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Notes
In 1683, Michel-Richard de Lalande entered the Chapelle Royale as a sous-maître after receiving the support of Louis XIV in a formidable recruitment competition. Still only twenty-five years old, the young composer was swiftly to become established as the King’s favourite and accede to the most coveted posts at court in a career spanning almost forty years. Above all, Louis included him in the consultations for the construction of the new Chapelle Royale, adjacent to Versailles Palace. As the arches gradually rose skywards, Lalande composed and revised his motets, which give expression to the then-peerless grandeur of the realm, while at the same time testifying to the chapel’s incomparable acoustics. His works – settings of psalms, hymns, the Te Deum – record the atmosphere at court in the liturgy, in times of both trouble and rejoicing. Following their earlier recording of Te Deum settings by Lully and Charpentier at the Chapelle Royale, Vincent Dumestre and Le Poème Harmonique have now returned to Versailles to tackle the music Lalande composed for that extraordinary place. Alongside the grands motets Deitatis majestatem and Ecce nunc benedicite, with their synthesis of royal pomp and the language of opera, they offer the deeply moving Miserere and the most grandiose Te Deum performed in the reign of Louis XIV, the Te Deum of the King himself.
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Reviews
"... The performances here are exemplary in terms of execution and stylistic security. Dumestre has been building a good reputation in this literature. He has at his disposal a choir of 28 mixed voices and an orchestra of 30 period players. Tenor Auvity is the only soloist with much recognizability, but all of them sing handsomely. The fine recording was made in the chapel of Versailles, giving it a kind of sonic authenticity..."
John Barker - American Record Guide – September/October 2018
“… The acoustic (of the Chapelle Royale at Versailles itself - during two two public concerts… there is no audience noise, though) is warm, rich and yet suitably sombre. It reflects the seriousness of this music. The CD comes with a booklet providing background to the world of late C17th Versailles, de Lalande’s compositions; the full texts in Latin, English and French; and - at the front of the nicely-produced and designed 48-page booklet - pictures and performers’ lists of Ensemble Aedes, Le Poème Harmonique, Dumestre (responsible for the essays) and Romano (their respective directors) and soloists. If de Lalande is little more than a name to you, this CD is a great place to start exploring his vivid and bracing music. If you are already ‘hooked’ you will want to add this to your collection - and by no means just because it appears to be the only CD containing these works which is available. It’s a significant gem.”
Mark Sealey – MusicWeb-International.com – 26 June 2018
"...Vincent Dumestre finds ideal blend and balance of both sound and texture among his forces ... and reacts with skill and care to every one of Lalande's expressive demands. One need ask no more."
Lindsay Kemp - Gramophone magazine - July 2018
***** (Exceptional Album)
Philippe Venturini - Classica magazine (France) - June 2018
Media Downloads
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