Lossless is available in FLAC and ALAC (For Mac). You select on the download page.
When you purchase a lossless format, we include the MP3 free of charge
Please note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless
This item is temporarily unavailable.
Why not buy the whole Album?
Your selections total more than the whole disc price.
Tye: In nomine – Works for Recorder Consort
JOHN TAVERNER
1.
In Nomine
2:02
CHRISTOPHER TYE
Booke of In nomines & Other Solfainge Songs
2.
In Nomine, "Reporte"
1:34
3.
In Nomine, "Surrexit non est hic"
2:20
4.
In Nomine, "Crye"
1:32
5.
Dum transisset III
4:27
6.
In Nomine, "Howld fast"
1:19
7.
In Nomine, "Seldom sene"
1:35
8.
In Nomine, "Blamles"
2:14
9.
Laudes Deo (arr. for recorder ensemble)
1:46
10.
In Nomine, "Rounde"
1:56
11.
In Nomine a 4
2:05
12.
In Nomine, "Re la re"
1:07
13.
In Nomine a 6
2:30
14.
Christus resurgens
2:40
15.
In Nomine, "Free from all"
1:30
16.
In Nomine, "Trust"
1:54
17.
In Nomine, "Saye so"
1:16
18.
In Nomine, "I come"
1:30
19.
Dum transisset II
4:18
20.
In Nomine, "My deathe bedde"
2:35
21.
In Nomine, "Weepe no more Rachell"
2:20
22.
In Nomine, "Rachells weepinge"
2:25
23.
Amavit eum Dominus (arr. for recorder ensemble)
2:55
24.
Fantasia, "Rubum quem"
0:53
25.
In Nomine, "Farewell my good one. for ever"
2:04
26.
In Nomine, "Follow me"
2:15
27.
In Nomine, "Beleve me"
1:54
28.
In Nomine a 5
2:25
29.
O lux beata Trinitas
2:23
Solo: Boreas Quartett Ensemble
Chamber: Boreas Quartett Chamber
Notes
Named after the god of the north wind, the recorder quartet Boreas Quartet Bremen’s superb technique, perfect intonation, and incredible precision led by Han Tol are perfect partners with this selection of works from the collection In Nomine by English Renaissance composers Christopher Tye and John Taverner. Composed with a breadth of character and style, the In Nomine pieces were unique for their time with the manuscript formatted in a way that it wasn’t placed on a music stand, but rather on and read from a flat surface. This along with the score being readable depending on the musician’s proximity to it led to a manner of performing necessitating a closed circle seating of smaller and more intimate dimensions. Luminously detailed readings by Boreas who also play recorders based on copies of original instruments by the famed instrument building Schnitzer family of Nuremberg for this recording.
Please login to post a review
Reviews
"... enthusiastically recommended."
James A Altena - Fanfare - May/June 2016
"... The playing here is highly accomplished... those who love the instrument and the repertory will find this recording a delight."
William Gatens - American Record Guide - May/June 2016
Exceptional Album
Luca Rossetto Casel - Music magazine Italy - March 2016
Media Downloads
Whenever possible we provide a high resolution CD cover image and a PDF version of the CD booklet for you to download and keep. These are found in your history if purchased and once you have logged in.