel and heartless'
3:51
Donna Anna, Don Ottavio
Scene 4
Recitative
7.
'Come on, you'd better tell me'
1:50
Don Giovanni, Leporello
Scene 5
Aria
8.
'Where is that evil monster'
3:27
Recitative
9.
'Who's there?'
3:02
Donna Elvira, Don Giovanni, Leporello
Aria
10.
'Pretty lady, I have something to show you'
5:30
Leporello
Scene 6
Recitative
11.
'So that's the cruel monster who betrayed me'
0:41
Donna Elvira
Scene 7
Duet and Chorus
12.
'All you women who dream of a lover'
1:23
Zerlina, Chorus, Masetto
Scene 8
Recitative
13.
'Thank God we are rid of her'
2:20
Don Giovanni, Leporello, Zerlina, Masetto
Aria
14.
'Now I get it, now I see!'
1:36
Masetto
Scene 9
Recitative
15.
'At last we are rid of him'
2:07
Duet
16.
'There will my arms enfold you'
3:12
Don Giovanni, Zerlina
Scene 10
Recitative
17.
'Leave her alone you monster'
0:49
Donna Elvira, Zerlina, Don Giovanni
Aria
18.
'Escape the traitor's arms'
1:10
Donna Elvira
Scene 11
Recitative
19.
'It seems today the devil's making mischief'
1:10
Donna Giovanni, Don Ottavio, Donna Anna
Scene 12
Quartet
20.
'Don't ever place your trust in him'
3:54
Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni
Recitative
21.
'What an unhappy woman!'
0:26
Don Giovanni
Scene 13
Recitative and Aria
22.
'Don Ottavio, I'm dying!'
3:31
Donna Anna, Don Ottavio
23.
'He threatened my honour'
2:54
Donna Anna
Scene 14
Recitative
24.
'Could I ever believe . . .'
0:33
Don Ottavio
Scene 15
Recitative
25.
'I'm at the end of my tether'
2:01
Leporello, Don Giovanni
Aria
26.
'Now that the wine . . .'
1:30
Don Giovanni
61:32
COMPACT DISC TWO
Scene 16
Recitative
1.
'Masetto, will you listen?'
1:25
Zerlina, Masetto
Aria
2.
'Beat me, beat me dear Masetto'
4:15
Zerlina
Recitative
3.
'What a sweet little witch'
0:41
Masetto, Don Giovanni, Zerlina
First finale
4.
'So it happened, she betrayed me'
0:57
Masetto, Zerlina
Scene 17
5.
'Rouse yourselves, my friends, look lively!'
0:49
Don Giovanni, Chorus
Scene 18
6.
'I shall hide among these bushes'
2:09
Zerlina, Don Giovanni, Masetto
Scene 19
7.
'We need to be courageous'
4:12
Donna Elvira, Don Ottavio, Donna Ana, Leporello, Don Giovanni
Scene 20
8.
'Rest my beauties, let me entertain you'
1:16
Don Giovanni, Leporello, Masetto, Zerlina
Scene 21
9.
'Pray come this way'
7:26
Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina
22:36
COMPACT DISC THREE
Act II
Scene 1
Duet
1.
'Have you gone crazy'
1:04
Recitative
2.
'Leporello!'
2:10
Don Giovanni, Leporello
Scene 2
Trio
3.
'My heart, you have no mercy!'
5:00
Donna Elvira, Leporello, Don Giovanni
Recitative
4.
'So what d'you think of that?'
0:31
Don Giovanni, Leporello
Scene 3
Recitative
5.
'Look, here I am'
1:39
Donna Elvira, Don Giovanni, Leporello
Canzonetta
6.
'What light from yonder window'
2:07
Don Giovanni
Scene 4
Recitative
7.
'There's someone at the window'
1:12
Don Giovanni, Masetto
Aria
8.
'Let half of you go over there'
2:54
Don Giovanni
Scene 5
Recitative
9.
'Sssh! Let me listen . . .'
0:44
Don Giovanni, Masetto
Scene 6
10.
'Ahi! Ahi! My head, my head!'
1:24
Masetto, Zerlina
Aria
11.
'Listen my darling'
3:33
Zerlina
Scene 7
Recitative
12.
'I can see torches'
0:38
Leporello, Donna Elvira
Sextet
13.
'All alone, alone in darkness'
2:45
Donna Elvira, Leporello, Don Ottavio, Donna Anna
Scene 8
14.
'Stop there, you villain'
4:34
Zerlina, Masetto, Donna Anna, Don Ottavio, Donna Elvira
Scene 9
15.
'So it was you'
0:28
Zerlina, Donna Elvira, Don Ottavio, Masetto
Aria
16.
'Ah, be merciful to me!'
1:44
Leporello
Scene 10
17.
'Stop him, somebody stop him'
0:44
Donna Elvira, Masetto, Zerlina, Don Ottavio
Aria
18.
'Will you remain with my treasure'
4:15
Don Ottavio
Scene 11
Recitative
19.
'Ah! Ah! This is perfect!'
4:31
Don Giovanni, Leporello, Commendatore
Duet
20.
'Oh most respected monument'
2:45
Leporello, Don Giovanni, Commendatore
Scene 12
Recitative
21.
'Be comforted, my darling'
0:52
Recitative and Aria
22.
'You are cruel!'
1:49
Don Ottavio, Donna Anna
23.
'Never say, my own beloved'
5:04
Donna Anna
Recitative
24.
'Ah! Where she goes I shall follow'
0:23
Don Ottavio
Scene 13
Finale
25.
'Now the supper table's ready'
4:33
Don Giovanni, Leporello
Scene 14
26.
'All I can offer, I lay before you'
3:28
Donna Elvira, Don Giovanni, Leporello
Scene 15
27.
'Don Giovanni!'
6:29
Commendatore, Don Giovanni, Leporello
Scene 16
28.
'Where is the infidel?'
5:52
Zerlina, Donna Elvira, Don Ottavio, Masetto, Donna Anna, Leporello
73:49
Solo:Garry Magee baritone - Don Giovann
Solo: Clive Bayley bass - Commendatore
Solo: Majella Cullagh soprano - Donna Anna
Solo:Vivian Tierney soprano - Donna Elvira
Solo: Dean Robinson baritone - Masetto
Solo:Mary Plazas soprano - Zerlina
Choral: Geoffrey Mitchell Choir
Orchestra: Philharmonia Orchestra
Conductor:David Parry
22-27 August 2000
Notes
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Reviews
‘A further valuable addition to the Chandos Opera in English series.’
Opera Now on CHAN 3036(2) (Il Trovatore)
Personally, I found myself gripped: there was certainly no temptation to leave Act 2 for next day or even take a Glyndebourne supper-interval.’
…the most intelligent and certainly the most involving traversal of the opera on record for many years… being able to follow every nuance of the drama instantly is enriching…
Opera Now Magazine ‘CD of the Week’
‘John Tomlinson is one of the finest singing actors on the opera scene today.’
BBC Music Magazine on CHAN 3044 (Great Operatic Ar
We have come to know that an operatic performance recorded under David Parry is likely to be strong in its convictions, and this Don Giovanni is no exception… Personally, I found myself gripped…
Gramophone
Barry Banks makes an ardent, appealing Ottavio…
Opera News, New York
‘…one is transfixed by the quality of the singing… and above all by the orchestral playing and by the grandeur and insight of Sir Reginald’s conducting.’
The Sunday Telegraph on CHAN 3045(4) (Siegfried)
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