Recitative (Storgè) - 'Twill be a painful separation, Jephtha
5:01
SCENE 3
6.
Recitative (Hamor) - Happy this embassy, my charming Iphis
3:44
7.
Recitative (Iphis) - Ill suits the voice of love when glory calls
3:37
8.
Recitative (Hamor) - I go; my soul, inspir'd by the command
6:40
SCENE 4
9.
Recitative (Jephtha) - What mean these doubtful fancies of the brain?
2:00
10.
Chorus of Israelites - O God, behold our sore distress
4:17
SCENE 5
11.
Recitative (Storgè) - Some dire event hangs o'er our heads
4:57
SCENE 6
12.
Recitative (Iphis, Storgè) - Say, my dear mother, whence these piercing cries
3:43
SCENE 7
13.
Recitative (Zebul, Jephtha) - Such, Jephtha, was the haughty king's reply
5:14
ACT TWO
SCENE 1
14.
Recitative (Hamor) - Glad things of great joy to thee, dear Iphis
1:19
15.
Chorus of Israelites - Cherub and seraphim, unbodied forms
3:17
16.
Air (Hamor) - Up the dreadful steep ascending
4:08
17.
Recitative & Air (Iphis) - 'Tis well
5:13
SCENE 2
18.
Recitative (Jephtha) - Heav'n smiles once more on His repentant people
5:56
19.
Chorus of Israelites - In glory high, in might serene
2:31
SCENE 3
20.
Symphony
1:08
21.
Recitative (Iphis) - Hail, glorious conqueror! Much lov'd father, hail!
4:19
22.
Recitative (Jephtha) - Horror! Confusion! Harsh this music grates
4:52
23.
Recitative (Zebul, Jephtha) - Why is my brother thus afflicted?
1:08
24.
Accompagnato & Air (Storgè) - First perish thou, and perish all the world!
2:19
25.
Recitative (Hamor) - If such thy cruel purpose, lo, your friend
2:10
26.
Quartet (Storgè, Hamor, Jephtha, Zebul) - O spare your daughter
3:12
SCENE 4
27.
Recitative (Iphis - Such news flies swift. I've heard the mournful cause
1:16
28.
Air (Iphis) - Happy they; This vital breath
3:51
29.
Accompagnato (Jephtha) - Deeper and deeper still, thy goodness, child
3:17
30.
Chorus of Israelites - How dark, O Lord, are Thy decrees
7:27
ACT THREE
SCENE 1
31.
Air (Jephtha) - Hide thou thy hated beams, O sun, in clouds
2:43
32.
Accompagnato (Jephtha) - A father, off'ring up his only child
5:18
33.
Accompagnato (Iphis) - Ye sacred priests, whose hands ne'er yet were stain'd
5:33
34.
Chorus of Priests - Doubtful fear and rev'rent awe
3:56
35.
Sinfonia
2:40
36.
Recitative (Angel) - Rise, Jephtha, and ye rev'rend priests, withhold
5:15
37.
Air (Jephtha) - For ever blessed be Thy hold name
1:01
38.
Chorus of Priests - Theme sublime of endless praise
3:16
SCENE 2
39.
Recitative (Zebul) - Let me congratulate this happy turn
2:39
40.
Recitative (Storgè) - Oh, let me fold thee in a mother's arms
2:47
41.
Recitative (Hamor) - With transport, Iphis, I behold thy safety
5:26
42.
Recitative (Iphis) - My faithful Hamor, may that Providence
3:51
43.
Chorus of Israelites - Ye house of Gilead, with one voice
3:50
Appendix: additional air for Zebul
44.
Recitative (Zebul) - Again Heav'n smiles
4:01
Total time: 168:10
Solo:Robin Blaze Countertenor - Hamor
Choral: Pietro Alessandro Guglielmi Chamber Orchestra
Conductor:Harry Christophers
Notes
Renowned for their Handel interpretations, Harry Christophers and his award-winning ensemble, The Sixteen, add to their glittering catalogue of Handel discs with this new recording of Jephtha. The last oratorio that he wrote, Jephtha is also often seen as his most profound; the portrayal of Jephtha’s suffering is particularly noteworthy for its astonishing sincerity.
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Reviews
"... one of the best things I’ve heard on disc from Christophers." *****
Richard Fairman - The Financial Times - 14-15 February 2015
***** (Superb Album) Sound 3.5/5
Ivan A Alexandre - Diapson magazine (France) - February 2015
"The choral singing is exemplary, technically perfect(particularly in Handel’s coloratura runs) and with a real sense of engagement in the unfolding drama. The solo contributions are equally accomplished, none more so than james Gilchrist’s rounded portrayal of Jephtha Gilchrist has done nothing better on disc ..."
Philip Reed - Choir & Organ magazine - January/February 2015
Performance **** Recording *****
"... With the choir and instrumental forces of The Sixteen on scintillating form, the choruses are finely chiselled ..."
Paul Riley - BBC Music magazine - January 2015
" Christophers’s considered view of Handel, devoid of extremes and eccentricities, and the work of his outstanding choir and orchestra make this a solid recommendation for anyone contemplating Jephtha for the first time this new version is a must-hear for committed Handelians. The recorded sound is vividly immediate ..."
Hugh Canning - International Record Review - December 2014
**** - Excellent
Stefano pagliantini - Musica magazine (Italy)
"A magisterial performance of Handel’s last, profoundest oratorio Christophers has assembled a fine cast. James Gilchrist is a wonderful Jephtha, heroic when required, but also absolutely heart-rending in the depths of his despir He is ably matched by Sophie Bevan’s limpid Iphis Much of the weight of the oratorio is concentrated on the chorus, and The Sixteen are fully up to the job ..."
Alastair Harper - Early Music Review - October 2014
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