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Reger: Organ Works, Vol. 16
MAX REGER
3 Pieces, Op. 7
1.
No. 1. Prelude and Fugue in C Major: Prelude -
3:02
2.
No. 1. Prelude and Fugue in C Major: Fugue
5:38
3.
No. 2. Fantasie, "Te deum laudamus"
8:16
4.
No. 3. Fugue in D Minor
7:44
KARL STRAUBE
2-Part Inventions, BWV 772-786 (arr. M. Reger and K. Straube as Schule des Triospiels for organ)
5.
Invention No. 1 in C Major, BWV 772
1:32
6.
Invention No. 2 in C Minor, BWV 773
2:06
7.
Invention No. 3 in D Major, BWV 774
1:36
8.
Invention No. 4 in D Minor, BWV 775
1:31
9.
Invention No. 5 in E-Flat Major, BWV 776
2:11
10.
Invention No. 6 in E Major, BWV 777
2:36
11.
Invention No. 7 in E Minor, BWV 778
1:36
12.
Invention No. 8 in F Major, BWV 779
1:18
13.
Invention No. 9 in F Minor, BWV 780
1:55
14.
Invention No. 10 in G Major, BWV 781
1:12
15.
Invention No. 11 in G Minor, BWV 782
1:52
16.
Invention No. 12 in A Major, BWV 783
2:04
17.
Invention No. 13 in A Minor, BWV 784
1:51
18.
Invention No. 14 in B-Flat Major, BWV 785
1:57
19.
Invention No. 15 in B Minor, BWV 786
1:37
MAX REGER
52 Easy Chorale Preludes, Op. 67
20.
No. 36. Sollt ich meinem Gott nicht singen
2:56
21.
No. 37. Straf mich nicht in deinem Zorn
2:06
22.
No. 38. Valet will ich dir geben
2:14
23.
Prelude in C Minor, WoO 8, No. 6
1:27
24.
Fugue in C Minor, WoO 4, No. 8
2:21
Prelude and Fugue in D Minor, WoO 4, No. 10
25.
Prelude -
2:52
26.
Fugue
2:58
Toccata and Fugue in D Minor, BWV 913 (arr. M. Reger for organ)
27.
Toccata -
3:06
28.
Fugue
3:50
Solo: Christian Barthen Soloist
Notes
Reger’s status as the supreme German organ composer since J.S. Bach has never been seriously challenged, and this disc explores some of the inspiration that Reger found in his great model. Some of the earliest music here, such as the Three Organ Pieces, Op. 7, is thoroughly imbued with the spirit of Bach—though as yet it lacks the chromaticism that was to be a feature of Reger’s later writing. Together with his good friend and fellow organist Karl Straube, Reger wrote a sequence of inventions, based on Bach’s 1723 Two-Part Inventions that ingeniously cultivate complete independence between the three parts, to which they gave the title Method of Trio Playing. This is the final volume in the critically acclaimed 16-CD series of Max Reger’s complete organ works.
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Reviews
Barthen’s playing, Fulda Cathedral’s richly equipped IV/72 Rieger-Sauer, is intelligent and involving throughout; an accomplished conclusion to a commendable series."****
Michael Quinn - Choir & Organ magazine - November/December 2014
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