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LUDWIG VAN BEETHOVEN
Christ on the Mount of Olives
1.
I
Introduzione. Grave - Adagio
4:57
2.
Recitativo. "Jehovah! Du! Mein Vater!"
3:11
3.
Aria. "Meine Seele ist erschüttert"
4:22
4.
II
Recitativo. "Erzittre, Erde!"
1:30
5.
Aria. "Preist des Erlösers Güte"
0:56
6.
Coro *Chor der Engel). "O Heil euch ihr Erlösten"
6:24
7.
III
Recitativo. "Verkündet, Seraph, mir dein Mund"
1:04
8.
Duetto. "So ruhe dann mit ganzer Schwere"
4:19
9.
IV
Recitativo. "Willkommen, Tod!"
1:08
10.
Coro (Chor der Krieger)/ "Wir haben ihn gesehen"
1:57
11.
V
Recitativo. "Die mich zu fangen ausgezogen sind"
1:25
12.
Coro (Chor der Krieger, Chor der Jünger). "Hier ist er, der Verbannte"
2:10
13.
VI
Recitativo. "Nicht ungestraft soll der Verwegnen Schar
1:16
14.
Terzetto. "In meinem Adern wühlen unbändig Zorn und Wut"
4:17
15.
Coro (Chor der Krieger, Chor der Jünger). "Auf, auf! Ergreifet den Verräter"
2:40
16.
Coro (Chor der Engel). "Welten singen Lob und Ehre"
1:03
17.
Coro (Chor der Engel). "Preiset ihn, ihr Engelschöre"
2:43
Total time: 45:22
Solo:Elsa Dreisig soprano
Solo:Pavol Breslik tenor
Solo:David Soar bass
Choral: London Symphony Chorus
Simon Halsey chorus director
Orchestra: London Symphony Orchestra
Conductor:Sir Simon Rattle
Recorded live on 19 January and 13 February 2020
Notes
Composed in 1803, while Beethoven was also writing the Eroica Symphony, Christ on the Mount of Olives is the composer's only oratorio, and combines the emotive force of his later Missa Solemnis with the theatre of a Bach Passion. With orchestra, chorus and soloists, it tells the story of Jesus’ prayer and arrest in the Garden of Gethsemane and reflects the emotional pressure Beethoven was under at the time he composed the work. This recording by Sir Simon Rattle, with acclaimed singers Elsa Dreisig, Pavol Breslik and David Soar was made during the London Symphony Orchestra's celebration of Beethoven's 250th anniversary.
'When I came to the Mount of Olives, I immediately was simply puzzled. Why isn't this piece played? Of course, it's a mixed piece and there are weird flaws and edges but so there are in the Ninth Symphony, they're part of the personality. It's a fascinating moment in his life when he was starting really to deal with his hearing loss. He'd written the Heiligenstadt Testament, where he really confessed to his suicidal thoughts on losing the single-most important ability a musician could have. There is a kind of unearthly, underground sensation of some of it, there's also a real feeling of naive belief in the possibility of things being better. I think it is completely heaven.' — Sir Simon Rattle
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Reviews
“… This recording is a triumph for all involved … This is a disc to be treasured, and urgently, urgently recommended.”
William Kempster - Fanfare - May/June 2021
“… The two soloists – Elsa Dreisig as the Seraph and Pavol Breslik as Jesus are quite fine. Neither has a particularly large voice, but it’s hard to complain when their high notes are so clear and ringing. Dreisig’s role also has some passages of difficult coloratura, which she handles beautifully… David Soar … is excellent as well. Much of the credit, though, belongs to Rattle, who takes the work quite briskly and keeps the dramatic tension high … on the whole Rattle keeps it moving and enjoyable…”
Paul L Althouse – American Record Guide – March/April 2021
“… Christ on the Mount of Olives deserves to occupy a more central place within Beethoven’s already bountiful canon. Good thing then, that it is performed and recorded so beautifully here on this 2020 LSO Live release by the London Symphony Orchestra with Sir Simon Rattle at the helm. Fleshed out with an enormous chorus of nearly 150 under the direction of Simon Halsey and released in honour of the 250th anniversary of Beethoven’s birth, this must-have recording packages together a compelling religious narrative with the majestic backing of the LSO and inspired soloists Elsa Dreisig, Pavol Breslik and David Soar performing a variety of biblical figures from Franz Xaver Huber’s libretto. With the religious importance for some of the upcoming Christmas season, this recording could not have come at a better time.”
Andrew Scott – thewholenote.com – 4 December 2020
“… Those unfamiliar with the work are urgently recommended to investigate.”
Paul Corfield Godfrey – MusicWeb-International.com – 4 December 2020
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