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About
After an album of French songs (Néère, Alpha 215) that earned her a Gramophone Award in 2016, Véronique Gens presents her new recital, this time with orchestra, which gives her an opportunity to display the maturity of her ‘Falcon’ soprano, the central tessitura typical of French Romantic opera, which takes its name from Cornélie Falcon, who created the works of Meyerbeer and Halévy staged in the 1830s.
She pays tribute here to a number of composers whose unknown operas she was the first to reveal in projects mounted by the Palazzetto Bru Zane (which also coproduced the present recording), including David, Godard, Saint-Saëns and Halévy. The programme selects arias from all the genres in vogue in the Romantic era: opera (Saint-Saëns, Halévy, Godard, Février), opéra-comique (David), oratorio (Franck, Massenet) and the cantata for the Prix de Rome (Bizet, Bruneau). A nod to Wagner and his Tannhäuser – in its French translation of the 1860s – completes this programme conducted by a longstanding colleague of the soprano, one of the leading specialists in French music, Hervé Niquet.
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Reviews
Winner of the Vocal Recital category
International Classical Music Award 2018
***** (Exceptional Album)
Paolo di Felice - Music magazine (Italy) - March 2018
ICMA Vocal Recital Award Nominee
2018 International Classical Music Awards
"A new recital by soprano Veronique Gens is always welcome, and here is her latest - Visions. A singer of impeccable taste, Gens is a paragon of balance, both in terms of the mellow evenness of her tone and the dignity of her musical presentation... The orchestra plays beautifully under the direction of Hervé Niquet who matches Ms Gens in his sense of balance between poise and intensity"
Paul Altman - American Record Guide - November/December 2017
Top 100 Albums of 2017 - Classical Section
"The French soprano's 19th-century rarities include some delicious discoveries."
The Sunday Times - 3 December 2017
Performance **** Recording ****
"...Véronique Gens is in fine voice - indeed, she seems to be in her prime. Her diction as always is immaculate and she produces a stream of elegant tone..."
Christopher Cook - BBC Music magazine - December 2017
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