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Notes
Neeme Järvi conducts the Royal Scottish National Orchestra in the fourth album of their Wagner series. Their performances on the previous three volumes have received high critical acclaim. American Record Guide wrote of Volume 1: ‘This is wonderful playing and sound… Järvi knows exactly what to do to make the music speak. The orchestra sounds better than I’ve ever heard them.’
This disc features a symphonic arrangement by the Dutch composer and percussionist Henk de Vlieger of Wagner’s only comic opera, Die Meistersinger von Nürnberg. It is the only opera by Wagner centred round a specific time and place in history, rather than a mythical or legendary past. The story takes place in Nuremberg during the middle of the sixteenth century, and revolves around the real-life guild of the Master Singers, an association of amateur poets and musicians who developed a craftsman-like approach to music-making.
Wagner left the two early Entreactes tragiques unfinished, the first only partially orchestrated, and they are heard here in orchestrations completed by De Vlieger.
Completing the disc are the seldom performed and recorded Overture to Columbus, and Eine Faust-Ouvertüre by Wagner. Written in 1835, when Wagner was just twenty-two years old, the Weber-influenced Columbus Overture introduces the play by Theodor Apel. His Faust-Overture followed in 1840. Taking its inspiration from Goethe’s famous play, this work, together with Hector Berlioz’s Symp honief antastique, became the main example of nineteenth-century programme music.
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Reviews
“... a good orchestra and conductor and a rock solid and sharply defined sonic image ”
McKelvey – American Record Guide – January-February 2012
Performance **** Recording *****
“ it all sounds superb ”
Michael Scott Rohan – BBC Music magazine – Christmas 2011
"... this is music of genius, knitted together to make a plausible symphonic sequence. The orchestral highlights are here - the overture and the great Act III prelude - and the portentous Masters and boisterous Apprentices are brought vividly to life without singing."
Hugh Canning - Sunday Times - 28 August 2011
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