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WOLFGANG AMADEUS MOZART
Don Giovanni
1.
Overture
5:47
Act 1
2.
Scene 1 Leporello: Notte e giorno faticar
5:10
3.
Scene 2 Giovanni: Leporello, ove sei?
0:26
4.
Scene 3 Anna: Ah! del padre in periglio
6:56
5.
Scene 4 Giovanni: Orsù, spicciati presto
1:19
6.
Scene 5 Elvira: Ah! chi mi dice mai
6:06
7.
Leporello: Madamina, il catalogo è questo
5:30
8.
Scene 7 Zerlina: Giovinette, che fate all'amore
1:19
9.
Scene 8 Giovanni: Manco male, è partita
1:43
10.
Masetto: Ho capito, signor sì!
1:25
11.
Scene 9 Giovanni: Alfin siam liberati
1:36
12.
Giovanni: Là ci darem la mano
3:13
13.
Scene 10 Elvira: Fermati, scellerato!
0:41
14.
Elvira: Ah, fuggi il traditor
1:06
15.
Scene 11 Giovanni: Mi par ch'pggi il demonio si diverta
0:55
16.
Scene 12 Elvira: Ah, ti ritrovo ancor
4:19
17.
Scene 13 Anna: Don Ottavio... son morta!
3:43
18.
Anna: Or sai chi l'onore
2:53
19.
Scene 14 Ottavio: Come mai creder deggio
5:30
20.
Scene 15 Leporello: Io deggio ad ogni patto
1:16
21.
Giovanni: Fin ch'han dal vino
1:24
22.
Scene 16 Zerlina: Masetto... senti un po'...
1:16
23.
Zerlina: Batti, batti, o bel Masetto
4:25
24.
Masetto: Presto, presto... pria ch'ei venga
1:45
25.
Scene 18 Zerlina: Tra quest'alberi celata
2:17
26.
Scene 19 Elvira: Bisogna aver corragio
4:49
27.
Scene 20 Giovanni: Riposate, vezzose ragazze
8:59
ACT 2
28.
Scene 1 Giovanni Eh via, buffone, non mi seccar
2:38
29.
Scene 2 Elvira: Ah! taci, ingiusto core
5:07
30.
Elvira: Eccomi a voi!
1:42
31.
Giovanni: Deh! vieni alla finestra
2:03
32.
Scene 4 Giovanni: V'è gente alla finestra
1:04
33.
Giovanni: Metà di voi qua vadano
2:49
34.
Scene 5 Giovanni: Zitto... Lascia ch'io senta
0:39
35.
Scene 6 Masetto: Ahi! Ahi! La testa mia!
1:34
36.
Zerlina: Vedrai, carino
3:34
37.
Scene 7 Leporello: Di molte faci il lume
3:09
38.
Scne 8 Zerlina & Masetto: Ferma, perfido; ferma
4:35
39.
Scene 9 Zerlina: Dunque quello sei tu che
0:18
40.
Leporello: Ah, pieta, signori miei
1:49
41.
Scene 10 Elvira: Ferma, perfido, ferma!
0:42
42.
Ottavio: Il mio tesoro intanto
5:08
43.
Elvira: In quali eccessi, o numi
2:20
44.
Elvira: Mi trade quell'alma ingrate
4:16
45.
Scene 11 Giovanni: Ah! ah! ah! questa è buona!
3:52
46.
Leporello: O statua gentilissima
3:20
47.
Scene 12 Ottavio: Calmatevi, idol mio
8:22
48.
Scene 13 Giovanni: Già la mensa è preparata
4:43
49.
Scene 14 Elvira: L'ultima prova
2:42
50.
Leporello: Ah, signor... per carita!
0:46
51.
Scene 15 Commendatore: Don Giovanni, a cenar
6:33
52.
Scene 16 Ensemble: Ah! dov'è il perfido?
6:04
Arie di Mozart - Italo Tajo, bass
53.
Mentre ti lascio, K513 (La disfatta di Dario
4:34
54.
Un bacio di mano, K541
1:49
55.
Per questa bella mano, K612 with E. Francalanci
4:08
56.
Cosi dunque tradisci... Aspri rimorsi atroci, K432 (Temistocle)
3:58
57.
Rivolgete a lui lo sguardo, K584 Cosi fan tutte)
4:17
58.
Alcandro, lo confesso... Non sò d'onde viene, K512
4:36
Orchestra Sinfonica di Torino della Radiotelevisione Italiana
Conducted by Mario Rossi
Recorded in 1947
Total time: 188:59
Solo:Benno Kusche Leporello Servant to Don Giovanni
Solo:Margaret Harshaw Donna Anna Daughter of the Commendatore & betrothed to Don Ottavio
Solo:James Pease Don Giovanni a Young & Licentious Nobleman
Solo:Hervey Alan The Commendatore
Solo:Leopold Simoneau Don Ottavio
Solo:Sena Jurinac Donna Elvira a Lady from Burgos, abandoned by Don Giovanni
Solo:Anny Schlemm Zerlina a Peasant Girl
Solo:Thomas Hemsley Masetto a Peasant, betrothed to Zerlina
Orchestra: Royal Philharmonic Orchestra
Continuo played by the Conductor
Choral: Royal Philharmonic Orchestra
Conductor:Georg Solti
The complete performance was broadcast live from the opera house on 17 July 1954.
About
Solti conducted Don Giovanni in nine performances during the 1954 Glyndebourne season : on July 7, 9, 11, 14, 17, 21, 23, 25, 27. These performances of Don Giovanni were Georg Solti’s only Glyndebourne appearances. This complete performance was broadcast live from the opera house on 17 July 1954. The source recording is part of the ‘Itter Broadcast Collection’ held by Lyrita Recorded Edition Trust. This is the first release on Prima Voce for more than five years and we hope that it will once again stimulate interest in this critically acclaimed series. A new printed catalogue for Prima Voce is also available and our next release will be Berlioz, ‘The Damnation of Faust’ in a live performance from the Royal Festival Hall, with Joan Hammond conducted by Sir Malcolm Sargent in 1953.
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