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PYOTR ILYICH TCHAIKOVSKY
Symphony No.2 in C minor Op.17 'Little Russian' (1872)
1.
I
Andante sostenuto - Allegro vivo - Allegretto vivace
10:54
2.
II
Andantino marziale, quasi moderato
7:25
3.
III
Scherzo. Allegro molto vivace
4:16
4.
IV
Finale. Moderato assai - Allegro vivo
11:21
BBC Broadcast 13 January 1957
DMITRI SHOSTAKOVICH
Symphony No.1 in F minor Op.10 (1925)
5.
I
Allegretto - Allegro non troppo
9:26
6.
II
Allegro - Meno mosso
4:36
7.
III
Lento - Largo - Lento
8:46
8.
IV
- Allegro molto - Lento - Meno mosso - Adagio
9:24
BBC Broadcast 5 May 1957
FRANZ JOSEPH HAYDN
Symphony No.83 in G minor 'La poule' (1785)
9.
I
Allegro spiritoso
6:05
10.
II
Andante
7:48
11.
III
Menuet & Trio. Allegretto
3:41
12.
IV
Finale. Vivace
3:09
BBC Broadcast 31 January 1960
MODEST PETROVICH MUSSORGSKY
13.
Prelude, Khovanschina (1880)
5:27
BBC Broadcast January 1957 (the day of the boradcast is not certain)
NIKOLAI ANDREYEVICH RIMSKY-KORSAKOV
14.
Overture, The Tsar's Bridge (1898)
6:37
Orchestra: London Symphony Orchestra
BBC Broadcast 26 March 1956
Symphonic Suite 'Antar' (1868 rev. 1903)
15.
I
Largo - Allegro giocoso
11:56
16.
II
Allegro
4:34
17.
III
Allegro risoluto alla Marcia
5:36
18.
IV
Allegretto vivace - Andante amoroso
11:14
BBC Broadcast 5 May 1957
ANTON BRUCKNER
Symphony No.7 in E major (1883)
19.
I
Allegro moderato
20:49
20.
II
Adagio
22:54
21.
III
Scherzo. Sehr schnell
9:33
22.
IV
Finale. Bewegt, doch nicht schnell *
11:58
* There is occasional loss of signal in this movement
BBC Broadcast 30 January 1960
ZOLTAN KODALY
Székelyfonó 'The Spinning Room' (1924 rev. 1932)
Sung in English, translation by Michel-Dmitri Calvocoressi
Scene 1
23.
1
Prelude
5:10
Far away I'm going - Lover/Housewife
24.
2
We must part, my dearest love - Love/Housewife
2:53
Scene 2
25.
Mother, when so tenderly you nourished me - Housewife
1:27
Scene 3
26.
3
O I want a young and handsome husband - Women
1:09
27.
4
Empty the chest, nothing doing - Women
2:36
28.
5
See the weeping willows - Housewife
3:08
29.
6
Once I went to market - Housewife
3:12
Scene 4
30.
7
Every girl is good and charming - Youths and Girls
2:15
Scene 5
31.
9
I am dying mother, surely - All
12:28
32.
10
Shoo, shoo, buzzing fly - Women/Youths
1:44
Scene 6
33.
11
I have but just arrived - Mummer 'Flea'
1:02
34.
12
Long Nose comes a-calling - Chorus
1:36
35.
13
From far distant snow-capped mountains - Girl/Youth
6:02
36.
14
Wise it were and timely - Mummer 'Flea'
3:02
37.
15
Come home quickly, mother dearest - Housewife
4:22
38.
16
I rove, I look around - Lover
3:08
39.
18
Ah! - Chorus
1:52
Scene 7
40.
19
Shades of eve are slowly falling - House/Chorus
3:50
41.
21
Softly chime the leaves together - Chorus/Housewife
8:59
Tell me dearest are you still my true love - All
* Numbers 8, 10a, 17 and 20 were not included in the performance
Solo: Elizabeth Simon girl - soprano
Solo: Norma Proctor housewife - contralto
Solo: Kathleev Joyce neighbour - contralto
Solo: Duncan Robertson youth - tenor
Solo: Denis Dowling mummer/flea - baritone
Solo: Owen Brannigan lover - bass
Choral: BBC Chorus
Conductor: Leslie Woodgate
From the Royal Festival Hall, London
BBC Broadcast 3 February 1960
Total time: 267:24
Orchestra: BBC Symphony Orchestra
Conductor:Nikolai Malko
Notes
Nicolai Malko was born in 1883 in the Ukraine. His musical studies were largely undertaken in St Petersburg. By the mid-1920s he was teaching at both Moscow and Leningrad Conservatories, and conducting the Leningrad Philharmonic where he premiered Shostakovich’s first two symphonies. Subsequently, history, circumstances and inclination led Malko into a peripatetic life. He worked at various times in Vienna, Salzburg, Prague, Copenhagen, New York, London and Sydney, and was an ambassador for Russian music throughout his life. His sporadic relationship with the BBC – he was never a staff conductor - began in 1929 and lasted until his death in 1962.
In 1952 Richard Itter, the founder of Lyrita, began to make domestic recordings of BBC transmissions using state-of-the-art disc and tape recorders. He documented his collection but rarely listened to it, thus preserving a pristine archive. The Lyrita Recorded Edition Trust began a transfer programme in 2014 with the intention to release the best and rarest of these recordings to the public.
The Itter collection is predominantly of British music, but it also contains some unique international repertoire. This release is the first in a planned occasional series in which Lyrita will pay tribute to those musicians who made an important contribution to musical life in the UK.
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