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The Tempest
MATTHEW LOCKE
1.
The Tempest: Introduction
1:13
2.
The Tempest: Galliard
1:28
3.
The Tempest: Gavot
1:22
GIOVANNI BATTISTA DRAGHI
4.
The Tempest: Dance of Fantastick Spirits
2:23
HENRY PURCELL
5.
Anthem Z. 24: Let Mine Eyes Run Down with Tears
8:59
FRANK MARTIN
6.
Ariel: Come unto This Yellow Sands
1:57
7.
Ariel: Full Fathom Five
3:52
MATTHEW LOCKE
8.
Lilk
1:51
PHILIPPE HERSANT
9.
Falling Star
8:58
Solo: Julie Dessaint Performer
MATTHEW LOCKE
10.
Curtain Tune
2:19
HENRY PURCELL
11.
Jehova, quam multi sunt hostes mei, Z. 135
5:47
MATTHEW LOCKE
12.
Rustick Air
1:13
JAMES HART (1685-1759)
13.
The Tempest: Dorinda's Song
3:39
Solo: Chantal Santon-Jeffery Performer
THIERRY PÉCOU
14.
A Circle in the Sand
9:00
Solo: Anaël Ben Soussan Performer
Solo: Camille Antoinet Performer
Solo: Ryan Veillet Performer
Solo: Geoffroy Bertran Performer
MATTHEW LOCKE
15.
Saraband
2:25
FRANK MARTIN
16.
You Are Three Men of Sin
4:32
MATTHEW LOCKE
17.
Minoit
0:49
FRANK MARTIN
18.
Before You Can Say "Come" and "Go"
1:07
THIERRY PÉCOU
19.
Pour un rituel imaginaire
7:39
MATTHEW LOCKE
20.
Martial Jigg
1:17
HENRY PURCELL
21.
Anthem Z. 36: O God, Thou Hast Cast Us Out
4:11
FRANK MARTIN
22.
Where the Bee Sucks
1:14
MATTHEW LOCKE
23.
Canon à quatre
1:16
HENRY PURCELL
24.
Anthem Z. 15: Hear My Prayer, O Lord
2:04
Solo: Alice Kamenezky Performer
Solo: Vivien Simon Performer
Solo: Florent Martin Performer
Solo: Tempête,La Performer
Solo: Simon-Pierre Bestion Performer
Notes
For this second volume in the Haydn 2032 project, the complete symphonies recording de son, Giovanni Antonini HAS Chosen to put forward the Symphony Der Philosoph . He associates it with a symphony by Wilhelm Friedemann Bach, eldest son of the Kantor of Leipzig, who is The Most Generally regarded gifted de son sounds. Different Reasons brought` thesis two great composers Sometimes the originality and eccentricity That Characterize Their works, one Suffering From the fame de son father, l’autre from His Own genius. Whereas Haydn’s symphonies Differentiate Themselves by form, orchestration and keys, WF Bach’s begins in the style of a Baroque overture, Gradually turning into a tempestuous room and Perhaps already Reflecting the transition from a ’Golden Age’ to the more tormented world That will follow the Age of Enlightenment.
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Reviews
Sound: 4.5/5
Benoit Fauchet - 10 Years of Diapason D’or (France) – December 2017
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