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Notes
The Grammy-Award-winning conductor Charles Bruffy brings together his two professional choirs, the Kansas City Chorale and Phoenix Chorale, for this recording of Serge Rachmaninoff’s All-night Vigil. The scheduled release date marks the 100th anniversary of the world premiere of the work, which was given by the Moscow Synodal Choir on 10 March 1915.
The recording follows live performances of the work by the combined ensembles in April and May 2014, respectively in Phoenix and Kansas City. The Phoenix Chorale and Kansas City Chorale are regarded as among the finest professional choral ensembles in the world. Their recordings have earned a combined total of ten Grammy-Award-nominations and four wins. Building on the success of previous collaborations, the performances marked the seventh time that the two choirs have performed together. Of their 2009 performance at Alice Tully Hall in New York, Vivien Schweitzer of The New York Times wrote that the choirs ‘performed with a buoyant pulse and energetic finesse’, and praised ‘the choirs’ refined sound and elegant phrasing’.
Serge Rachmaninoff’s All-night Vigil stands as the crowning achievement of the ‘Golden Age’ of Russian Orthodox sacred choral music. The texts are drawn from the Russian Orthodox liturgy and the music goes beyond the strict requirements of the liturgical ritual, making it better suited for concert presentations of sacred choral music than for worship services.
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Reviews
Best Chorale Performance - 2016
Grammy Award Winner 2016
" ... plush and ear-ravishing vocal textures for smoothness, textural homogeneity, seamless transitions, and drop-dead gorgeous tone (greatly enhanced by the SACD engineerin) this is the one I’ll keep coming back to when I’m in the mood for an especially luxuriant sonic wallow..."
Lindsay Koob - American Record Guide - November/December 2015
“… Charles Bruffy’s reading of the score is unperfumed and direct and the multi-channel sound maintains the individuality of the voices even as it blends them richly.” ****
Brian Morton – Choir & Organ magazine – September/October 2015
“This is easily the best-sounding of all Rachmaninoff Vigils that I have heard … The power of the sound is overwhelming, the choruses outstanding, and those longing for a luscious sonic experience will find heaven here …” ****
Steven Ritter – Audiophile Audition.com – 16 June 2015
Performance *** Recording ****
“… The sound as caught in Kansas’s Cathedral of St Peter the Apostle is rich, especially in the great blazes of the two big settings towards the end …”
David Nice – BBC Music magazine – June 2015
“… The combined 56 voices are beautifully balanced and set back at some distance from the microphones in the cavernous acoustic of the Cathedral of St Peter the Apostle in Kansas City. Intonation is spot-on throughout this taxing work and there are no audible edits… Full marks … to the splendid soloists, especially Julia Scozzafava, whose alto solo sounds like the genuine article.”
"On this Chandos recording, two of America’s greatest professional mixed voice choirs, the Phoenix Chorale and the Kansas City Chorale came together to tackle this glorious Rachmaninov work which has many pitfalls. They are guided by Charles Bruffy, whose skills as a chorus-master needs no introduction, and who has worked many times with each choir. Their chosen venue is the Cathedral of St Peter the Apostle, Kansas City, a rather small Cathedral It still produces quite a generous and likeable ambience Chandos has provided a splendid engineered recording of the Vigil which in musical terms speaks for itself as an important disc for any collection."
John Miller - SA-CD.net - 17 April 2015
"... overwhelming devotional intensity The US conductor Charles Bruffy and the Phoenix and Kansas City Chorales have long been outstanding interpreters of this repertory and their performance has a devotional intensity that is often overwhelming. The recording itself is on the reverberant side. But by the end, you know exactly why it one of Rachmaninov’s favourites among his own works, and why many consider it his greatest." *****
Tim Ashley - The Guardian - 12 March 2015
“This is an impressive account of a very great masterpiece, which, because of its nature, is not as well known as the quality of the music demands it should be… This combined choir is of truly exceptional quality, the occasional solos are excellently taken and the recording, in a most suitable venue, sets this great work as it should really experience aurally… I very much hope that this first-rate recording will do more to bring this masterpiece to a wider listening public - it certainly deserves to”
Robert Matthew Walker – International Record Review – March 2015
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