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Notes
Sir Thomas Allen is an established star of great opera house around the world with a huge repertoire - with fifty roles at the Royal Opera House, Covent Garden alone – who has now recorded something completely different for Champs Hill Records.
September Songs is a chance to explore songs he grew up with, loved then and loves still, but repertoire that’s not usually associated with him, the golden age of Broadway and Hollywood with its melodic beauty, lyrical inventiveness and emotional directness.
Allen has always hankered to ‘give it a go’ and to explore songs by the likes of George Gershwin, Cole Porter, Jerome Kern and Kurt Weill. This period of music has so much allure and fascination for singers and musicians from all backgrounds, and he’s upfront about the criticisms that can so often be levelled against classical singers performing the Great American Songbook – that performers don’t give it the respect it deserves: “my feeling is that these sons are every bit the equal of the standard repertoire that we sing, and one must find the way of singing them… there’s an intimacy to so many of them that, in these simple versions for voice and piano, I know I have to try to capture.”
“There are one or two in particular that are little operatic scenas in themselves, and I love trying to find what that scene is – that’s my challenge.”
He is joined by soprano Lucy Crowe and his duo partner at the piano is Stephen Higgins.
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Reviews
Performance **** Recording ****
“… Allen, who turned 74 in September, remains an irresistibly attractive, superb communicator…[He] is deftly accompanied by Stephen Higgins, who savours the music’s sweetness without over-egging the pudding…Clearly, Allen and his pianist Stephen Higgins are thoroughly enjoying themselves, Allen’s voice still sounding gloriously burnished…”
Natasha Loges – BBC Music magazine – November 2018
“As one might expect, he approaches this repertory straightforwardly and with his customary directness, making no attempt at crossover croon or an approximation of jazz vocalism. Inevitably, perhaps, his voice has lost some of its sheen of late…Against that, however, must be set his unforced sincerity of expression and telling way with words…It’s a fine, consistently engaging disc, witty and touching in equal measure.”
Gramophone magazine – Awards Issue 2018
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