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WOLFGANG AMADEUS MOZART
(1756-1791)
1.
Il desio di vendetta from Lucio Silla: Act 1, No. 5
5:12
Lucio
2.
Sposa cara from La finta semplice: Act 2, No. 17
4:26
Polidoro
3.
Quercia annosa from Il sogno di Scipione: Act 1, No. 7
3:05
Publio
4.
Dentro il mio petto from La finta giardiniera: Act 1, No. 3
5:56
Don Anchises
5.
Se vicendo from Il re pastore: Act 2, Scene 4
6:04
Alessandro
6.
Il padre Adorato from Idomeneo: Act 1, No. 7
2:52
Idamante
7.
Sol puo dir from Il re pastore: Act 2, Scene 10
2:49
Agenore
8.
Vedrommi intorno from Idomeneo: Act 1, No. 6
3:51
Idomeneo
9.
Misero! o sogno, K.431
9:28
10.
Il mio tesoro from Don Giovanni: Act 2, No. 22
4:04
Don Ottavio
11.
Fuor del Mar from Idomeneo: Act 2, No. 12
6:25
Idomeneo
12.
Un'aura amorosa from Cosi fan tutte: Act 1, No. 17
4:40
Ferrando
13.
In qual fiero contrasto - Tradito, schernito from Cosi fan tutte, Act 2, No. 27
3:24
Ferrando
14.
Se all'imperio from La Celemenda di Tito: Act 2, No. 20
5:12
Tito
67:31
Solo:Jeremy Ovenden tenor
Orchestra: Orchestra of the Age of Enlightenment
Conductor:Jonathan Cohen
29 September-2 October 2010
Notes
Mozart: An Italian Journey – Jeremy Ovenden (tenor), Orchestra of the Age of Enlightenment, Jonathan Cohen
This is a fascinating musical journey through the Italian arias of Mozart, from one of his earliest works, Lucio Silla (composed when he was just sixteen), through to his final Italian opera, La clemenza di Tito.
The English tenor Jeremy Ovenden has established himself as one of the best Mozartean tenors of his generation (notably in the role of Don Ottavio) and has become a familiar figure on the stages of the world’s opera houses and concert halls and at major festivals. For this, his first, solo recording he is joined by the Orchestra of the Age of Enlightenment and conductor Jonathan Cohen. In a recent performance review The Opera Critic described Jeremy as ‘an intelligent… highly competent singer… his line, power, and coloratura were all excellent’.
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Reviews
"... Ovenden has a pleasant, soft-grained voice and an astonishing facility for coloratura. His is not fazed by the most difficulty passages from the early operas, sailing easily through the trickiest divisions Cohen and his orchestra do more that merely accompany. They seem thoroughy involved in the drma and play with great colour and spirit. The sound is excellent Very much worth hearing. "
Lucano - American Record Guide - January/February 2012
"Virtuosity is put to its rightful purpose in this brilliant collection of Mozart arias, sung flawlessly by tenor Jeremy Ovenden He is a fine actor as well, and performs expansively but without affectation. Ovenden is not the only virtuoso present, however. The musicians and the conductor of the Orchestra of the Age of Enlightenment bring their own superlative contribution to the music-making, giving us another in their series of intelligent, authentic full-blooded recordings This is a wonderful production! "
Raymond Beegle - Fanfare - January/February 2012
"... A refreshing rarity - a collection of Mozart’s italian arias for tenor. "
David Vickers - Gramophone Awards issue - 2011
Performance **** Recording ****
"... An English tenor currently of high standing in leading European musical venues, Jeremy Ovenden has planned his richly rewarding Mozart arias disc as a double tribute - to the composer of whose roles he has become a noteable performer ..."
Max Loppert - BBC Music Magazine - October 2011
"The fine tenor Jeremy Ovenden, who has sung most of the major Mozart roles all over Europe and is resident in la bella Italia, sings with an engaging commitment to these joyous creations, giving us terrific arias from, among others, Scipione, La finta giardiniera, Idomeneo, Don Giovanni and Così, accompanied with customary style by Jonathan Cohen and the glorious Orchestra of the Age of Enlightenment. A delightful selection."
Stephen Pritchard - The Guardian - 17 July 2011
Good singer. He has great style, a beautiful voice all'italiana.
I just wonder: why he sings un'auramorosa and not 'un'aura amorosa'? It cannot be just a legato for keep the position of the throat...
he does not need this kind of tricks!
a bindi
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