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The Crucifixion (1887)
A meditation on the sacred passion of the Hold Redeemer
SIR JOHN STAINER
The Crucifixion (1887)
1.
And They Came To A Place Names Gethsemane
1:25
2.
The Agony
6:32
3.
Processional To Calvary
9:30
4.
And When They Were Come
1:04
5.
The Mystery Of The Divine Humiliation
2:26
6.
He Made Himself of No Reputation
1:20
7.
The Majesty Of The Divine Humiliation
4:01
8.
And As Moses Lifted Up The Serpent
1:17
9.
God So Loved The World
3:18
10.
Litany Of The Passion
4:01
11.
Jesus Said, 'Father, Forgive Them'
0:47
12.
So Thou Liftest Thy Divine Petition
4:34
13.
The Mystery Of Intercession
4:34
14.
And One Of The Malefactors
2:36
15.
The Adoration Of The Crucified
1:31
16.
When Jesus Therefore Saw His Mother
2:52
17.
Is it Nothing To You?
1:08
18.
The Appeal Of The Crucified
5:03
19.
After This, Jesus Knowing That All Things Were Now Accomplised
2:07
20.
For The Love Of Jesus
2:07
TT:: 62:09
Solo:Andrew Kennedy tenor
Solo: Darius Battiwalla organ
Choral: Huddersfield Choral Society
Conductor:Joseph Cullen
Choral: Huddersfield Choral Society Youth Choir
Choral: Huddersfield Choral Society Chamber Choir
Notes
Founded in 1836, the Huddersfield Choral Society has long been a major part of the town’s vibrant musical tradition. Under a succession of distinguished principal conductors and chorus masters it has developed an internal reputation as the UK’s leading choral society. Although enjoying a close working relationship with any leading professional orchestras and conductors, the Society is a independent and self-governing amateur choir, drawing talented singers from a wide area across Yorkshire and the north of England. This is Huddersfield Choral Society’s fourth release with Signum Records.
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Reviews
A beautiful and dramatic performance of a work much criticised, but with an ever-enduring popularity, written by one of the most prolific and successful composers, music educators and church musicians of Victorian times. Here, what may look pedestrian on the oage leaps into life, with colourful singing from soloists and choir, and expressively detailed organ playing: a fine demonstration of Stainer’s skill in writing accessible music with universal appeal." *****
Alan Bullard
Choir & Organ Magazine - March/April 2010
“The Crucifixion is a work of its time, but a performance as good as this one shows that its expressive quality is timeless.” ****
Geoffrey Norris
The Daily Telegraph
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