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French Organ Music from the Golden Age, Volume 3
ANDRÉ RAISON
TRADITIONAL
1.
The Abbey Bells
3:06
Messe du prmier ton(1688)
KYRIE
2.
Premier Kyrie: Plein jeu: Gravement
1:16
3.
Autre Premier Kyrie: Grand Plein Jeu: Gravement
1:51
4.
Second Kyrie: Basse et dessus de trompette
1:45
5.
Christe: Trio
1:34
6.
Quatriesme Kyrie: Duo
1:19
7.
Dernier Kyrie: Dialogue sur les grands jeux
1:19
GLORIA
8.
Et in terra pax: Plein jeu
1:29
9.
Benedicimus te: fugue sur toute sorte de jeux
0:47
10.
Glorificamus te: Récit de cromorne
1:47
11.
Domine: Récit de cromorne
2:00
12.
Domine Deus agnus: Trio
1:28
13.
Qui tollis
3:23
14.
Quoniam tu solus: Basse de trompette
1:15
15.
Tu solus altissimus
1:36
16.
Amen: Dialogue sur les grands jeux
1:35
SANCTUS
17.
Sanctus: Plein jeu
0:56
18.
Second Sanctus: Récit de 2 dessus de tierce
0:47
19.
Benedictus: Basse et Desses de voix humaine
1:52
20.
Elévation:Trio à 3 claviers
1:30
AGNUS DEI
21.
Agnus Dei: Petit et grand plein jeu
1:43
22.
Second Agnus: Duo
1:11
23.
Deo gratias: Plein jeu
1:11
ANDRÉ RAISON
24.
Offerte du 5me ton, Le vive le roy des Parisiens (1687)
7:22
NICOLAS CLÉRAMBAULT
Suite du premier ton (c.1710)
25.
Grand plein jeu
2:30
26.
Fugue
3:04
27.
Duo
1:31
28.
Trio
2:35
29.
Basses et dessus de trompette
2:08
30.
Récit de cromorne et de cornet sépare
3:24
31.
Dialogue sur les grand jeux
2:28
Suite du deuxieme ton (c.1710)
32.
Plein jeu
2:33
33.
Duo
1:41
34.
Trio
2:41
35.
Basses de cromorne
1:45
36.
Flûtes
2:31
37.
Récit de nazard
3:08
38.
Caprice sur les grands jeux
2:25
Total time: 78:26
Solo:David Ponsford organ
Playing the organ of the Abbey of Saint-Michel-en-Thiérache
Recorded: 8-10 July, 2013
Notes
Situated on the west-end gallery of the Benedictine abbey of Saint-Michel-en-Thiérache, the beautiful Boizard organ dating from 1714 and with 90% original pipework was as perfect an instrument as one could find for this recording of the first organ mass by André Raison (1688) and the two suites by his pupil Louis-Nicolas Clérambault (c. 1710).
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Reviews
Everything about this recording is enjoyable; the music is excellent, played by a seasoned and persausive advocate effortlessly alternating between supple rubato and scorching grand jeux The instrument - a lucky survivor of fires, revolution and war - is comparatively modest, but lacks nought and benefits from fine acoustics
Magnus Williamson - Choir & Organ magazine - July/August 2014
"This recording is the third in a series of French Baroque organ music from the organist David Ponsford, and it certainly makes you keen to explore the others Altogether it is a bracing experience and Ponsford brings the music superbly to life
Andrew Parker - International Record Review - June 2014
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