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Notes
With the participation of: Quatuor Giardini
Romanticism replaced the element of mythological fantasy in Baroque opera with fairytale fantasy. The fairytale is omnipresent on the French stage, whether in spoken theatre, ballet or opera. It is no coincidence that Cinderella and Bluebeard so appealed to nineteenth-century composers . . .
This project, initiated by the Palazzetto Bru Zane, is constructed like a ‘universal’ fairytale inspired by Cinderella, Sleeping Beauty, Bluebeard, Hop-o’-My-Thumb and others, as set to music by French composers of the Romantic era. It alternates between famous composers (Offenbach, Massenet, Chausson . . . and Rossini, here sung in French) and others who are still little-known (Viardot, Silver, Serpette,De Rillé, Isouard).
Conceived by Alexandre Dratwicki and transcribed by him for piano quartet and two singers, a soprano and a mezzo, this imaginary opera is splendidly performed by Jodie Devos and Caroline Meng – who, at one point in the story, having sung a queen, dons breeches to play a prince. For her part, the soprano, who ends up as the winsome princess of Massenet and Offenbach, must first endure the torments of uncertain love.
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Reviews
"... The performances are outstanding. I haven't heard singing of this high level in many years. Ms Devos and Ms Meng have splendid, solid and beautiful voices that emphasize the words with remarkable meaning and clarity. The Quator Giardini plays splendidly in the instrumental selections and to accompany the singers. The sound is excellent ..."
Elliot Fisch - American Record Guide - January/February 2017
Choc de Classica
Sylvain Fort - Classica magazie (France) - September 2016
***** Exceptional Album
Nicola Cattó - Musica magazine (Italy) - September 2016
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