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Complete Works for Cello & Piano
SERGEI RACHMANINOFF
(1873-1943)
Complete Works for Cello and Piano
1.
Lied
2:51
in F minor - in f-Moll - en fa mineur
For cello and piano
Andantino
Two Pieces, Op. 2
10:21
For cello with piano accompaniment
2.
Prélude
3:54
in F major - in F-Dur - en fa majeur
Comodo - Con moto
3.
Danse orientale
6:26
in A major - in A-Dur - en la majeur
Andante cantabile - Con moto - Tempo I
4.
Prelude, Op. 23 No. 10
3:57
in G flat major - in Ges-Dur - en sol bémol majeur
Arranged for cello and piano by A. Brandukov
Largo
premiere recording in this version
5.
Melody on a theme by Rachmaninov
5:47
in D major - in D-Dur - en ré majeur
An improvisation by the composer reconstructed by Modest Altschuler (1873-1963)
'Play freely and not slowly, in the manner of an improvisation.'
Piano part revised by Rustem Hayroudinoff
premiere recording in original version
6.
Vocalise, Op. 34 No. 14
6:42
in E flat minor - in es-Moll - en mi bémol mineur
To A.V. Nezhdanova
Lento
Sonata for Cello and Piano, Op. 19
37:02
in G minor - in g-Moll - en sol mineur
À Monsieur A. Brandoukoff
7.
I
Lento - Allegro moderato - Moderato -
13:18
8.
II
Allegro scherzando
6:35
9.
III
Andante
6:34
10.
IV
Allegro mosso - Moderato - Tempo I -
10:32
67:00
Solo:Alexander Ivashkin cello
2-4 April 2003
Notes
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Reviews
''the young Russian is teamed up with his celebrated compatriot, Alexander Ivashkin, in one of the priceless Rachmaninov discs in the catalogue. From the smooth seduction to brilliant fiery outbursts of the Cello Sonata, we are in the company of a master musician. The Popular Vocalise has never emerged with such beauty, the eleven tracks captured in immaculate sound quality.'
Yorkshire Post
'Alexander Ivashkin and Rustem Hayroudinoff are both players in the great Russian virtuoso tradition, and in the Sonata the piano flourishes all come over with the necessary brilliance, while Ivashkin's tone is strong enough to sail above the most elaborate accompaniments. They're helped by excellent recorded sound, full and well defined. It's obvious that both players are strongly committed to the music.'
Gramophone
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