Lossless is available in FLAC and ALAC (For Mac). You select on the download page.
When you purchase a lossless format, we include the MP3 free of charge
Please note: On Mp3 format an unavoidable click may be heard on segue track breaks, to avoid this issue please select lossless
This item is temporarily unavailable.
Why not buy the whole Album?
Your selections total more than the whole disc price.
Handel: Duetti e terzetti italiani
GEORGE FRIDERIC HANDEL
1.
Quel fior che all'alba ride, HWV 200
7:00
Solo: Roberta Invernizzi Soloist
Solo: Silvia Frigato Soloist
Solo: Thomas E. Bauer Soloist
2.
Giu nei Tartari Regni, HWV 187
5:46
Solo: Roberta Invernizzi Soloist
Solo: Thomas E. Bauer Soloist
3.
Quando in calma ride il mare, HWV 191
4:10
Solo: Roberta Invernizzi Soloist
Solo: Thomas E. Bauer Soloist
4.
Amor gioje mi porge, HWV 180
6:41
Solo: Roberta Invernizzi Soloist
Solo: Silvia Frigato Soloist
5.
Caro autor di mia doglia, HWV 182b
8:02
Solo: Roberta Invernizzi Soloist
Solo: Krystian Adam Soloist
6.
Che vai pensando, HWV 184
4:56
Solo: Silvia Frigato Soloist
Solo: Thomas E. Bauer Soloist
7.
Va, speme infida, HWV 199
6:54
Solo: Roberta Invernizzi Soloist
Solo: Silvia Frigato Soloist
8.
Tacete, ohime, tacete, HWV 196
9:17
Solo: Silvia Frigato Soloist
Solo: Thomas E. Bauer Soloist
9.
Se tu non lasci amore, HWV 201a
8:24
Solo: Roberta Invernizzi Soloist
Solo: Silvia Frigato Soloist
Solo: Thomas E. Bauer Soloist
Chamber: Risonanza, La Chamber
Notes
Handel: Duetti e terzetti italiani
Fabio Bonizzoni returns with a further Glossa release dedicated to the chamber vocal output of George Frideric Handel: a second volume of duets (and trios), which features the vocal talents of Roberta Invernizzi, Silvia Frigato, Thomas Bauer, and Krystian Adam.
Whilst Handel wrote these small-scale vocal works across his career, this new selection focuses on that astonishingly fertile brief stay that the young Saxon made in Italy from 1707 to 1709 (when he also produced many of the cantatas which Bonizzoni has recorded to great critical success for Glossa). These sensual duets and trios are imbued with Handel’s discovery of Italian – especially the Arcadian – culture, which included his hearing and understanding the music of Corelli and Alessandro Scarlatti.
Much of the music on this recording is scored for soprano and bass and Roberta Invernizzi, in particular, is afforded another opportunity to demonstrate her deep responsiveness to Handel’s feeling for the Italian language. Not to be outdone in this respect are the other vocal soloists and, of course, the experienced continuo team of La Risonanza: Caterina Dell’Angello (cello), Evangelina Mascardi (theorbo), and Fabio Bonizzoni himself (harpsichord).
Please login to post a review
Reviews
*** (Good Album) *** (Good Sound)
Jeremie Bigorie - Classica magazine France - March 2016
****/***** (Excellent/Exceptional album)
Claudio Bolzan - Musica magazine Italy March 2016
"...Both Invernizzi and Frigato have sweet-toned, full soprano voices and Bauer’s baritone gives the trio a strong foundation " ****
Simon Rees - Early Music Today magazine - March-May 2016
Performance **** Recording ****
"... the singers enter into the mood of eachpiece with accomplishment The accompanients are stylishly handled by the three members of La Risonanza ..."
George Hall - BBC Music magazine - March 2016
Editors Choice - Vocal Section
"These seldom-recorded duets and trios are masterpieces of miniature form Continuo accompanients are realised with exquisite subtlety Beaming a searchlight into the darkest and furthest corners of Handel’s youthful Italian-period creations these sage performances are essential fare."
David Vickers - Gramophone magazine - February 2016
Media Downloads
Whenever possible we provide a high resolution CD cover image and a PDF version of the CD booklet for you to download and keep. These are found in your history if purchased and once you have logged in.