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Handel At Vauxhall, Vol.1
GEORGE FRIDERIC HANDEL
1.
Sinfonia from Acis and Galatea, HWV 49
3:36
2.
Organ Improvisation in the style of John Worgan and Handel
0:59
Daniel Moult organ
Organ Concerto Op.4 No.2 in B flat Major, HWV 290
3.
Sinfonia: A tempo orginario e staccato
0:49
4.
Allegro
4:56
5.
Adagio e staccato
0:48
6.
Allegro ma non presto
3:07
Daniel Moult organ
7.
Accompagnato: ye verdant plains and woody mountains
0:42
8.
[Air] Hush, ye pretty warbling choir!
5:43
from Acis and Galatea, HWV 49
Kirsty Hopkins soprano
THOMAS AUGUSTINE ARNE
9.
Colin and Phoebe A Pastoral
3:34
Eleanor Dennis soprano
Greg Tassell tenor
Benjamin Bevan baritone
GEORGE FRIDERIC HANDEL
10.
Dead March from Saul, HWV 53
3:06
11.
The Advice
2:10
Sophie Bevan soprano
12.
The Melancholy Nymph, HWV 228 No.19
3:35
Charles MacDougall tenor
JOHN HEBDEN
Concerto for Strings and Basson Continuo No.1 in A Major
13.
Adagio
1:59
14.
Fuga
1:55
15.
Largo
1:33
16.
Allegro
3:33
GEORGE FRIDERIC HANDEL
17.
As steals the morn upon the night
6:12
from L'Allegro, il Penseroso ed il Moderato, HWV 55
Greg Tassell tenor
Total time: 48:17
Orchestra: London Early Opera
Conductor:Bridget Cunningham
Solo:Daniel Moult organ
Solo:Eleanor Dennis soprano
Solo:Kirsty Hopkins soprano
Solo:Charles MacDougall tenor
Solo:Greg Tassell tenor
Solo:Benjamin Bevan baritone
Notes
London Early Opera follow up their debut release (Handel in Italy, Vol. 1) with a treasure trove of music by George Frideric Handel (as well as his contemporaries Thomas Arne and John Hebden) centered on the Vauxhall Pleasure Gardens – a carnival of music and entertainments that entertained visitors for nearly 200 years. The booklet notes features images and expert commentaries of the Vauxhall Gardens by author David E. Coke and conductor and musicologist Bridget Cunningham. Praise for the series: 4*, 5* ‘if all six [discs] are put together with the same care as these two, and directed with the same verve and vigour, this will be a series well worth collecting’ - Early Music Today
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Reviews
Performance *** Recording ****
"... Bridget Cunningham's re-imaging of the first part of a typical evening's entertainment puts George Frideric centrestage, and sets the scene delectably with the flirtatious bustle of the Sinfonia to Acis and Galatea..."
Paul Riley - BBC Music magazine - October 2016
"An enjoyable and well-thought-out idea for a disc."
Early Music Review - May 2016
"This is light entertainment, most decorously sung and played by London Early Opera, conducted by Bridget Cunningham."
Financial Times - May 2016
"A perfectly sensible and enjoyable approach to imagining what a typical night at Vauxhall might have sounded like. There is a charming ebb and flow to this hypothetical entertainment."
Gramophone - April 2016
"The highlights include a sprightly organ concerto (Op.4 No.2 with Daniel Moult), the gloriously lugubrious Dead March from Saul, and vocal items that range from slightly yokelish to sophisticatedly pastoral."
The Irish Times - April 2016
"A pleasant listen all round."
The Scotsman - March 2016
"... an attractive potpourri...bright, lively sound."
The Observer - April 2016
"...fine entertainment..."
BBC Radio 3 Record Review, March 2016
"... Daniel Moult at the organ, whose improvisation in the style of John Worgan and Handel is highly impressive. MacDougall comes across particularly convincingly as a 'Vauxhall Gardens' singer..."
Catherine Groom - Early Music Today - June-August 2016
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