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About
After having recorded Elgar’s The Dream of Gerontius (‘Recording of the Month’ in BBC Music), Sir Andrew Davis now turns to two of the composer’s most popular early choral works: Scenes from the Saga ofKing Olaf and The Banner of Saint George. The recording was made soon after a successful performance, featuring the same ‘excellent Bergen Philharmonic’ and ‘outstanding’ vocal forces: the ‘imposing’ baritone Alan Opie, the ‘high, incisive tenor’ Barry Banks, singing ‘fearlessly in some quite challenging passages’, and the American soprano Emily Birsan, who sang ‘with radiant delicacy’ (The Daily Telegraph).
Dating from his years of ‘apprenticeship’, the two works shaped Elgar’s reputation as a leading orchestrator and most popular British composer of his time. The secular cantata Scenes from the Saga of King Olaf derives from Longfellow’s epic poem about Olaf Tryggvason, who became King of Norway in 995. While the text was heavily adapted and augmented, the use of sophisticated compositional techniques, such as extensive motivic work, resulted in music of great power and solemnity.
The ballad The Banner of Saint George is based on the story of Saint George of Cappadocia, as related by the Bristol poet Shapcott Wensley. It was commissioned by Britain’s leading publisher, Novello, and composed in only one month in 1896. Elgar overcame the prescriptive nature of the words and produced a work of lasting charm, the music rising above the material to create atmosphere, momentum, and colour.
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Reviews
… first-rate Elgar in first-rate performances …”
Charles H Parsons – American Record Guide – July/August 2015
“… the ardent and energetic Barry Banks (Olaf), the sonorous Alan Opie (Ironbeard) and the characterful Emily Birsan (the would-be brides) bring utter conviction and complete commitment to their roles; the combined Norwegian choirs sing in faultless English, while Davis leads the Bergen Symphony Orchestra with unerring sensitivity and nuanced conducting…” *****
Graeme Kay – Choir & Organ magazine - May/June 2015
***** (Superb album)
Jean-Charles Hoffelé – Diapason magazine (France) – May 2015
"...Both works boast moments of power and beauty underpinned by orchestrations that point to the best of the mature Elgar. Strong solo contributions from Emily Birsan, Barry Banks and Alan Opie, and excellent notes by Andrew Neill, adds to the considerable pleasure." *****
Michael Quinn - Classical Ear (App) - 26 February 2015
“…Here, under the experienced Elgarian hand of Sir Andrew Davis and the appropriate forces of the Bergen Philharmonic Orchestra and three fine Norwegian choirs (with splendid diction and intonation), the sound quality is vibrant, clear and compelling, and does justice to the enthusiasm of Elgar’s score… For devotees of Elgar and of English choral music of the late Victorian era, this pulsating recording has all those emotional attributes that make the heart beat faster.”
Jeremy Dibble – Gramophone magazine – April 2015
Choral & Song Choice
Performance ***** Recording *****
“…Elgar’s music crackles with confident vitality presaging great things … Davis’s expansive conducting and the excellent Bergen Philharmonic Orchestra bring out Elgar’s vivid orchestral textures … a brilliant new recording …”
Michael Scott Rohan – BBC Music magazine – April 2015
“…this [Saga of King Olaf] is a powerful and absorbing work …”
John Warrack – International Record Review – March 2015
“…The Bergen orchestra plays with a keen ear for colour and dramatic flux, and the chorus – amplified here by the choir of the Collegiûm and by the Edvard Grieg Kor –makes narrative live and breathe in suppleness, expressive sensitivity and lusty power. Added to that, three fine soloists in the soprano Emily Birsan, tenor Barry banks and baritone Alan Opie carry the story with great distinction, subtlety and immediacy of impact …”
Geoffrey Norris – The Daily Telegraph – 7 February 2015
Album of the Week
"...King Olaf is a folk-tale narrative about the Norwegian Olaf Tryggvason, in the tradition of Mahler’s Das Klagende Lied or Schoenberg’s Gurrelieder, and it is splendidly performed by Davis’s Bergen forces. The soloists, Emily Birsan (soprano), Barry Banks (tenor) and Alan Opie (baritone), all make positive contributions ..."
Hugh Canning - The Sunday Times (Culture magazine) - 15 February 2015
“…. The Bergen orchestra and choir play and sing Elgar as though it were part of their regular repertoire, while the soloists – soprano Emily Birsan, tenor Barry Banks and baritone Alan Opie – all cope well with what is sometimes strenuous vocal writing …” ****
Andrew Clements – The Guardian – 6 February 2015
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